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Songs of the Righteous Spirit: “Men of High Purpose” and Their ...

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144 MATTHEW FRALEIGH25 嗟 此 數 君 子 Ah! These several gentlemen, each大 道 補 分 裂 Used <strong>the</strong> Great Way to forestall division.尾 張 連 伊 勢 In Owari <strong>and</strong> in Ise too,神 器 萬 古 存 The sacred treasures have been kept since timeimmemorial.琵 琶 映 芙 蓉 With Lake Biwa, where lovely Fuji is reflected;30 嵩 華 何 足 論 What need is <strong>the</strong>re to discuss Mount Song or Hua?最 是 平 安 城 But supreme above all is this, <strong>the</strong> capital <strong>of</strong> Heian;仰 見 天 子 尊 Where I gaze up at <strong>the</strong> imperial majesty.神 州 臨 萬 國 The Divine L<strong>and</strong> reigns over <strong>the</strong> myriad nations,乃 是 大 道 根 For it is <strong>the</strong> root <strong>of</strong> <strong>the</strong> Great Way.35 從 墨 夷 事 起 Ever since <strong>the</strong> matter <strong>of</strong> <strong>the</strong> American barbariansarose,諸 公 實 不 力 The various lords have truly been powerless.已 破 妖 教 禁 Already <strong>the</strong> ban on <strong>the</strong> wicked religion has beenbroken;議 港 洲 南 北 And debates are held about <strong>the</strong> nor<strong>the</strong>rn <strong>and</strong>sou<strong>the</strong>rn ports <strong>of</strong> our l<strong>and</strong>.名 義 早 已 誤 The “names” <strong>and</strong> “principles” having long beenmistaken,40 寧 遑 問 失 得 How can we have leisure to ask about <strong>the</strong>ir pros <strong>and</strong>cons?天 子 荐 軫 念 The Emperor grew pr<strong>of</strong>oundly distressed,四 海 妖 氛 黒 While malign airs spread black across <strong>the</strong> four seas.奉 勅 三 名 侯 The three lords who received <strong>the</strong> imperial order鷄 棲 鳳 凰 食 Were as phoenixes made to eat among chickens.7245 其 他 憂 國 者 And o<strong>the</strong>r men concerned for <strong>the</strong> nation,亦 皆 溝 中 瘠 Were all left to rot: skeletons in <strong>the</strong> ditch.欻 忽 五 六 歳 In a flash, five or six years have passed;72The identity <strong>of</strong> <strong>the</strong> “three lords” in <strong>the</strong> first line <strong>of</strong> this couplet is unclear. Maki suggests<strong>the</strong> reference is to <strong>the</strong> “Mito samurai, pro-expulsion activists in <strong>the</strong> capital, <strong>and</strong> <strong>the</strong>court nobles”; Bun Tenshō, Fujita Tōko, Yoshida Shōin Seiki no uta shōkai, p. 113. The editors<strong>of</strong> Yoshida Shōin zenshū speculate that <strong>the</strong> phrase “might” refer to “<strong>the</strong> daimyo <strong>of</strong> Mito,Owari, <strong>and</strong> Echizen”; 7:309 n. 6. H. Van Straelen holds that <strong>the</strong> three are <strong>the</strong> “daimyōs<strong>of</strong> Satsuma, Tosa, <strong>and</strong> Chōshū”; see his Yoshida Shōin: Forerunner <strong>of</strong> <strong>the</strong> Meiji Restoration(Leiden: E. J. Brill, 1952), p. 109 n. 4. The second line <strong>of</strong> <strong>the</strong> couplet, with its image <strong>of</strong><strong>the</strong> auspicious phoenix being forced to feed among <strong>the</strong> much more pedestrian chickens,comes directly from <strong>the</strong> Wen Tianxiang poem, where it refers to <strong>the</strong> latter’s being takencaptive by <strong>the</strong> Mongols.

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