PSR-I425 Owner's Manual - Yamaha Downloads
PSR-I425 Owner's Manual - Yamaha Downloads
PSR-I425 Owner's Manual - Yamaha Downloads
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Quick Guide Creating Arpeggios<br />
1 Press<br />
Quick Guide<br />
14 <strong>PSR</strong>-<strong>I425</strong> Owner’s <strong>Manual</strong><br />
The arpeggio function lets you create arpeggios (broken chords) by<br />
simply playing the required notes on the keyboard. For example, you<br />
could play the notes of a triad—the root, third, and fifth—and the arpeggio<br />
function will automatically create a variety of interesting arpeggiotype<br />
phrases. By changing the arpeggio type and the notes you play it<br />
is possible to create a wide range of patterns and phrases that can be<br />
used for music production as well as performance.<br />
the [ARPEGGIO ON/OFF] button to turn the arpeggio<br />
function on.<br />
GrandPno<br />
001<br />
001<br />
The ARPEGGIO icon appears when<br />
the arpeggio function is on.<br />
● Voices and the Arpeggio Function<br />
This instrument lets you select a variety of “voices” that you can play<br />
via the keyboard. When you select a voice number between 129 and 143<br />
the arpeggio function will automatically be engaged so you can start<br />
playing arpeggios immediately. The arpeggio function will automatically<br />
be turned off when you select any other voice.<br />
If you want to use voices 129–143 for normal performance without the<br />
arpeggio function, press the [ARPEGGIO ON/OFF] button to turn the<br />
arpeggio function off after selecting the voice.<br />
● Voices for which the arpeggio function is automatically turned on.<br />
Voice No. Voice Name Voice No. Voice Name<br />
129 Teen Tal C 137 Square Pulse<br />
130 Teen Tal F 138 Trance<br />
131 Teen Tal A 139 Synth Echo<br />
132 Dadra D 140 Piano Arpeggio<br />
133 Dadra E 141 Guitar Chord<br />
134 Dadra G 142 Guitar Arpeggio<br />
135 Synth Sequence 143 Massive Percussion<br />
136 Chord Sequence<br />
NOTE<br />
• See “Try Playing a Variety of<br />
Instrument Voices” on page 28.