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OPTIMA Newsletter 38

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graphs, and there are 136 scanning micrographs<br />

with spore surfaces of 116 species.<br />

The book consists of two parts with different<br />

authorship. The first and by far larger<br />

portion is by the editors themselves and<br />

treats the mosses. The second, with the horn-<br />

and liverworts, was written by Hélène Bischler<br />

and Suzanne Jovet-Ast in Paris, at the<br />

Laboratoire de Cryptogamie; Muséum National<br />

d’Histoire Naturelle. The whole work<br />

should better not be considered the fifth<br />

volume of Zohary’s and Feinbrun’s Flora<br />

Palaestina, as some have suggested, as it<br />

differs from the latter in many important<br />

respects, including the area covered; and<br />

while bibliographically it is an (unnumbered)<br />

part of the Flora Palaestina Series, it<br />

is the seventh such part in a chronological<br />

sequence.<br />

As always in a work of large size and<br />

ample scope, the critical minded may raise a<br />

few negative points (e.g. the occasional failure<br />

to conform to the self-set standards of<br />

author and literature citation, or the absence<br />

of references to the colour photographs in<br />

the text) – but these are minor quibbles indeed.<br />

On the whole, the book is a remarkable<br />

achievement. Ilana Herrnstadt, the only<br />

surviving author and editor, has recently<br />

been awarded the <strong>OPTIMA</strong> Medal in Silver<br />

for what was considered the most outstanding<br />

publication in Mediterranean taxonomic<br />

botany published in 2004, and that<br />

award is well deserved. This flora will<br />

doubtless prove one of the most useful, or<br />

rather, indispensable tools for Mediterranean<br />

bryologists. Its importance is enhanced by<br />

the fact that narrow endemism in bryophytes<br />

is almost unheard of, and so the phrase<br />

“around the Mediterranean” appears in the<br />

general distribution statement of a large<br />

majority of species.<br />

W.G.<br />

4. 3BGiuseppe VENTURELLA – L’iconografia<br />

micologica di Giuseppe Inzenga. –<br />

Archimede, Palermo, 2005 (ISBN 88-<br />

Publications<br />

8820-409-1). Pages 3-271, 3 photographs,<br />

400 facsimiles in colour; hard<br />

cover with dust jacket.<br />

Giuseppe Inzenga (c. 1816-1887), son<br />

of the writer and poet Pompeo, was a colourful<br />

figure in Sicilian botany. Basically an<br />

agronomist, he was appointed to lifetime<br />

directorship of the Istituto Agrario Castelnuovo<br />

in Palermo in 1844, and in 1860 to a<br />

professorship of Agriculture at Palermo University.<br />

He published on a wide range of<br />

subjects, both in his own field and in botany,<br />

notably mycology, most often in the journal<br />

“Nuovi Annali di Agricoltura Siciliana”<br />

founded and edited by him. His main independent<br />

botanical work was “Funghi siciliani”,<br />

published in two centuriae in 1865 and<br />

1869 and illustrated with 18 colour plates.<br />

Of the 200 species of Sicilian fungi there<br />

described, several were new but most or all<br />

remained unassessed.<br />

Giuseppe Venturella found the original<br />

Inzenga herbarium, still faithfully kept in the<br />

library of the Istituto Agrario, containing<br />

most of the species described in the two<br />

published centuriae and the materials for a<br />

third, unpublished one. Associated with several<br />

of the specimens were Inzenga’s handwritten<br />

descriptions, and almost all were<br />

accompanied by original colour illustrations.<br />

Venturella was able to study these materials<br />

and, in many cases, establish their modern<br />

identity. For the present volume he transcribed<br />

the manuscript information, adding<br />

notes of his own for each item. Most importantly,<br />

he included colour reproductions of<br />

the full set of illustrations, most of which,<br />

obviously, had never before been published.<br />

The text of his book is in Italian (or Latin),<br />

but a full English translation has been provided<br />

of both the introductory, biographical<br />

chapter and the author’s own notes.<br />

The book is splendidly produced but not<br />

well organised and difficult to consult, partly<br />

due to numbering. The author’s notes and<br />

the facsimile illustrations have been given<br />

new numbers (1 to 260) that neither corre-<br />

2009 <strong>OPTIMA</strong> <strong>Newsletter</strong> No. <strong>38</strong> (3)

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