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OPTIMA Newsletter 38

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ered include human culture and history,<br />

landscape and biota, fauna and flora alike.<br />

At the end one finds lists of mammals, amphibians,<br />

reptilians, birds, as well as a preliminary,<br />

obviously incomplete inventory of<br />

flowering plants with 256 species, partly<br />

unidentified.<br />

The text is written competently and lovingly,<br />

and the illustrations, for the most part,<br />

are just gorgeous. Landscapes alternate with<br />

portraits of individual animals and plants,<br />

among the latter some rare or local taxa such<br />

as Ophrys helenae, O. reinholdii subsp. reinholdii<br />

(as Ophrys sp., p. 42), and Silene ungeri<br />

(as Silene sp., p. 37). Consultation of a<br />

botanical expert might have added precision<br />

in the latter cases. For readers who are unfamiliar<br />

with Greek, there is an extensive<br />

English summary on the cover flaps.<br />

W.G.<br />

50. 49BAthêna OIKONOMOU-AMILLÊ (ed.) –<br />

O biokosmos tou Umêttou. Drastêriotêtes<br />

tês ekthesês ‘Attiko Topio & Periballon’.<br />

– Ethniko & Kapodistriako<br />

Panepistêmio Athenôn, Botaniko Mouseio,<br />

Athêna, 2007 (ISBN 978-960-<br />

6608-79-7). 279 pages, numerous colour<br />

photographs; flexible cover.<br />

This booklet was written for Greek students,<br />

as a corollary to the exhibition on<br />

Attica’s landscape and environment of the<br />

Botanical Museum of Athens University<br />

(ATHU) well known for housing the Orphanides<br />

Herbarium. It consists of four distinct<br />

parts, each by a different author: ecosystems,<br />

plants, animals, and fungi. The botanical<br />

chapters were written by Iôannês Mpazos<br />

(Bazós) for plants and Iôannês Dêmêtriadês<br />

(Dimitriádis) for fungi.<br />

Mount Hymettus, one of Athens’ home<br />

mountains, is famous in classical history and<br />

modern botany alike. Many species were<br />

first collected here, by 19 th century botanists<br />

such as Spruner, Heldreich, and even Boissier,<br />

and the epithet hymettius has been<br />

given to at least five different plant species,<br />

Publications<br />

including Helianthemum hymettium and Lomelosia<br />

hymettia, here presented, but also<br />

Allium hymettium and Viola hymettia, which<br />

did not meet the criteria for inclusion.<br />

Plants belonging to either of two categories<br />

were selected for presentation, mostly<br />

on one page combining colour photographs<br />

with descriptive and explanatory text: first<br />

55 Greek endemics, then species protected<br />

either by Greek law or under the CITES<br />

convention. The latter include all orchids, so<br />

that 16 species of Ophrys and 13 of Orchis<br />

are shown along with 14 others of various<br />

genera. The photographs are by several different<br />

persons, some downloaded from the<br />

Internet, a few taken from herbarium specimens<br />

or showing a related species rather<br />

than the one described, and not all are well<br />

focused.<br />

For fungi, the 26 portraits (mostly colour<br />

photographs) and descriptions of individual<br />

species are preceded by a general<br />

introduction to the higher fungi. Understandably,<br />

only fruiting bodies of macromycetes<br />

are shown. This chapter is particularly<br />

valuable, as published images of Greek fungi<br />

are scant.<br />

W.G.<br />

51. 50BJohn FIELDING & Nicholas TURLAND<br />

– Flowers of Crete. – Royal Botanic<br />

Garden, Kew, 2005, reprinted with corrections<br />

2008 (ISBN 978-1-84246-079-<br />

5). XX + 650 pages, numerous colour<br />

photographs, maps; hard cover with<br />

dust jacket.<br />

“A celebration of the flora of Crete,<br />

seen through the eyes of a specialist plant<br />

photographer ... and a botanist”: I can find<br />

no better words to characterise this impressive,<br />

large and heavy volume than those<br />

used by the editor, Brian Mathew, in his<br />

preface. As I happen to share the authors’<br />

love for that wonderful Greek island, Crete,<br />

I can fully understand their motives for producing<br />

this book, can sense the amount of<br />

knowledge and passion that they instilled in<br />

2009 <strong>OPTIMA</strong> <strong>Newsletter</strong> No. <strong>38</strong> (29)

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