OPTIMA Newsletter 38
OPTIMA Newsletter 38
OPTIMA Newsletter 38
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graphs, and there are 136 scanning micrographs<br />
with spore surfaces of 116 species.<br />
The book consists of two parts with different<br />
authorship. The first and by far larger<br />
portion is by the editors themselves and<br />
treats the mosses. The second, with the horn-<br />
and liverworts, was written by Hélène Bischler<br />
and Suzanne Jovet-Ast in Paris, at the<br />
Laboratoire de Cryptogamie; Muséum National<br />
d’Histoire Naturelle. The whole work<br />
should better not be considered the fifth<br />
volume of Zohary’s and Feinbrun’s Flora<br />
Palaestina, as some have suggested, as it<br />
differs from the latter in many important<br />
respects, including the area covered; and<br />
while bibliographically it is an (unnumbered)<br />
part of the Flora Palaestina Series, it<br />
is the seventh such part in a chronological<br />
sequence.<br />
As always in a work of large size and<br />
ample scope, the critical minded may raise a<br />
few negative points (e.g. the occasional failure<br />
to conform to the self-set standards of<br />
author and literature citation, or the absence<br />
of references to the colour photographs in<br />
the text) – but these are minor quibbles indeed.<br />
On the whole, the book is a remarkable<br />
achievement. Ilana Herrnstadt, the only<br />
surviving author and editor, has recently<br />
been awarded the <strong>OPTIMA</strong> Medal in Silver<br />
for what was considered the most outstanding<br />
publication in Mediterranean taxonomic<br />
botany published in 2004, and that<br />
award is well deserved. This flora will<br />
doubtless prove one of the most useful, or<br />
rather, indispensable tools for Mediterranean<br />
bryologists. Its importance is enhanced by<br />
the fact that narrow endemism in bryophytes<br />
is almost unheard of, and so the phrase<br />
“around the Mediterranean” appears in the<br />
general distribution statement of a large<br />
majority of species.<br />
W.G.<br />
4. 3BGiuseppe VENTURELLA – L’iconografia<br />
micologica di Giuseppe Inzenga. –<br />
Archimede, Palermo, 2005 (ISBN 88-<br />
Publications<br />
8820-409-1). Pages 3-271, 3 photographs,<br />
400 facsimiles in colour; hard<br />
cover with dust jacket.<br />
Giuseppe Inzenga (c. 1816-1887), son<br />
of the writer and poet Pompeo, was a colourful<br />
figure in Sicilian botany. Basically an<br />
agronomist, he was appointed to lifetime<br />
directorship of the Istituto Agrario Castelnuovo<br />
in Palermo in 1844, and in 1860 to a<br />
professorship of Agriculture at Palermo University.<br />
He published on a wide range of<br />
subjects, both in his own field and in botany,<br />
notably mycology, most often in the journal<br />
“Nuovi Annali di Agricoltura Siciliana”<br />
founded and edited by him. His main independent<br />
botanical work was “Funghi siciliani”,<br />
published in two centuriae in 1865 and<br />
1869 and illustrated with 18 colour plates.<br />
Of the 200 species of Sicilian fungi there<br />
described, several were new but most or all<br />
remained unassessed.<br />
Giuseppe Venturella found the original<br />
Inzenga herbarium, still faithfully kept in the<br />
library of the Istituto Agrario, containing<br />
most of the species described in the two<br />
published centuriae and the materials for a<br />
third, unpublished one. Associated with several<br />
of the specimens were Inzenga’s handwritten<br />
descriptions, and almost all were<br />
accompanied by original colour illustrations.<br />
Venturella was able to study these materials<br />
and, in many cases, establish their modern<br />
identity. For the present volume he transcribed<br />
the manuscript information, adding<br />
notes of his own for each item. Most importantly,<br />
he included colour reproductions of<br />
the full set of illustrations, most of which,<br />
obviously, had never before been published.<br />
The text of his book is in Italian (or Latin),<br />
but a full English translation has been provided<br />
of both the introductory, biographical<br />
chapter and the author’s own notes.<br />
The book is splendidly produced but not<br />
well organised and difficult to consult, partly<br />
due to numbering. The author’s notes and<br />
the facsimile illustrations have been given<br />
new numbers (1 to 260) that neither corre-<br />
2009 <strong>OPTIMA</strong> <strong>Newsletter</strong> No. <strong>38</strong> (3)