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what it meant to “vamp it up.” I attempted to<br />

illustrate the concept, as i understood it, with an<br />

overabundance of phrases, examples, and ludicrous<br />

pantomimes – after which Wesley, who<br />

had not taken his eyes off me since he posed the<br />

question, followed up his initial question with,<br />

“Does it mean ‘to make new friends’?” What<br />

can ya do? His definition made more sense than<br />

mine, so i agreed with him, after which, i’m certain,<br />

he asked me to bu’p his haid. Which i did.<br />

We were buds thereafter. This would be a good<br />

time for a paragraph, but i don’t believe in such<br />

David Beckham Metrosexual fol-de-rol, so fuck<br />

you. Anyway! One of the problems up Wesley’s<br />

cranium was that he had two demons –<br />

“Nervewrecker” and, i believe, “Homebreaker”<br />

– yelling at him. A simple “Hi, Wes” might lead<br />

to a disoriented Wesley yelling “ARE YOU<br />

REAL, OR ARE YOU A VOICE???” – which,<br />

of course, almost anyone would instinctively<br />

reply “I’m a voice! A disembodied voice! I exist<br />

purely in the vale of your demented perceptions!<br />

Et cetera!” to, so ya kinda hadda watch what you<br />

said around him. On occasion, Wes would have<br />

an “outburse,” where either Homebreaker or<br />

Nervewrecker would be yelling at him to such<br />

an extent that it was necessary for Wes to verbally<br />

return fire. Needless to say, a 364-pound<br />

black male screaming obscenities at<br />

the voices in his head in public places<br />

is generally fertile grounds for misinterpretation;<br />

the most grievous example<br />

of which was Wes’ ill-fated bus<br />

trip where his verbal outburse v. his<br />

personal demons was interpreted by<br />

another passenger as threats, et al, to<br />

the extent where the other guy<br />

viciously slashed Wesley across the<br />

face with a box cutter in reprisal (the<br />

“other guy” was the subject of the<br />

Wesley tune “He’s Doing Time in<br />

Jail” – needless to say, said other<br />

guy’s name has been long since<br />

deservedly forgotten, if anybody even<br />

knew it to begin with). Wesley could,<br />

on demand, on a good day, imitate<br />

both Nervewrecker and Homebreaker<br />

– they both kinda sounded like Flip<br />

Wilson’s transvestite alter ego<br />

Geraldine – which, like everything<br />

else in Wesley’s life, never seemed as<br />

horrific as it truly was simply by<br />

virtue of being blunted by Wesley’s<br />

gift of being CLASS FRICKING<br />

CLOWN OF THE WORLD, forever<br />

and ever, Amen. If Wesley was able<br />

to take the bus from Point A to Point<br />

B without his voices yelling at him, it<br />

was defined as a “harmony joyride.”<br />

A “hellride” was just the opposite.<br />

Occasionally, you’d be standing in<br />

line with him at a convenience store<br />

or somewhere when he’d suddenly<br />

break into “SUCK MY MOTHER-<br />

FUCKIN’ DICK! LICK A LLAMA’S<br />

BOOTY HOLE!” whilst yelling at his<br />

voices; when one reminded him that he needed<br />

to mind his language, he’d apologize, and<br />

explain that the voices in his head just called him<br />

a “foul toad” and a “smiggeroo.” Then you<br />

could just say something like “Wesley, i assure<br />

you that you are neither a foul toad nor a<br />

smiggeroo,” and he’d be all right for a while –<br />

the bottom line being that, all the while that the<br />

guy was flailing around, screaming at his own<br />

head to DO HIM A FAVUH AND SHUT the<br />

FUCK UP, he was writing song after song after<br />

song after song and drawing ballpoint skyline<br />

after ballpoint skyline after ballpoint skyline<br />

after ballpoint skyline. I mean, i see no other<br />

being on the planet being so maniacally productive<br />

in the face of such multi-faceted adversity,<br />

do you? And Wesley stories? I got your Wesley<br />

stories! How ‘bout the time we were driving<br />

down to some gig with Wesley in the passenger<br />

seat, and Ron, driving, goes “Hey Wesley! Can<br />

you adjust the rear view window for me?” and<br />

Wesley goes “Yuh,” and immediately SNAPS<br />

THE REAR VIEW MIRROR OFF OF THE<br />

VAN, tosses it out onto the interstate, and<br />

resumes doing whatever it was he was doing<br />

before he was pestered with such a request? Or<br />

how ‘bout the time we were in the van, and<br />

Wesley kept having to piss, so, finally, we<br />

