paint make! - Oregon College of Art and Craft

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METALSCLASSESFundamentals of MetalsmithingALLISON ULLMER12 WEEK CLASS • ME801M T W T F S S • JAN 31-APR 25 (NO CLASS MAR 28);6:30PM-9:30PMTUITION: $395; STUDIO FEE: $100EARLY REGISTRATION TUITION (DEADLINE 1/15): $365FOR CREDIT TUITION: $695This course will focus on the fundamentals ofworking with non-precious metals and sterlingsilver as an introduction to jewelry fabrication.Techniques covered include sawing, filing, surfacefinishing, surface treatment, soldering, scoringand bending and cold connections. Classprojects will include an introduction to piercingwith the jewelers saw, a silver ring, a marriage ofmetal pendant, basic kinetic possibilities and anecklace or bracelet through basic chain makingand hollow bead construction. Prerequisite: NoneAllison Ullmer, Instructor. See previous listing.teacher with a knack for putting things together in uniqueways. She has lectured and taught at colleges and craftcenters internationally, in addition to speaking at severalSNAG conferences and having curated the travelingexhibition Op Art: Eyeglasses by Jewelers. She has a BSfrom the University of California Davis and an MFA fromSan Diego State University. Stoner worked as an eyeweardesigner for Anne Klein and Donna Karan, as well asworking freelance in the fashion industry on projects includingwatches and jewelry.Direct and Lost Wax CastingJENNIFER WALLJENNIFER WALL6 WEEK CLASS • ME851M T W T F S S • FEB 9-MAR 23 (NO CLASS FEB 23);9:00AM-12:00PMMETALSBezelsDEB STONER6 WEEK CLASS • ME850M T W T F S S • JAN 30-MAR 6; 6:45PM-9:45PMTUITION: $215; STUDIO FEE: $50EARLY REGISTRATION TUITION (DEADLINE 1/15): $185Explore the fundamentals of basic stone settingby making bezels. The emphasis is on buildingsecure, beautiful metal settings for the mostcommon cut, the cabochon. Techniques coveredinclude hand constructing round, irregular andsquare settings, with emphasis on determiningbezel heights and thickness for various stones.Making bezels is a great way to build yoursoldering skills. Prerequisite: Fundamentals ofMetalsmithing (ME801) or equivalentDeb Stoner is a studio artist, designer, metalsmith andTUITION: $215; STUDIO FEE: $50EARLY REGISTRATION TUITION (DEADLINE 1/15): $185This class will explore various casting methodsacross a range of cultural and historical considerations.Among other explorations, this coursewill focus on developing wax-working and directcasting techniques along with the centrifugalcasting process. In addition, we will examineancient techniques such as cuttlefish bonecasting and sand casting. Students will createfinished pieces of jewelry using these variedcasting techniques. Prerequisite: NoneJennifer Wall is the Metals Studio Manager and aninstructor at OCAC, as well as an adjunct instructor atthe University of Oregon in Portland. Her work has beenshown in both domestic and international galleries, and employsa range of methodologies and material with a focus onthe intersection between the machined and the haptic. Wallreceived an MFA from the University of Oregon in Eugene.16studio school METALSKRISTIN MITSU SHIGAGlass on Metal - Enameling BasicsKRISTIN MITSU SHIGA5 WEEK CLASS • ME852M T W T F S S • MAR 12-APR 23 (NO CLASS MAR 26 &APR 9); 6:30PM-9:30PMTUITION: $195; STUDIO FEE: $50EARLY REGISTRATION TUITION (DEADLINE 1/15): $165Explore the basics of fusing colorful glass tometal in this five-week course. Students will learnto apply enamel to metal in a number of ways andacquire an understanding of this captivating medium.Techniques covered include sifting, sgraffito,stenciling and simple underglaze drawing andpainting. We’ll also experiment with inclusionssuch as foil, wire, lumps and threads. Content andwearability will also be addressed. Prerequisite:None, though basic metal fabrication is helpful.Kristin Mitsu Shiga is an OCAC alumna and has been aprofessional metalsmith and teacher since 1992. Her work
has been exhibited internationally and has been featured innumerous publications, including Art Jewelry Today, FabulousFound Object Jewelry and several books in Lark’s“500” series. Learn more about Kristin and her work fromher recent segment on Oregon ArtBeat, viewable at www.opb.org/programs/artbeat.Fold Forming & Jewelry ScaleHammer FormingDEB STONER6 WEEK CLASS • ME853M T W T F S S • MAR 13-APR 24 (NO CLASS MAR 27);6:45PM-9:45PMTUITION: $215; STUDIO FEE: $50EARLY REGISTRATION TUITION (DEADLINE 1/15): $185Tired of sheet metal jewelry forms that simplylook flat? In this class we’ll use hammers, stakesand the rolling mill to explore fold forms, and anticlastic/synclasticsheet metal raising techniqueson a jewelry scale. These seemingly simple butendlessly fascinating techniques will broadenstudents’ metals vocabulary and develop excitingand direct lifelong skills. Prerequisite: Fundamentalsof Metalsmithing (ME801) or equivalentDeb Stoner, Instructor. See previous listing.BLUE MITCHELLCasting with Mold-Assistance& Plastics/OrganicsJENNIFER WALL6 WEEK CLASS • ME854M T W T F S S • APR 6-MAY 11; 9:00AM-12:00PMTUITION: $215; STUDIO FEE: $50EARLY REGISTRATION TUITION (DEADLINE 1/15): $185This course focuses on using a variety ofadvanced casting processes such as moldmakingtechniques for developing multiplewaxes as well as for reproducing difficult orephemeral items through casting. The course willalso investigate burning out plastics, organicsand other advanced materials. We will primarilyuse and design around found organic and plasticmodels, and we will work with rubber molds forcasting multiples. Prerequisite: NoneJennifer Wall, Instructor. See previous listing.PHOTOGRAPHYWORKSHOPSUnconventional PhotographyBLUE MITCHELLEver wanted to break the rules and explore theborders between processes? If so, this excitingtwo-day workshop offers the opportunity toexplore a variety of unconventional photographicprocesses using both digital and darkroomtechniques. Participants will begin by learninga pigment print transfer process called theacrylic lift, which is an elegant way for artists toshowcase their photography on a variety of substratesincluding wood, metal, glass, etc. Movingforward, darkroom lovers will explore abrasionbleaching, toning, and other manipulations forsilver gelatin prints. To round out the experience,we’ll introduce a variety of other uniqueprocesses through lectures, slideshows and printsamples. Prerequisite: NoneBlue Mitchell is an independent publisher, curator, educatorand photographer, based in Portland, Oregon. He has beeninvolved with many facets of the photographic arts. Mitchellreceived a BFA from Oregon College of Art and Craft.He has curated and juried several photography exhibitions,created an online photography gallery (platestopixels.com)and launched a new fine art photography annual calledDiffusion: Unconventional Photography. His personalwork implements many photographic techniques includingtoy cameras, pinhole, film and digital cameras as well asalternative processes, scanners, aged paper, wax, installation,collage and hand drawing. Most recently he has beenspecializing in Acrylic Lifts and Burnt Transparencies. Hiswork has been exhibited throughout the US.Interested in learning about incorporatingphotographic imagery into your drawingsand paintings?METALS / PHOTOGRAPHY2 DAY WORKSHOP • PH701M T W T F S S • FEB 9-10; 9:00AM-4:00PMTUITION: $165; STUDIO FEE: $35EARLY REGISTRATION TUITION (DEADLINE 1/15): $135METALS / PHOTOGRAPHY studio school17
Page 1 and 2: Winter/Spring 2013continuing educat
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