36 | THINGS TO DO | Film and theatrecamera in 1839, and experimented withcolour and motion pictures. By 1934, ahuge cinema – the Gaumont Palace –had replaced his studio. A bas relief ofhis image can still be seen on the façadeof the building.Designed by William E Trent andErnest F Tully, it had seating for 2,502and included a fully-equipped stage, arehearsal room, dressing rooms and aCompton theatre organ. It became theGaumont Theatre from 1937 and wasmodernised in 1960. It was renamed theOdeon in 1963 but closed its doors in1972. The foyer and stalls becameHabitat, while the stage became flatsand offices.A new Odeon cinema opened inSeptember 1973, seating 739, occupyingthe former balcony area, but it closedin 1981. After the cinema had been darkfor two years, distributor Artificial Eyetook it over and renamed it the <strong>Chelsea</strong>Cinema. It joined Curzon Cinemas in2006, and became the Curzon <strong>Chelsea</strong>after extensive refurbishment in 2010mboasting the biggest screen outside theWest End. The auditorium has 713 seats,some of which are luxury ‘Pullman’seats, and the cinema also has a bar.Ticket prices: Adults £10.50, Cineaste(Curzon members) £8.50, Pullman seats£15/£13 Cineastes (Monday-Friday after5pm, Saturday and Sunday after 2pm).Cinesaver (Monday-Friday 2pm-5pm)£7.50 adults, £6.50 Cineaste, £11/£9Pullman seats. Early bird (open to 2pm)£7.50 adults, £6 Cineaste £5, £9/£8Pullman seats. Children (under 15) £6 atall times. There is a surcharge of £2 onall tickets for 3D films. The cinema is currentlyinaccessible to wheelchair users,but staff can offer assistance with stairs ifyou phone in advance to discuss yourneeds.206 King’s Road, SW3 5XPT: 0330 500 1331www.curzoncinemas.com/cinemas/chelsea/Film locationsWith its diverse architecture and rich history,<strong>Chelsea</strong> has always been in demand as alocation for films. Here are just a few of themovies that have scenes shot in the areaBlow-Up (1966)Michelangelo Antonioni’s thriller sees glamorousfashion photographer Thomas (DavidHemmings) showing his portfolio to hisagent, Ron (Peter Bowles), in El Blason,8-9 Blacklands Terrace, and attending aparty on Cheyne Walk.A Clockwork Orange (1971)The McDonalds on the King’s Road used tobe the <strong>Chelsea</strong> Drugstore, which doubledas a record store visited by Alex (MalcolmMcDowell) in Stanley Kubrick’s iconic film.Withnail and I (1986)Monty, played by Richard Griffiths, lives at35 Glebe Place and is visited by hisnephew Withnail (Richard E Grant) and hisfriend, played by Paul McGann and namedonly as ‘…& I’ in the end credits. BruceRobinson’s black comedy is a cult favouriteand counts Beatle George Harrison as oneof its executive producers.Match Point (2005)Scarlett Johansson’s American actresscharacter Nola auditions for a role at theRoyal Court Theatre in Woody Allen’s thriller.A Good Year (2006)The iconic Bluebird Café on the King’sRoad features in Ridley Scott’s romanticcomedy.Alex Rider: Stormbreaker (2006)Adapted from Anthony Horowitz’s novel,this film stars Alex Pettyfer as teenage spyAlex Rider, who lives in St Leonard’sTerrace.Royal Court TheatreThe Royal Court is a non-commercialtheatre renowned for its work championingnew writing and staging landmarkplays, such as John Osborne’s LookBack in Anger and Edward Bond’sSaved. Its ongoing writers programmesand festivals, including Rough Cuts andthe Young Writers Programme, havehelped to launch the careers of newvoices such as Mike Bartlett, LucyPrebble, Polly Stenham, Laura Wade andBola Agbaje.The Royal Court – originally called theCourt Theatre – was built by WalterEmden and opened in 1888. It becamefamous for its George Bernard Shawseasons. It was used as a cinema from1932-1935, after which it closed for awhile, and was damaged in the SecondWorld War. After the war, it presentedlight musical reviews.In 1952, former music hall performerAlfred Esdaile acquired the lease of thetheatre and the land next to SloaneSquare underground station from the<strong>Cadogan</strong> Estate, and reopened thebuilding as a theatre club. The EnglishStage Company, led by artistic directorGeorge Levine, made the Court its homein 1955. Look Back in Anger opened atthe theatre in 1956 – the start of a newera of modern British drama.The Royal Court has also been instrumentalin the abolition of censorshipon the London stage, with Osborne’sA Patriot For Me and Bond’s Saved andEarly Morning being refused a licenceto be performed in public by the LordChamberlain’s Office in the 1960s. Therole of official censor was abolished in1968.In 1966, the Young People’s Theatrewas set up to develop and produce newwriting by writers under 25 years old,and the Young Writers Festival, now aregular event, was launched in 1973.The Theatre Upstairs, one of the firstArtisticdirectors at theRoyal CourtTheatre2007 – 2013: Dominic Cooke1998 – 2006: Ian Rickson1992 – 1998: Stephen Daldry1979 – 1992: Max Stafford-Clark1977 – 1979: Stuart Burge1975 – 1977: Robert Kidd andNicholas Wright1972 – 1975: Oscar Lewenstein1969 – 1972: William Gaskill,Lindsay Andersonand Anthony Page1965 – 1969: William Gaskill1956 – 1965: George Devine
