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old master drawings - Museum of Fine Arts - Florida State University

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Jean-Honoré Fragonard(1732-11806)FrenchJean-Honoré Fragonard is a French painterwhose scenes <strong>of</strong> frivolity and gallantry are among themost complete embodiments <strong>of</strong> the Rococo spirit. Hewas a pupil <strong>of</strong> Boucher, before winning the Prix deRome in 1752. From 1756 to 1761 he was in Italy,where he tended to ignore the work <strong>of</strong> the approved<strong>master</strong>s <strong>of</strong> the High Renaissance, instead forming aparticular admiration for Tiepolo.He travelled and drew landscapes with HubertRobert and responded with special sensitivity to thegardens <strong>of</strong> the Villa d'Este at Tivoli, memories <strong>of</strong> whichoccur in paintings throughout his career. In 1765 hebecame a member <strong>of</strong> the Academy with his historicalpicture, Coroesus Sacrificing himself to Save Callirhoe (Louvre, Paris).Jean-Honoré Fragonard,Inspiration (Self-Portrait), 1769,oil on canvas, Louvre.He soon abandoned this style for thesecular canvases by which he is chieflyknown. After his marriage in 1769 he alsopainted children and family scenes. Hestopped exhibiting at the Salon in 1767 andalmost all <strong>of</strong> his work thereafter was donefor private patrons. Among them was Mmedu Barry, Louis XV's most beautifulmistress, for whom he painted the worksthat are <strong>of</strong>ten regarded as his <strong>master</strong>pieces- the four canvases representing TheProgress <strong>of</strong> Love (1771-73). These, however,were returned by Mme du Barry and itseems that taste was already turning against Fragonard's lighthearted style. Hetried unsuccessfully to adapt himself to the new neoclassical vogue, but inspite <strong>of</strong> the admiration and support <strong>of</strong> David he was ruined by the FrenchRevolution and died in poverty.Jean-Honore Fragonard, A Gathering at Wood’sEdge, 1760-80, red chalk, The Metropolitan<strong>Museum</strong> <strong>of</strong> Art.Fragonard was a prolific painter, but he rarely dated his works so that itis not easy to chart his stylistic development. Nevertheless, alongside Boucher,his paintings seem to sum up an era. His delicate coloring, wittycharacterization, and spontaneous brushwork ensured that even his mostsecular subjects are never vulgar and his finest work has an irresistible verveand joyfulness.Artist Biographies Page 18

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