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stash <strong>63</strong>.15“Jesus 2000”Short film 1:22Directors:Remi BastieJean-Baptiste CumontClement DesnosJonathan Djob NkondoNicolas PegonProduction:WIZZdesignAnimation:WIZZdesignwww.wizz.frWhen five students from LesGobelins school knocked on thedoor of WIZZdesign this pastsummer eager to create a discoinfusedupdate to the story ofJesus, the Paris studio could notsay no. Co-directors Remi Bastie,Jean-Baptiste Cumont, ClementDesnos, Jonathan Djob Nkondoand Nicolas Pegon workedthrough the month of July underthe guidance of WIZZ directorsGuillame Combes and designerPhilippe Vallette.The less than reverential workcombines classical drawing tabletechniques and digital animation inAfter Effects and Flash.For WIZZdesignProducers: Matthieu Poirier,Guillaume CombesDirectors: Remi Bastie,Jean-Baptiste Cumont, ClementDesnos, Jonathan Djob Nkondo,Nicolas PegonGraphic artists: Remi Bastie,Jean-Baptiste Cumont, ClementDesnos, Jonathan Djob Nkondo,Nicolas PegonSound design: Philippe ValetteMusic: R-Ash aka Riad HammadiToolkitPhotoshop, After Effects, Flash
stash 52.16Ape School “Wail to God”Music video 2:33Record labels:Ninja TuneCounter RecordsDirector:Anthony F. SchepperdProduction:Michael JohnsonAnimation:Anthony F. Schepperdwww.vimeo.com/user2405345Montreal director/animatorAnthony F. Schepperd: “Therewas never really a question aboutwhat the video was going to beabout. Michael and I met once andour ideas fit together perfectly.First thing I did was some quicksketches. I just wanted to get outideas and character designs. Thatwas the easy part.“When I went to do storyboardsI realized I had a lot to get intoa two-and-a-half minute song.I needed to establish twocharacters, their problems, theirrelationship, how they wentabout their revenge and then thebuilding of gigantic towers madeof breasts.“I usually sit down and just do arough animation through the wholeproject. It looks terrible but givesme a better sense of how themovement upholds the overall feelof the video and music.“I knew the color scheme hadto change with the music, so Idecided the first half would becooler and duller, the middleintense and psychedelic, and theend to be warmer tones. I usuallyput down the shadows and thenthe highlights. I’d say the wholeprocess took three and halfmonths, or about 1,260 hours ofwork.”Watch Behind the Scenes onthe DVD.ToolkitFlash, Photoshop, Premiere
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63 - Stash

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