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Songs of the Righteous Spirit: “Men of High Purpose” and Their ...

Songs of the Righteous Spirit: “Men of High Purpose” and Their ...

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150 MATTHEW FRALEIGHlife-like vividness in my mind’s eye. By nature, I am prone to sickness. Lastyear, when it was time for me to follow my lord [Nariaki]’s carriage <strong>and</strong>come [to Edo], I happened to be suffering from a cold, but I toughed it out<strong>and</strong> departed. When my lord ran afoul <strong>of</strong> <strong>the</strong> authorities, I too was orderedinto confinement. Drafty windows <strong>and</strong> a leaky room leave me assailed bydank <strong>and</strong> malevolent airs. Thin robes <strong>and</strong> sparse food make my hunger <strong>and</strong>cold extreme. The bitter toils <strong>and</strong> harsh difficulties I face are not those that<strong>the</strong> average man could endure. And yet, I have suddenly recovered from mylong-st<strong>and</strong>ing illness, <strong>and</strong> my physical stamina is superb. That I am able tohold my head up <strong>and</strong> cast my gaze around <strong>the</strong> world, recklessly arraying myselfalongside <strong>the</strong> ancients, I think is in large part due to Wen Tianxiang’ssong.Fujita Tōko’s decision to write a substantial preface itself emphasizeshis indebtedness to Wen Tianxiang, <strong>and</strong> <strong>the</strong> textually mediated salvationhe finds toward <strong>the</strong> end <strong>of</strong> this first section echoes <strong>the</strong> statement inWen Tianxiang’s preface about how <strong>the</strong> poet overcomes <strong>the</strong> fetid vapors<strong>of</strong> his confinement through reliance on cultivating <strong>the</strong> <strong>Righteous</strong> <strong>Spirit</strong>that he identifies with <strong>the</strong> Mencian “flood-like qi.” Like Wen Tianxiang,Tōko writes that he has been able to achieve some degree <strong>of</strong> psychologicalrelease from his trying circumstances through his faith in a “righteousspirit.” In writing <strong>the</strong> poem, Tōko had ano<strong>the</strong>r agenda, however:to insist upon <strong>the</strong> particularity, <strong>and</strong> indeed <strong>the</strong> superiority, <strong>of</strong> <strong>the</strong> Japanese“righteous spirit.” His preface continues:When Tianxiang met with <strong>the</strong> toppling <strong>of</strong> <strong>the</strong> Song state, he was taken prisonerby <strong>the</strong> Mongols. Truly this was a great crisis in <strong>the</strong> life <strong>of</strong> a vassal. Myconfinement, on <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, is no more than a temporary <strong>and</strong> aberrantmisfortune. And so both our circumstances <strong>and</strong> accomplishments aregreatly dissimilar. But as someone <strong>of</strong> old once said, “Life <strong>and</strong> death are greataffairs.”81 Now, my travails have come to this point. But it seems that peopleare still unsatisfied with this <strong>and</strong> say “Why is he not given leave to commitsuicide?” or “Why does he not hurry up <strong>and</strong> take his own life?” This is whyI can say that I spend my days now on <strong>the</strong> border between life <strong>and</strong> death.Moreover, in my stubborn refusal to change, in my self-confidence thatgrows ever stronger, <strong>the</strong>re is no dissimilarity between me <strong>and</strong> Tian xiang.81In Zhuangzi V, <strong>the</strong>se words are attributed to Confucius; see Chuang Tzu: Basic Writings,trans. Burton Watson (Columbia University Press, 1964), p. 64.

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