AWARDS - Directorate of Film Festivals

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41MAYA JAIDEEPA former television news journalist,Maya Jaideep has produced,directed news and documentaryprogrammes for television, developmentsector and corporate in acareer spanning 20 years. Someof her documentaries includeMusic in the Woods, The DyingArt of Puppetry, Life on a Roll. Atpresent, she is the producer-directorat In Fact Films, a companyshe co-founded with K G Vasukiin 2003.
42CHAIRPERSON SPEAKSSAMIK BANDOPADHYAY, BEST WRITING ON CINEMAOne assumes that the exerciseof a yearly evaluationof books on cinema andcritical writing on cinemapublished in periodicals inIndia has been conceived as part ofan agenda aiming at raising the levelof appreciation and understandingof cinema, and in the process animprovement of the general qualityof cinema. Given the valorization ofBollywood in the media at the costof the more central cinematic valuesover the last decade in particular,there were very few books in theyear’s entries that attempted to locatefilms in a well defined contexthistorical,technological or artisticandthen read them closely. The twokinds of books that dominated were,firstly, carelessly documented andflamboyantly designed coffee tablebooks; and secondly, incompetentlyedited and shoddily produced,supposedly ‘archival’ monographspublished by government institutions.The exceptions were few and farbetween.It was in the regional languages,particularly in Kannada, Malayalamand Marathi, rather than in English andHindi that there were probing, criticalstudies of cinema in those languages,deeply rooted in histories, and withprofound insights into the local; theinsights naturally illuminating thefilms. As we were exposed to therichness of a lot of this writing, we feltthe need for translation of this materialinto other Indian languages. In fact, theDirectorate of Film Festivals of Indiacould take up project to publish anannual anthology of regional writingson cinema, maybe along with selectedbook excerpts, translated into English,offering readers in the country andabroad, a feel of Indian cinema in itsmany manifestations and Indian filmcriticism growing out of differentcultural histories.The portfolios of film criticismsent in by individual critics weremostly collections of film reviews inthe daily newspapers, rarely risingabove the level of smart pieces withquick judgement for an indifferentreadership. Several of these reviewershave mastered the skill of puttingthe film story across with exemplaryprecision, which the popular films toolack. Indian cinema deserves betterprofessional editorial values in themaking of publications in the field. Itis a shame that there were very fewbooks that were properly edited anddesigned and even ‘proofed’!Once one has gone through such anexercise, one feels frustrated at thesense of sheer inaccessibility of whatan enormous body of film watchersand film critics in India think aboutthe films they are exposed to, andwhat they expect from cinema. Theinaccessibility only grows with thegrowth of a jargon-bound languageof film criticism that moves fartherand farther away from the sensory,rugged, immediate experience ofcinema in the raw.flusek esa vkLokn vkSj le> dks c
Page 4: O F F I C I A L C A T A L O G U E
Page 9 and 10: tA STILL FROM THE SWARNA KAMAL WINN
Page 11 and 12: A STILL FROM THE SWARNA KAMAL WINNI
Page 14 and 15: 13Dadashab Phalke Profilenknklkgc Q
Page 16 and 17: 15Dadashab Phalke Award Past Recipi
Page 18: 17Dadashab Phalke Award CommitteeMe
Page 22 and 23: J U R Y M E M B E R SJ U R Y M E M
Page 24 and 25: flusek og l'kä ek/;e gS tks lapkj
Page 26 and 27: 25T.S NAGABHARANANine-time National
