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Creativity Theory - TRaining MAterial in Creativity and InnovaTion ...

Creativity Theory - TRaining MAterial in Creativity and InnovaTion ...

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22<br />

A. ESSENTIALS<br />

4. <strong>Creativity</strong> process<br />

It has become a truism that organizations<br />

today are fac<strong>in</strong>g a wider array of competitive<br />

pressures than ever before. They must<br />

be constantly chang<strong>in</strong>g, <strong>in</strong>novat<strong>in</strong>g <strong>and</strong><br />

re<strong>in</strong>vent<strong>in</strong>g themselves to stay ahead of<br />

technological changes. So, it has become of<br />

fundamental importance that what allows a<br />

company to respond proactively to diverse<br />

pressures is the development of creativity<br />

as a core competence, because creativity<br />

is what makes someth<strong>in</strong>g better or new.<br />

In short, it is the best way to create value.<br />

It is important to underl<strong>in</strong>e that there is<br />

no st<strong>and</strong>ard approach to creativity but the<br />

truth is that creativity, by def<strong>in</strong>ition, must<br />

h<strong>and</strong>le <strong>and</strong> adopt each new endeavour<br />

by select<strong>in</strong>g an approach that addresses<br />

the situation. It depends on the goal to be<br />

achieved <strong>and</strong> <strong>in</strong>novation is an example of<br />

just one of them. Consequently, we have to<br />

know were we need to go (the purpose), the<br />

appropriate means for gett<strong>in</strong>g there (the<br />

practises), <strong>and</strong> f<strong>in</strong>ally we need to select or<br />

develop people to carry out our <strong>in</strong>itiatives.<br />

So, the correct approach to creativity<br />

is fundamentally about achiev<strong>in</strong>g the<br />

right mix of purposes, practices <strong>and</strong> people.<br />

Jeff De Graff <strong>and</strong> Kather<strong>in</strong>e A. Lawrence<br />

have identified four ma<strong>in</strong> types of creativity,<br />

conceptualized as creativity profiles<br />

[4]. By profile, we mean a description of<br />

the biases <strong>and</strong> preferred creative activities<br />

of particular <strong>in</strong>dividuals, groups <strong>and</strong><br />

organisations, together with the desired<br />

creative outcomes of their activities:<br />

Image profile: is the profile of radical<br />

breaks with the past <strong>and</strong> breakthrough<br />

ideas that can change the<br />

marketplace. Individuals with the<br />

imag<strong>in</strong>e profile tend to be generalists<br />

or artistic types who enjoy explor<strong>in</strong>g<br />

<strong>and</strong> easily change direction when<br />

solv<strong>in</strong>g a problem. Image companies<br />

seek to create someth<strong>in</strong>g new<br />

that has been thought impossible.<br />

Invest profile: <strong>in</strong>dividual with the <strong>in</strong>vest<br />

profile are focused on performance<br />

<strong>and</strong> goals. Their culture emphasizes<br />

these results <strong>and</strong> the discipl<strong>in</strong>e necessary<br />

to create them. This group<br />

typically <strong>in</strong>cludes members of the<br />

f<strong>in</strong>ance department <strong>and</strong> market<strong>in</strong>g.<br />

Invest companies seek to create<br />

quickly before competitors can.<br />

Improve profile: the improve profile represents<br />

<strong>in</strong>cremental creativity - tak<strong>in</strong>g<br />

someth<strong>in</strong>g that exists <strong>and</strong> modify<strong>in</strong>g<br />

it to make it better. People <strong>in</strong> the improve<br />

profile are systematic, careful<br />

<strong>and</strong> practical. Improve companies<br />

seek to create someth<strong>in</strong>g better so as<br />

to build on the present. These companies<br />

tend to elaborate or extend exist<strong>in</strong>g<br />

products with m<strong>in</strong>or variations.<br />

Incubate profile: the <strong>in</strong>cubate profile<br />

encompasses the k<strong>in</strong>ds of people who<br />

believe <strong>in</strong> someth<strong>in</strong>g greater than the<br />

bus<strong>in</strong>ess itself <strong>and</strong> run their bus<strong>in</strong>ess<br />

to reflect those values. People <strong>in</strong> the<br />

<strong>in</strong>cubated profile are likely to feel<br />

that creativity should be timeless. This<br />

group is often <strong>in</strong> human resources,<br />

tra<strong>in</strong><strong>in</strong>g, or organizational development<br />

functions. Incubate companies<br />

seek to create someth<strong>in</strong>g sound that<br />

is appreciated by the community.<br />

Of course, other k<strong>in</strong>ds of creativity are<br />

equally valid <strong>and</strong> equally important, depend<strong>in</strong>g<br />

on the circumstances. The crucial<br />

aspect to underst<strong>and</strong> is that the creative<br />

practices <strong>and</strong> competencies we use determ<strong>in</strong>e<br />

the outcomes we get. So, if we<br />

have specific purposes <strong>in</strong> m<strong>in</strong>d, we have to<br />

use the right practices, <strong>and</strong> to achieve the<br />

right practices we need the right people.<br />

<strong>Creativity</strong> is a four stage process, start<strong>in</strong>g<br />

with the generation of creative ideas<br />

or the generation stage, where elements<br />

such as <strong>in</strong>formation, thought <strong>and</strong> ideas<br />

are brought together <strong>and</strong> comb<strong>in</strong>ed <strong>in</strong><br />

such a way that new th<strong>in</strong>gs are made. First<br />

of all, the new th<strong>in</strong>g that is to be created<br />

is decided upon. Then, preconceptions<br />

are challenged, <strong>in</strong>formation is collected<br />

<strong>and</strong> new possibilities sought. This stage is<br />

followed by the <strong>in</strong>cubation stage, where<br />

ideas are <strong>in</strong>cubated, as a necessary part of<br />

generat<strong>in</strong>g ideas. At this po<strong>in</strong>t the help of<br />

the unconscious is enlisted <strong>and</strong> the likelihood<br />

of generat<strong>in</strong>g many more unusual or<br />

radical ideas is <strong>in</strong>creased. The unconscious<br />

state is a wonderful aid <strong>in</strong> help<strong>in</strong>g us break<br />

out of the structures we impose ourselves<br />

<strong>in</strong> some steps of the generation stage. The<br />

shift to mak<strong>in</strong>g the idea a reality, requires

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