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sweatshop laborers today, stood to lose profits<br />
if they were forced to pay their sailors a decent<br />
wage and provide them with sanitary accommodations<br />
and adequate food, Dana soldiered<br />
on. He wrote The Seaman’s Friend, a legal<br />
manual for sailors that did as much to help<br />
inform them of their rights as men as it did to<br />
educate sailors about the vagaries of<br />
being a contract employee of a shipping<br />
company.<br />
Two Years Before the Mast is<br />
often included in the ranks of<br />
protest literature, and it deserves its<br />
place there, but for most people in<br />
1840 – well before the Gold Rush –<br />
it gave readers their first glimpses<br />
of California, which was then part<br />
of Mexico. Adventure seekers and<br />
entrepreneurs alike paid close attention<br />
to Dana’s vivid and accurate<br />
descriptions of the communities<br />
along California’s coastline. Take<br />
this passage from a visit to Santa<br />
Barbara: “The country abounds in<br />
grapes, yet they buy, at a great<br />
price, bad wine made in Boston.”<br />
Descriptions like these raised more<br />
than a few eyebrows and caused<br />
many of reader to pack his bags and<br />
head round the Horn to seek his fortune in<br />
California.<br />
Perhaps Dana’s most famous reader was a<br />
Boston sailor who, upon returning from an<br />
uneventful crossing to Liverpool and back,<br />
caught the buzz about Two Years Before the<br />
Mast and picked up a copy. What he read electrified<br />
him, and inspired him to pen stories of<br />
his own. Thus began Herman Melville’s literary<br />
career, a man whom is regarded today as the<br />
father of American letters.<br />
Today there is replica of the boat upon<br />
which Dana sailed to California. It’s located at<br />
a little harbor in Orange County in a city that<br />
bears the name of its most famous crewman:<br />
Dana Point. At the harbor entrance is a statue of<br />
Richard Henry Dana, Jr. striking a romantic<br />
pose as he stares out to sea. It’s a beautiful statue,<br />
and I’m pretty sure Dana would hate it. It<br />
aspires to be sublime and ignores the commonplace,<br />
much less the revolting.<br />
Sure, Dana had opportunities that were not<br />
available to his shipmates. He was intelligent, a<br />
writer with immense gifts, his father was<br />
wealthy and well-connected; but when the<br />
Pilgrim lost sight of land and he was alone<br />
upon the ocean, Dana was nothing more and<br />
nothing less than a common sailor. His experience<br />
at sea was a short chapter of his life, of<br />
which he dismissively referred to his Two Years<br />
Before the Mast as a footnote. Some<br />
remember him as a man of letters; others<br />
see him as a man of the law, a man<br />
of principles. I choose to remember<br />
him as a man who changed the world<br />
on the strength of his convictions.<br />
I never went to Captain’s Mast<br />
again, but I never went to Harvard<br />
either. I got out of the Navy and<br />
although I’ve done a half-assed job of<br />
staying out of trouble, I haven’t kicked<br />
anyone’s ass for a dollar (the opposite<br />
cannot be said to be true with any<br />
degree of certainty). Like Dana, I have<br />
a story to tell, a story that is every bit as<br />
solemn and ludicrous and commonplace<br />
and revolting as Two Years<br />
Before the Mast, perhaps even more so.<br />
I haven’t changed the world yet, and<br />
I’m pretty sure it’s not my place to<br />
even try. Unlike Dana, I have few convictions,<br />
and would be hard-pressed to<br />
articulate them (The West Memphis 3 are innocent?<br />
Never say “one more” to a bartender? Be<br />
nice to your mom?) But in one sense old<br />
Richard Henry Dana, Jr. and I are exactly alike:<br />
you cannot stop us from expressing what we<br />
believe in. We will not be dismissed.<br />
–Money<br />
MONEY