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OPTIMA Newsletter 38

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terms. In the book for Lebanon, Arabic names<br />

are given twice, in Arabic script and transliterated<br />

into Latin script; in the Syrian book<br />

(perhaps because in that country the Latin<br />

alphabet is scarcely used) the second is omitted.<br />

At species level, the Arabic designations<br />

are as a rule not “popular”, vernacular names,<br />

but are of the “learned” type, i.e., they are<br />

translations of the Latin binomial into Arabic.<br />

They are therefore fairly precise as to their<br />

meaning and provide a valuable standard for<br />

communication without resorting to the perhaps<br />

unfamiliar Latin scientific names.<br />

W.G.<br />

139. 1<strong>38</strong>BD. ERSHAD<br />

Festschrifts<br />

(ed.) – Memorial issue<br />

dedicated to the 100th birthday of<br />

late Univ.-Prof. Dr. Karl Heinz Rechinger.<br />

[Rostaniha (ISSN 1608-4306),<br />

7, Suppl. 2.] – Iranian Research Institute<br />

of Plant Protection, Tehran, 2006. [4] +<br />

II + 402 + [4] pages, black-and-white illustrations,<br />

maps and tables; paper.<br />

The inventor, editor and principal author<br />

of the monumental “Flora Iranica”, Karl<br />

Heinz Rechinger, died in 1998, aged 92. The<br />

botanists of Iran, a country where his memory<br />

is venerated more than anywhere else<br />

(certainly more than in his home country),<br />

had the brilliant and most appropriate idea to<br />

honour him with a posthumous Festschrift<br />

on the occasion of the 100 th anniversary of his<br />

birth. He had received more than one such<br />

homage during his lifetime, each of which<br />

he thoroughly enjoyed, and he would certainly<br />

have enjoyed reading the present one.<br />

37 botanists, in their large majority Iranian,<br />

have contributed 24 papers to this volume.<br />

All articles have an Iranian subject, and<br />

in their majority they are systematic and<br />

floristic, but contributions from the fields of<br />

micromorphology and anatomy, karyology,<br />

molecular taxonomy, phytogeography, vegetation<br />

science, nomenclature and applied bot-<br />

Publications<br />

any are also present. There are 5 papers on<br />

liliiflorous families (4 on Allium alone) and<br />

14 on dicot groups: Boraginaceae (2), Compositae<br />

(3), Cruciferae (1), Labiatae (1),<br />

Leguminosae (3), Moraceae (1), Rosaceae<br />

(1), and Rubiaceae (2). Descriptions of 11<br />

new species and one subspecies are included,<br />

among them Asperula oppositifolia<br />

subsp. rechingeri, Astragalus heinzii, and<br />

Cousinia caroli-henrici, all dedicated to Rechinger.<br />

Of special note are Iranshahr’s inventory<br />

of new taxa with names typified by<br />

Rechinger’s specimens from the Iranian<br />

highlands (no less than 566, 266 of them<br />

from Iran); and Akhani’s statistical analysis<br />

of the 176 issues of “Flora Iranica” published<br />

by 2006, with 9977 species treated on<br />

10065 printed pages and illustrated on 6077<br />

plates (204 of them in colour). One further<br />

volume has been published in the meantime<br />

(item 36, above), and three or four are still in<br />

the pipeline, but updating Akhani’s figures<br />

at the end will be easy, now that the main<br />

inventory has been done.<br />

W.G.<br />

Reprints<br />

140. 139BH. Walter LACK – Jardin de la Malmaison.<br />

Ein Garten für Kaiserin Josephine.<br />

– Prestel, München, 2004 (ISBN<br />

3-7913-3050-0). 327 pages, 20 colour<br />

photographs, 142 facsimiles in colour, 1<br />

in black-and-white; cloth in cardboard<br />

box.<br />

A further highlight in the famed series<br />

of Walter Lack’s sumptuous volumes (see<br />

also item 128, above), this time concerning<br />

Napoleonic France – although with a symbolic<br />

Austrian touch, as we shall see. It is<br />

more than a mere reprint, and at the same<br />

time, less. Less, because the descriptive texts<br />

accompanying the 64 plates – coloured stipple<br />

engravings based on paintings by the<br />

great Redouté, beautifully reproduced in one<br />

2009 <strong>OPTIMA</strong> <strong>Newsletter</strong> No. <strong>38</strong> (73)

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