37 | THINGS TO DO | Film and theatreNotable RoyalCourt TheatreproductionsLook Back in Anger by John Osborne(1956)The Chairs by Eugene Ionesco (1957)Endgame by Samuel Beckett (1958)Roots by Arnold Wesker (1959)The Knack by Ann Jellicoe (1962)Saved by Edward Bond (1965)The Lion and the Jewel by WoleSoyinka (1966)Over Gardens Out by Peter Gill(1969)The Contractor by DavidStorey (1969)As Time Goes By byMustapha Matura (1971)The Rocky Horror Showby Richard O’Brien(1973)The Island byAthol Fugard(1973)Cloud NineFrom the original RoyalCourt Theatre production ofThe Rocky Horror Showby CarylChurchill(1979)Bent by Martinblack box studios opened by a mainstreamtheatre, launched in 1969.The Royal Court’s building closed temporarilyfor redevelopment in 1996, withthe company moving to the West Enduntil it reopened in 2000. A book aboutthe Royal Court’s life – The Royal CourtTheatre: Inside Out by Ruth Little andEmily McLaughlin – is available in thebookshop or from the online shop. Playtexts are also available.Recent successes at the Royal Courthave included Jez Butterworth’s awardwinningJerusalem, which transferred toSherman (1979)Top Girls by Caryl Churchill (1982)Rita, Sue and Bob Too by AndreaDunbar (1982)Rat in the Skull by Ron Hutchinson(1984)Road by Jim Cartwright (1986)Our Country’s Good by TimberlakeWertenbaker (1988)Death and the Maiden by Ariel Dorfman(1991)Blasted by Sarah Kane (1995)East is East by Ayub Khan-Din (1997,performed at the Ambassadors duringthe Royal Court building’s redevelopment)Attempts On Her Life by Martin Crimp(1997, performed at the Ambassadors)The Weir by Conor McPherson (1997,performed at the Ambassadors)Plasticine by Vassily Sigarev (2002)A Number by Caryl Churchill (2002)Fallout by Roy Williams (2003)Motortown by Simon Stephens (2006)Gone Too Far! by Bola Agbaje (2007)That Face by Polly Stenham (2007)Shades by Alia Bano (2009)Enron by Lucy Prebble (2009)Jerusalem by Jez Butterworth (2009)Clybourne Park by Bruce Norris (2010)The Heretic by Richard Bean (2011)the West End and New York's Broadway.The Royal Court’s artistic director,Dominic Cooke, has announced thathe will step down from the post in April2013 to focus on freelance work. Hissuccessor has not yet been announced.The Jerwood Theatre Upstairs is thestudio theatre, while the Jerwood TheatreDownstairs is the main house. All seatsare £10 on Mondays, available on theday of performance from 9am online,10am in-person.Sloane Square, SW1W 8AS. T: 020 75655000. www.royalcourttheatre.comTuned inWhether you'd like to hear the RoyalPhilharmonic in a spectacular concerthall or enjoy live jazz with your jumboshrimp, <strong>Chelsea</strong>'s many music venuesshould hit the right note606 ClubThe 606 Club is a jazz club restaurantwhich hosts live British-based musicseven nights a week. Run by musicianSteve Rubie, the club is set in a basementvenue and has been hosting a varietyof jazz, latin, soul, groove, R&B andblues acts since 1976. It moved to itscurrent location to suit higher demand in1988.There is a bar, but non-members canonly be served alcohol with a ‘substantial’meal. Membership costs £95 peryear and you must have visited the clubat least three times before being accepted.There is also a music charge of £10(Sunday to Thursday) or £12 (Friday andSaturday), which goes straight into theband’s pocket and is added on to yourbill.Sunday-Thursday 7pm-12am, Friday-Saturday 8pm-2am.90 Lots Road, London SW10 0QDT: 020 7352 5953www.606club.com<strong>Cadogan</strong> Hall<strong>Cadogan</strong> Hall is the home of the RoyalPhilharmonic Orchestra and the grandestof <strong>Chelsea</strong>’s music venues.It was designed by Robert FellowesChisholm as a New Christian ScienceChurch in 1907 and could draw congregationsof up to 1,600. Almost 90 yearslater, in 1996, the congregations weredwindling and change was needed. The<strong>Cadogan</strong> Estate bought the hall in 2000606 Cluband converted it into a music venue, withacoustics, atmosphere and technologyhigh on the list.The hall can seat an audience ofaround 900 and offers an eclectic mix ofmusic including classical, opera, choral,jazz, rock, pop and world music. See thewebsite for listings.The box office is open Monday-Saturday 10am-6pm (8pm on performancedays) and on Sundays (only onperformance days) from 3pm-8pm.5 Sloane Terrace, London, SW1X 9DQT: 020 7730 4500www.cadoganhall.comCaffé Concerto (see Cafés)<strong>Chelsea</strong> Old ChurchClassical concerts are held at <strong>Chelsea</strong>Old Church most months (avoidingbusier times in the church calendar suchas Christmas and Easter).The singers and musicians for the