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sweatshop laborers today, stood to lose profits<br />

if they were forced to pay their sailors a decent<br />

wage and provide them with sanitary accommodations<br />

and adequate food, Dana soldiered<br />

on. He wrote The Seaman’s Friend, a legal<br />

manual for sailors that did as much to help<br />

inform them of their rights as men as it did to<br />

educate sailors about the vagaries of<br />

being a contract employee of a shipping<br />

company.<br />

Two Years Before the Mast is<br />

often included in the ranks of<br />

protest literature, and it deserves its<br />

place there, but for most people in<br />

1840 – well before the Gold Rush –<br />

it gave readers their first glimpses<br />

of California, which was then part<br />

of Mexico. Adventure seekers and<br />

entrepreneurs alike paid close attention<br />

to Dana’s vivid and accurate<br />

descriptions of the communities<br />

along California’s coastline. Take<br />

this passage from a visit to Santa<br />

Barbara: “The country abounds in<br />

grapes, yet they buy, at a great<br />

price, bad wine made in Boston.”<br />

Descriptions like these raised more<br />

than a few eyebrows and caused<br />

many of reader to pack his bags and<br />

head round the Horn to seek his fortune in<br />

California.<br />

Perhaps Dana’s most famous reader was a<br />

Boston sailor who, upon returning from an<br />

uneventful crossing to Liverpool and back,<br />

caught the buzz about Two Years Before the<br />

Mast and picked up a copy. What he read electrified<br />

him, and inspired him to pen stories of<br />

his own. Thus began Herman Melville’s literary<br />

career, a man whom is regarded today as the<br />

father of American letters.<br />

Today there is replica of the boat upon<br />

which Dana sailed to California. It’s located at<br />

a little harbor in Orange County in a city that<br />

bears the name of its most famous crewman:<br />

Dana Point. At the harbor entrance is a statue of<br />

Richard Henry Dana, Jr. striking a romantic<br />

pose as he stares out to sea. It’s a beautiful statue,<br />

and I’m pretty sure Dana would hate it. It<br />

aspires to be sublime and ignores the commonplace,<br />

much less the revolting.<br />

Sure, Dana had opportunities that were not<br />

available to his shipmates. He was intelligent, a<br />

writer with immense gifts, his father was<br />

wealthy and well-connected; but when the<br />

Pilgrim lost sight of land and he was alone<br />

upon the ocean, Dana was nothing more and<br />

nothing less than a common sailor. His experience<br />

at sea was a short chapter of his life, of<br />

which he dismissively referred to his Two Years<br />

Before the Mast as a footnote. Some<br />

remember him as a man of letters; others<br />

see him as a man of the law, a man<br />

of principles. I choose to remember<br />

him as a man who changed the world<br />

on the strength of his convictions.<br />

I never went to Captain’s Mast<br />

again, but I never went to Harvard<br />

either. I got out of the Navy and<br />

although I’ve done a half-assed job of<br />

staying out of trouble, I haven’t kicked<br />

anyone’s ass for a dollar (the opposite<br />

cannot be said to be true with any<br />

degree of certainty). Like Dana, I have<br />

a story to tell, a story that is every bit as<br />

solemn and ludicrous and commonplace<br />

and revolting as Two Years<br />

Before the Mast, perhaps even more so.<br />

I haven’t changed the world yet, and<br />

I’m pretty sure it’s not my place to<br />

even try. Unlike Dana, I have few convictions,<br />

and would be hard-pressed to<br />

articulate them (The West Memphis 3 are innocent?<br />

Never say “one more” to a bartender? Be<br />

nice to your mom?) But in one sense old<br />

Richard Henry Dana, Jr. and I are exactly alike:<br />

you cannot stop us from expressing what we<br />

believe in. We will not be dismissed.<br />

–Money<br />

MONEY

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