refused to keep pulling over for him, and made<br />

him pee in a Sunny Delight bottle, and told<br />

him to throw it out the window – ‘cept that<br />

Wesley didn’t bother to cap the bottle up before<br />

he tossed it, and we had the windows open?<br />

How ‘bout the time we were driving thru a black<br />

neighborhood Milwaukee with Wes, and he<br />

started leaning out the window yelling “KILL<br />

WHITEY!!! KILL WHITEY!!!” for no real reason<br />

other than the mood struck him? How ‘bout<br />

WES AND STUNT DOUBLE<br />

the time he stayed at my house, and asked if<br />

cough drops would make him fat? Then ate an<br />

entire 30-count bag of my Halls Mentho-lyptuses?<br />

The time he had soiled his garments, so i<br />

dressed him in cast-off N<strong>ø</strong>rb-wear, including<br />

green-and-gold Zubaz pants? The time i<br />

taught him the phrase “KICK OUT THE JAMS,<br />

MOTHERS AND FUCKERS!!!”, and he kept<br />

screaming it at Wanda Chrome & The Leather<br />

Pharaohs all night while they screamed back at<br />

him to shut up? The time he kept asking Kim<br />

Shattuck if her band was called “Da Mupps?”<br />

And she kept saying “NO!!! IT’S THE<br />

‘MUFFS!!!’”, completely un-grasping the situation?<br />

The time he didn’t show up for a gig opening<br />

for the Gaza Strippers, so i went home, got<br />

my keyboard, shoved a box under my shirt and<br />

essentially played his set for him? The way<br />

everyone would cluster around him, trying to<br />

persuade him to write a song about this person or<br />

that, to which he would invariably respond “DO<br />

ME A FAVUH... SHUT THE (pause) UP!!!” The<br />

time he ate the entire eons-old box of King<br />

Vitamin cereal i couldn’t even persuade my<br />

rabbit into eating? The time he was hanging out<br />

in the mall in Green Bay, and was mistaken for<br />

a member of MC Hammer’s entourage? Don’t<br />

even get me started on the “Can I have a<br />

banana?” story! I – or anybody who knew<br />

Wesley – could go on for days (it’s not really the<br />

same without the vocal mannerisms – let the<br />

record show that the majority of ex-members of<br />

Boris The Sprinkler have incorporated various<br />

Wesleyisms into their speech patterns to some<br />

degree [and, in case you’re wondering, my<br />

name, in Wesley-speak, is “Rebrin N<strong>ø</strong>,”<br />

although simply calling close personal associates<br />

by both their first and last names will generally<br />

work]). I think the main thrust<br />

of my babbling is that there are plenty<br />

of people who claim to be “possessed”<br />

by their creative impulses;<br />

Wesley comes the closest to a literal<br />

definition of that as anyone i can<br />

conceive of. BUT ANYWAY, MR.<br />

NAK, back to your original question,<br />

which i believe was about Sheb<br />

Wooley: Yes, i sang karaoke to<br />

“Purple People Eater” in the early<br />

morning hours of August 30th, 2003;<br />

seventeen days later, Sheb Wooley<br />

was gone to his eternal purple-people-eatin’<br />

reward. If anyone knows<br />

of any individual who sang karaoke<br />

to a Sheb Wooley song in the interval<br />

following the wee hours of August<br />

30th but preceding Sheb’s death on<br />

September 17th, speak now or forever<br />

cede the glory to me (and, if<br />

you’re gonna challenge my claim,<br />

i’m gonna need witnesses. Plenty<br />

witnesses. I’ve got the Figgs and former<br />

Replacement/current<br />

Guns’n’Roses-ite Tommy Stinson to<br />

back me up [and, for the record,<br />

Tommy said my rendition of “Purple<br />

People Eater” was “GREAT!”, and<br />

expressed open admiration for my<br />

knowing where all the goofy breaks<br />

were {why do i rock? On accounta<br />

Tommy said so... Tommy said so...<br />

Tommy said so, so, so, so what}. Of<br />

course, after some anonymous wag<br />

punched in “Sweet Child O’ Mine,” i<br />

had to defuse the mounting tension<br />

by tackling that number as well, with<br />

much less glorious results... but Pete Hayes of<br />

the Figgs said to keep that quiet, because T.S.<br />

could get in trouble with A.R. over such monkeyshines,<br />

should word reach him... so, needless<br />

to say, mum’s the word on my end]). In summation:<br />

Rock over London. Rock on, Chicago.<br />

WESLEY WILLIS: If he wasn’t dead, he’d<br />

be the ultimate survivor.<br />

–Love, N<strong>ø</strong>rb<br />

11<br />

REV. N0RB<br />

I

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