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CBC Design and Access Statement - Papworth Hospital

CBC Design and Access Statement - Papworth Hospital

CBC Design and Access Statement - Papworth Hospital

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The Expansion of Cambridge Biomedical Campus<strong>Design</strong> <strong>and</strong> <strong>Access</strong> <strong>Statement</strong>Public Art Framework:The CCC document – Provision of Public Art as Part of New Development Schemes sets out theCouncil's consideration of 'Percent for Art' proposals. Their considerations will depend upon the type<strong>and</strong> scale of the project but will always include the following:• appropriateness to public usage <strong>and</strong> design context• demonstration of good practice with particular reference to project management <strong>and</strong> equalopportunities• linked education programmes, <strong>and</strong>• care <strong>and</strong> maintenance costs.Further the ADF sets out potential contributions within the Southern Fringe. One potential location isrelevant to <strong>CBC</strong>, item 7 described as 'Proposed Central Open Space within Addenbrooke's 2020development'. The Applicants envisage that the Circus is a possible location for public art, <strong>and</strong> the<strong>Design</strong> <strong>Statement</strong> describes this area as an 'attractive high quality outdoor environment where peoplecan stop, eat <strong>and</strong> relax' <strong>and</strong> continues 'a variety of l<strong>and</strong>scape features <strong>and</strong> visual stimuli are proposed.These could include water features..'. The exact nature of public art within the scheme will developthrough the public art framework. As required by CCC, the steps the Applicants propose to set out in anoutline framework to deliver the strategy are set out below.1. The first stage is to analyse <strong>and</strong> survey to underst<strong>and</strong> historical, l<strong>and</strong>scape, social <strong>and</strong> economiccontext of the area.2. From results of stage one, appropriate public art needs would be identified; both quantitative <strong>and</strong>qualitative.3. As the masterplan is developed, more detailed analysis of public art requirements would be carriedout. Creation of the masterplan allows analysis to become more site specific, market driven <strong>and</strong>appropriate to the intended use.4. Debate on Public art is an important part of the planning process <strong>and</strong> Public Consultation would becarried out at this stage to gain a better underst<strong>and</strong>ing of community views <strong>and</strong> desires.7. They would look to decide on detail of the strategy <strong>and</strong> on the procurement <strong>and</strong> deliverymechanism. This could be:a) Overarching framework e.g. Strategic L<strong>and</strong>scape, Street Furniture, Performing Arts, Lighting,Lump Sum Contribution…..b) Distinct Packages e.g: Sculpture, Architectural Detail……8. Draft design briefs would be provided for a) <strong>and</strong> / or b)9. These briefs would then be agreed <strong>and</strong> finalised with Local Authority10. Procurement methods would be considered <strong>and</strong> confirmed, e.g: Direct Commission, Competition,Artist Agents, <strong>and</strong> Collaborative Commission (with community/stakeholders). As far as possible thelocal community would be involved in this process.11. It is essential that management of delivery <strong>and</strong> quality are continuous <strong>and</strong> in line with design brief.12. After successful provision of public art the developers would organise management/maintenance<strong>and</strong> the transfer of responsibility through a commuted sum.In this way the <strong>CBC</strong> extension would build on the significant contribution which Addenbrooke's alreadymakes towards public art.Practical considerations• CostThe cost of public art can vary enormously according to numerous factors; scale of the piece or pieces ofpublic art, materials used <strong>and</strong> calibre of artist. It is important also not only to think of the cost of the artist<strong>and</strong> materials but also to consider installation costs, ground work <strong>and</strong> necessary lighting. For this reasonit is very difficult to set an amount which should be spent on public art. One piece of public art may bevery large/ running throughout a development but of a more moderately priced material than anotherwhich could be small but very intricately designed <strong>and</strong> of a more expensive material. Therefore theApplicants feel that setting a prescriptive amount which must be spent will not guarantee delivery of goodpublic art. Through this approach, public art is seen purely as a planning obligation <strong>and</strong> there is a clearrisk that creativeness will be stifled.5. Following reflection on our research <strong>and</strong> on the responses put forward during the public consultationthe Public Art Strategy would be drafted.6. The Applicants would approach the Local Authority to gain agreement to the Public Art Strategy.The provision of good public art requires a clear strategy <strong>and</strong> committed involvement of the responsible,experienced developer, the local community <strong>and</strong> the local authority.48

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