Skoda as I am, my company car, and happen to get away a bit at the startwhen the light changes then, against a BMW, he gets really pissed off.He can’t let the Skoda pull away from him; instead he comes drivinglike a madman, this happens all the time. You just sit there and watch...Even though he was half asleep when the light turned green, that is notmy fault… this happens all the time. We drive a lot [as part of work], thestress in the traffic, talk about masculinity, that’s totally insane.Just as the car often is regarded as a masculine technology anda male territory, the way Lars refers to ‘everybody’ would beinterpreted as between men. Even though challenged in everydaylife, the cultural links between men, masculinity and dangerousdriving are still strong. However, this needs to be contrasted <strong>with</strong>the specificities of cars and their relations to masculinities overdifferent class locations. Specific cars, signified as accessibleonly to the few, may display greater symbolic capital and statuscompared to others depending on the context.In Lars’ story, the specificity of cars and makes of car isemphasised, indicating not only the social position of the user,but also what specific makes afford in terms of ways of driving.The symbolic differences between the cars are part of the culturalresources signifying differentiation of class, status and limitationsin terms of speed and road performance. Put simply, the expensiveBMW signifies upper class and a wealthy owner, contrasted <strong>with</strong>the ordinary, cheaper and less speedy Skoda, a car not owned byLars but the company he works for. As such, the car ‘acts’ as anextension of the driver’s socio-economic identity, and may alsocontribute to the experience of shame if a subject is seeking toapproximate a social ideal (see Ahmed 2004: 107).The story of Lars driving a ‘dull’ company car needs to berelated to the noisy powerful American car he drives at the ‘BigMeet’. Within this context his car displays cultural and economicvalue due to the often plentiful hours and money spent on theartefact. Furthermore, drawing on debates on such cars and usersin a Swedish context, the cultural value of older American carsmay signify vulgarity, youth rebellion, danger, sexuality and14
violence, posing a threat to middle- and upper-class respectabilityand choices of cars (see O’Dell 2001).Several of the interviewees made a distinction betweenthose embracing the car as a lifestyle – those who ‘know’ – incontrast to those who (simply) ‘own’. In order to ‘know’ yourcar you are to restore it; to simply own the car may <strong>with</strong>in thiscar community be conceived of as a failure. Such discourses aremade into a resource to position the BMW driver failing thisideal and simultaneously ‘keeping’ men <strong>with</strong>in the communitytogether (Ahmed 2004: 108).The narrative can be interpreted as a strategy to reformulatewhat is ‘true’ and ‘proper’ masculinity compared to ideas ofmiddle- and upper-class masculinity. This is done throughemphasising driving skills as what (really) matters in the socialhierarchy between men. Such embodied practical knowledge ispart of a car lifestyle and something Lars describes himself ashaving (he ‘happens to get away a bit at the start’) but the BMWdriver lacks. Rather, the BMW driver is being shamed for notbeing in control of the car and for reacting emotionally. He ispositioned as ‘pissed off’ (too emotional) and as driving like a‘madman’ (dangerous).Shamed by the car – failing to go all the wayTaking the viewpoint of gender and technology as in a relationof co-construction, the car may play ‘tricks’ on its user. In thisexcerpt Trond, a 44-year-old enthusiast from Norway, talks abouthis experiences of getting to know his newly bought car throughseeing how fast ‘he’ could go. When I first asked if he had everlost control of his mint condition, light blue Cadillac, I got theimpression he found the question rather strange and awkward.Trond: No, it is not a problem to keep it on the road; I have full controlof that.Dag: Can you describe an occasion when you lost control of the car?Trond: No, I can’t…15
- Page 3 and 4: Thinking with Beverley Skeggseditor
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Despite this new and growing intere
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Rachel’s life storyWhen consideri
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In Palestine and SwedenAfter the Se
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It is often explained that it is on
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Thoughts on Being a RespectableHomo
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This is also stressed in the OED’
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and what the latest European statis
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her contradictory ways of being, he
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In Dialogue with Devaluation:Young
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present in schools. As he shows, th
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Returning then to the often-posed q
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discussed as a socially positioned
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concerns his looks. His looks becom
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ReferencesAndersson, Åsa (2003), I
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A Feminist SustainableDevelopment:
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The intersectionality approach to p
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‘shiftings’, i.e. to go from th
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With the help of politics of emotio
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Wise, A. & Velayutham, S. (2006),
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