Jaccapo Palma il Giovane(1544-1628)VenetianJaccapo Palma il Giovane, the great-nephew <strong>of</strong> il Vecchio, was one <strong>of</strong> thelast great high Renaissance painters in Venice, Italy. He was born in the cityand died there, so he was easily caught up in the fast paced artistic world thatsurrounded him in his hometown. In his father’s workshop, this Venetiantaught himself how to paint simply by observing. It is easily said that Palma ilGiovane is an underrated artist, over-shadowed by thegreat artists Tintoretto, Titian, and his great uncle, butwhen one looks at his works, s/he knows he was a one<strong>of</strong>-a-kindpainter. He was constantly painting, and in factmany believed he was obsessed with the art. Hisbiographer once reported “when his wife died, he beganto paint and when the women returned from the funeral,Jaccopo Palma il Giovane,he asked them whether they had accommodated her well.” Susanna Before Daniel, oilon canvas, 146.1 x 196.5The native Venetian, Palma il Giovane, was a truecm, Robert Simon <strong>Fine</strong> Art.Renaissance man, and he loved painting.When Palma il Giovane and the Duke <strong>of</strong> Urbino became acquainted in1567, the Duke sent the artist to Rome to apprentice for four years; that is t<strong>of</strong>ormally study. Palma il Giovane worked with Titian and Tintoretto, completingsome <strong>of</strong> their works, but was not given much credit for it. His great uncleJaccapo Negreti Palma il Giovane, or il Vecchio, completely trumped his greatnephew’sworks. The younger artist spent his whole life trying to compete withhis uncle, but he only came close to the <strong>master</strong>y <strong>of</strong> il Vecchio.When the Doge’s Palace burned in 1577 Palma il Giovane was asked toreplace and redecorate after the devastating fire. He was asked for threecanvases for the ceiling <strong>of</strong> the Sala del Maggior Consiglio. He was also asked topaint in the great council hall, and this commissionwas very exciting for the artist.By the mid-1580s, Palma il Giovane hadincorporated Tintoretto's versatile figure postures aswell as Titian's thick surfaces, emphasis on light,and loose brushstroke. After Tintoretto died in1594, Palma il Giovane became Venice’s dominantartist receiving many commissions. After Titan diedin 1576, Palma il Giovane completed the elderartist’s Pieta. Palma il Giovane also took intoconsideration the patron’s taste, <strong>of</strong>ten varying thestyle or degree <strong>of</strong> exaggeration as well as subjectJaccapo Palma il Giovane, Study matter to please his customers.<strong>of</strong> a Saint, black and white chalkIn the later years <strong>of</strong> his life Palma il Giovaneon blue paper, 27 x 17.9 cm,Katrin Bellinger Kunsthandel didn’t paint as much and lost some <strong>of</strong> his interestfor a wide range <strong>of</strong> commissions. After 1600 hepainted scenes <strong>of</strong> mythology for a small group <strong>of</strong> intellectuals. Jaccapo Palma ilGiovane, although not as well known as a number <strong>of</strong> the Renaissance artists,<strong>of</strong>fers today’s art lovers an interesting story and a legacy <strong>of</strong> his own.Artist Biographies Page 18
Elisabetta Sirani(1638-1665)ItalianEven though she only lived for 27 years, Elisabetta Sirani was a verysuccessful Baroque painter with over 200 paintings, <strong>drawings</strong>, and etchings.She was born in Bologna, Italy in 1638 to anartistic father Giovanni Sirani. Elisabetta wasan independent painter by 19 and ran herfamily’s workshop. When her father becamesick, she had to support her parents and herthree siblings entirely through her art.Elisabetta spent her short life in the city<strong>of</strong> Bologna which is a city famous for itsprogressive outlook toward women’s rights andfor generating flourishing female artists.Elisabetta became known very quickly for herart because <strong>of</strong> how fast she was able to finishpaintings. Her admirers liked to visit herstudio frequently to watch her work. Herpaintings focused on portraits, mythologicalsubjects, and, most famously, the Holy Familyand the Virgin and Child. Her works wereattained by wealthy, noble, and royal patrons.In 1665, Elisabetta became depressedElisabetta Sirani, Self-Portrait,unknown date, black and red chalk onpaper, Private Collection, Geneva,stomach ailment. Her father suspectedthat she had been poisoned by a jealousmaid and had the maid put on trial. Anautopsy showed that Elisabetta died fromstomach ulcers so the maid was acquitted.The city <strong>of</strong> Bologna honored Elisabettawith an elaborate public funeral thatincluded formal orations, special poetryand music, and a life-sized sculpture <strong>of</strong>her.and underweight. She forced herself to continueworking but within a few months she died <strong>of</strong> anundiagnosedElisabetta Sirani, Virgin and Child, 1663, oil oncanvas, National <strong>Museum</strong> <strong>of</strong> Women in the <strong>Arts</strong>.Artist Biographies Page 19