12.07.2015 Views

A.R. Rahman's Journey to the Oscars - International Indian

A.R. Rahman's Journey to the Oscars - International Indian

A.R. Rahman's Journey to the Oscars - International Indian

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BIG FAT INDIAN WEDDING? NO!The <strong>International</strong> <strong>Indian</strong> Wedding!a part of it and using ano<strong>the</strong>rbody language. You mix it withtechnique that is diametrically <strong>the</strong>opposite and you have somethingthat is completely unique.Q: Where do you draw yourinspiration from?A: <strong>Indian</strong> Contemporary Dancehas a lot <strong>to</strong> offer thanks <strong>to</strong> Yoga,Kallari, Folk and <strong>Indian</strong> classicaldance forms. The country’sdiversity and patterns of people’slives also provide a wide scope<strong>to</strong> develop contemporarydance. The energy of a city likeMumbai has something <strong>to</strong> offerand inspires me a lot when Ichoreograph. ContemporaryDance <strong>to</strong> me is an idea, a thoughtin motion - from abstract <strong>to</strong>real, it offers a wide palette andcomplexity, people and situationsinspire and motivate me <strong>to</strong> createdance and movement.th16ANNI V ERSARYCity life and <strong>the</strong> many contradictions<strong>the</strong> country offers, our struggles as adeveloping nation; <strong>the</strong> several things thatneed change gives room for an individual<strong>to</strong> ask questions and <strong>the</strong>se questions take<strong>the</strong> shape of my dance. It makes methink and in turn <strong>the</strong> viewer is inspired ormotivated <strong>to</strong> think....this is what largelyforms <strong>the</strong> basis of my choreography.Q: Have you had any formal trainingin dance?A: I did two years of HindustaniTerrence Lewisclassical and one year of westernclassical singing as a child. I wasenamored with <strong>Indian</strong> classical dance and did Kathak for three yearswith a nondescript teacher. At 13, I was spotted by my first teacher, adancer trained in <strong>the</strong> US who trained me for two years in Jazz Ballet.A busy academic life led me <strong>to</strong> abandon training for a long time but alsoleft me with a longing <strong>to</strong> return <strong>to</strong> dance training. I soon began a difficultsearch and journey, starting from a children’s ballet teacher called VeronicaBalsara <strong>to</strong> Tushna Dallas, a certified ballet teacher from The Royal BalletSchool. It was a difficult time of no direction or support. Initially, Tushnarefused <strong>to</strong> train me saying I was <strong>to</strong>o old for ballet, had bow legs and mybody was not suitable. With much convincing I did manage some lessonsFor TII’s exciting free land for subscription offer, please call:Vinod (+971) 4 297 3932 email: vinod.expat@gmail.com

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