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paint make! - Oregon College of Art and Craft

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pages for future inspiration. Prerequisite: Someprevious experience with letterpress printingpreferred.Macy Chadwick is originally from Rhode Isl<strong>and</strong> <strong>and</strong> nowresides in Oakl<strong>and</strong>, California. She was introduced to books<strong>and</strong> letterpress by Barb Tetenbaum at OCAC in the 90’s <strong>and</strong>taught a letterpress extension class in 2000. Macy receivedan MFA in Book <strong>Art</strong>s <strong>and</strong> Printmaking from The University<strong>of</strong> the <strong>Art</strong>s in Philadelphia <strong>and</strong> assisted book artist Julie Chenat Flying Fish Press in Berkeley for three years. She currentlycreates books <strong>and</strong> prints in her letterpress studio in Oakl<strong>and</strong><strong>and</strong> teaches classes at Academy <strong>of</strong> <strong>Art</strong> University in SanFrancisco, San Francisco <strong>Art</strong> Institute <strong>and</strong> San FranciscoCenter for the Book. Her work is in prominent collectionsin the US <strong>and</strong> abroad, including the Victoria <strong>and</strong> AlbertMuseum, Yale University Special Collections <strong>and</strong> University<strong>of</strong> Washington, Seattle.LetterpressWARREN BUSSMARILYN ZORNADOBOOK ARTS / CERAMICSBOOK ARTSCLASSESHistoric BookbindingMARILYN ZORNADO10 WEEK CLASS • BA850M T W T F S S • JAN 28-APR 8 (NO CLASS MAR 25);6:30PM-9:30PMTUITION: $310; STUDIO FEE: $40EARLY REGISTRATION TUITION (DEADLINE 1/15): $280Starting with the ancient palm-leaf book, bindyour way through over 1,000 years <strong>of</strong> bookstructures. Learn traditional methods used hundreds<strong>of</strong> years ago to create a series <strong>of</strong> historicalbooks: a Nag Hamadi-style binding, a Copticbinding with wooden boards, a medieval-stylebook with a wrapped cords, a German casebinding<strong>and</strong> a modern wire-spine book devisedby Daniel Kelm. One session will be devoted tomaking decorated papers to use in the books.Prerequisite: Recommended for beginning <strong>and</strong>continuing students. Well-developed h<strong>and</strong> skillsrequired.Marilyn Zornado has been combining her love <strong>of</strong> book arts,calligraphy, poetry <strong>and</strong> animation for twenty years. She isco-founder <strong>of</strong> Fremont Garden Press. Her animated filmsinclude Insect Poetry <strong>and</strong> Spring Lines. Her latest effort,Old-Time Film was co-created with OCAC’s Barb Tetenbaum<strong>and</strong> was animated entirely using letterpress printing.10 WEEK CLASS • BA851M T W T F S S • JAN 30-APR 10 (NO CLASS MAR 27);6:30PM-9:30PMTUITION: $275; STUDIO FEE: $50EARLY REGISTRATION TUITION (DEADLINE 1/15): $245Explore letterpress printing on the V<strong>and</strong>ercookPro<strong>of</strong> Press in this all-levels letterpress classthat will cover typesetting, typography, ink properties,paper qualities, multi-color registration<strong>and</strong> creative problem solving. Group <strong>and</strong> individualprojects will provide both an introductionto letterpress for novices, while also challengingintermediate students ready to advance theirprinting skills <strong>and</strong> exp<strong>and</strong> their letterpressvocabulary. This class will focus on specificletterpress printing <strong>and</strong> h<strong>and</strong> typesetting skillswhile also fostering individual experimentation,making for a perfect follow-up to BeginningLetterpress. Prerequisite: NoneWarren Buss received a BA in Liberal <strong>Art</strong>s from St. John’s<strong>College</strong> in Santa Fe, New Mexico. After being a databaseprogrammer for just long enough, he began studying bookmakingat <strong>Oregon</strong> <strong>College</strong> <strong>of</strong> <strong>Art</strong> <strong>and</strong> <strong>Craft</strong>. He creates his booksunder his press name, Naos Press, <strong>and</strong> as a member <strong>of</strong> asmall book arts collective.Explore a new genre <strong>of</strong> book this termby joining a host <strong>of</strong> visiting children’sbook illustrators in aCERAMICSWORKSHOPSO VISITING ARTISTSurvey <strong>of</strong> Paper Clay—TranslucentExoskeletonsAMANDA SALOV2 DAY WORKSHOP • CE701M T W T F S S • MAR 2-3; 9:00AM-4:00PMTUITION: $245; STUDIO FEE: $25EARLY REGISTRATION TUITION (DEADLINE 1/15): $2158 25Workshop participants will discuss <strong>and</strong> utilizethe benefits <strong>of</strong> adding paper pulp to clay. Themorning will begin with mixing paper clay slipfollowed by dipping objects that absorb clay.In the afternoon, while the kiln is firing, particistudioschool BOOK ARTS / CERAMICSAMANDA SALOV

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