Page 28 and 29: 27BHANU ATHAIYAIndiaÊs only woman
Page 30 and 31: 29SAROSH ITALIAAA physics graduate
Page 32 and 33: 31Jury Regional : WestMembers1 2 34
Page 34 and 35: 33Jury Regional : South-II (Kannada
Page 37 and 38: 36CHAIRPERSON SPEAKSMIKE PANDEY, NO
Page 39 and 40: 38NON-FEATURE FILM JURYMIKE PANDEYR
Page 41: 40NON-FEATURE FILM JURYRAJESH JALAI
Page 46 and 47: A W A R D S F O R F E A T U R E F I
Page 48 and 49: A W A R D S N O T G I V E NBest Fil
Page 50 and 51: 49Best Feature Film /loksZRre Q+hpj
Page 52 and 53: 51Indira Gandhi Award for Best Film
Page 54 and 55: 53Popular film Providing Wholesome
Page 56 and 57: 55Nargis Dutt Award for Best Film o
Page 58 and 59: 57Best Film on Social Issues/lkekft
Page 60 and 61: 59Best Children's Film/loksZÙke ck
Page 62 and 63: 61Best Children's Film/loksZÙke ck
Page 64 and 65: 63Best Direction Film/loksZÙke fun
Page 66 and 67: 65Best Actor/loksZÙke vfHkusrkRaja
Page 68 and 69: 67Best Actress/loksZÙke vfHkusrhRa
Page 70 and 71: 69Best Supporting Actor/loksZÙke l
Page 72 and 73: 71Best Supporting Actress/loksZÙke
Page 74 and 75: 73Best Supporting Actress/loksZÙke
Page 76 and 77: 75Best Male Playback Singer/loksZÙ
Page 78 and 79: 77Best Female Playback Singer/loksZ
Page 80 and 81: 79Best Cinematography/loksZÙke Nk;
Page 82 and 83: 81Best Screenplay (Original) / loks
Page 84 and 85: 83Best Screenplay (Adapted) / loksZ
Page 86 and 87: 85Best Screenplay (Dialogue) / loks
Page 88 and 89: 87Best Audiography (Sync Sound) / l
Page 90 and 91: 89Best Audiography (Sound Design) /
Page 92 and 93:
91loksZÙke /oU;kadu ¼fj&fjdkfMZax
Page 94 and 95:
93Best Editing/loksZÙke laiknuRaja
Page 96 and 97:
95Best Production Design/loksZÙke
Page 98 and 99:
97Best Costume Designer/loksZÙke o
Page 100 and 101:
99Best Make-up Artist/loksZÙke esd
Page 102 and 103:
101Best Music Direction (Songs)/lok
Page 104 and 105:
103loksZÙke laxhr funsZ'ku ¼ik'oZ
Page 106 and 107:
105Best Lyricist/loksZÙke xhrdkjRa
Page 108 and 109:
107Special Jury Award/fu.kkZ;d eaMy
Page 110 and 111:
109Best Special Effects/loksZÙke f
Page 112 and 113:
111Best Choreography/loksZÙke u`R;
Page 114 and 115:
113Best Assamese Film/loksZÙke vlf
Page 116 and 117:
115Best Bengali Film/loksZÙke ckaX
Page 118 and 119:
117Best Hindi Film/loksZÙke fgUnh
Page 120 and 121:
119Best Kannada Film/loksZÙke dUuM
Page 122 and 123:
121Best Konkani Film/loksZÙke dksa
Page 124 and 125:
123Best Malayalam Film/loksZÙke ey
Page 126 and 127:
125Best Marathi Film/loksZÙke ejkB
Page 128 and 129:
127Best Tamil Film/loksZÙke rfey f
Page 132 and 133:
A W A R D S F O R N O N - F E A T U
Page 134 and 135:
A W A R D S N O T G I V E NBest Exp
Page 136 and 137:
135Best Non-Feature Film/loksZÙke
Page 138 and 139:
137Best Non-Feature Film/loksZÙke
Page 140 and 141:
139funsZ'kd dh loksZÙke izFke xSj&
Page 142 and 143:
141funsZ'kd dh loksZÙke izFke xSj&
Page 144 and 145:
143Best Compilation Film/loksZÙke
Page 146 and 147:
145Best Environment Film/loksZÙke
Page 148 and 149:
147Best Film on Social Issues/lkekf
Page 150 and 151:
149Special Jury Award/fu.kkZ;d eaMy
Page 152 and 153:
151Best Short Fiction Film/loksZÙk
Page 154 and 155:
153Best Cinematography/loksZÙke Nk
Page 156 and 157:
155Best Audiography/loksZÙke /oU;k
Page 158 and 159:
157Best Editing/loksZÙke laiknuRaj
Page 160 and 161:
159Best Narration/loksZÙke izkDdFk
Page 162:
161Special Mention/fo'ks"k mYys[kNi
Page 165 and 166:
164Best Book on Cinema/flusek ij lo
Page 167 and 168:
166Special Mention/fo'ks"k mYys[kEk
Page 169 and 170:
168Best Film Critic/loksZÙke fQYe
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AWARDS - Directorate of Film Festivals

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