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SWOT-Analysis of Halle 14 in the Cotton Spinning ... - Central Europe

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<strong>Halle</strong> <strong>14</strong> and its surround<strong>in</strong>g <strong>in</strong> <strong>the</strong> city<br />

6.3 Plann<strong>in</strong>g status<br />

So far, on <strong>the</strong> entire site <strong>of</strong> <strong>the</strong> former factory, <strong>the</strong> build<strong>in</strong>g envelopes <strong>of</strong> <strong>Halle</strong>n (‘factory build<strong>in</strong>gs’) 3, 4, 5 and 6 as<br />

well as <strong>the</strong> nursery school have been refurbished. Economic stability is provided by <strong>the</strong> many small and large tenants,<br />

such as a cafe, a computer shop, a bicycle manufacturer, a shop sell<strong>in</strong>g art supplies, various art galleries, and<br />

<strong>the</strong> artists’ studios. With<strong>in</strong> this overall commercial development, <strong>Halle</strong> <strong>14</strong> is unique s<strong>in</strong>ce it currently serves and will<br />

cont<strong>in</strong>ue to be used for non-pr<strong>of</strong>it-mak<strong>in</strong>g purposes.<br />

The four-storey build<strong>in</strong>g erected <strong>in</strong> 1890/91 <strong>of</strong> what is now <strong>Halle</strong> <strong>14</strong> was used for a period <strong>of</strong> five years start<strong>in</strong>g <strong>in</strong><br />

2002 <strong>in</strong> an unrefurbished condition – a development which was encouraged <strong>in</strong> 2002 by <strong>the</strong> architectural symposium<br />

entitled ‘Architecture Th<strong>in</strong>k<strong>in</strong>g Socially’. The Federkiel Foundation was <strong>in</strong> overall charge <strong>of</strong> <strong>the</strong> build<strong>in</strong>g’s use. It subsidised<br />

operation and staff and also supported project work. S<strong>in</strong>ce 2007, <strong>the</strong> build<strong>in</strong>g has been run by <strong>the</strong> registered<br />

association HALLE <strong>14</strong> e.V.<br />

Gradual refurbishment <strong>of</strong> <strong>the</strong> <strong>in</strong>terior began <strong>in</strong> 2007. In 2009, <strong>the</strong> ro<strong>of</strong> and facade were renovated with public fund<strong>in</strong>g.<br />

The next construction phase is planned for 2011/2012 and will comprise <strong>the</strong> <strong>in</strong>stallation <strong>of</strong> additional utility and <strong>in</strong>frastructure<br />

facilities as well as ensur<strong>in</strong>g compliance with fire regulations. So far, <strong>in</strong>terior work has focused on complet<strong>in</strong>g<br />

<strong>the</strong> visitors’ centre and <strong>the</strong> exhibition rooms as well as refurbish<strong>in</strong>g <strong>the</strong> w<strong>in</strong>dows. The partners HGB and <strong>the</strong> Columbus<br />

Art Foundation have largely refurbished <strong>the</strong>ir premises on <strong>the</strong> second floor by <strong>the</strong>mselves dur<strong>in</strong>g <strong>the</strong>ir longstand<strong>in</strong>g<br />

cooperation. Generally speak<strong>in</strong>g, <strong>the</strong> structural condition <strong>of</strong> most <strong>of</strong> <strong>the</strong> build<strong>in</strong>gs on <strong>the</strong> Leipzig <strong>Cotton</strong><br />

Sp<strong>in</strong>n<strong>in</strong>g Mill site is comparatively good. This is due to <strong>the</strong>ir solid masonry construction, orig<strong>in</strong>ally <strong>in</strong>tended to keep<br />

<strong>the</strong> temperature as stable as possible for cotton production. The build<strong>in</strong>gs were mostly constructed us<strong>in</strong>g a solid brick<br />

structure and walls more than 1 metre thick comb<strong>in</strong>ed with large, stable cast-iron box-type w<strong>in</strong>dows, cork <strong>in</strong>sulation<br />

and landscaped ro<strong>of</strong>s. Accord<strong>in</strong>gly, <strong>the</strong> <strong>in</strong>vestment costs for <strong>the</strong> repair and refurbishment <strong>of</strong> <strong>the</strong> build<strong>in</strong>gs are relatively<br />

low, as are <strong>the</strong> runn<strong>in</strong>g costs and overheads. Unfortunately, this situation only partly applies to <strong>Halle</strong> <strong>14</strong>, where <strong>the</strong><br />

w<strong>in</strong>dows were replaced <strong>in</strong> 1988/89 by new <strong>the</strong>rmal glass w<strong>in</strong>dows with metal frames beset by poor <strong>in</strong>sulation.<br />

The partly implemented usage concept provides for <strong>the</strong> follow<strong>in</strong>g elements. The visitors’ centre <strong>in</strong>clud<strong>in</strong>g an <strong>in</strong>formation<br />

counter, lounge, project rooms and <strong>of</strong>fice on <strong>the</strong> ground floor has existed <strong>in</strong> its current form s<strong>in</strong>ce <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g<br />

<strong>of</strong> 2009 and serves as a source <strong>of</strong> <strong>in</strong>formation and <strong>the</strong> centre for events and communication. The ground floor also<br />

conta<strong>in</strong>s <strong>the</strong> exhibition area <strong>of</strong> HALLE <strong>14</strong> e.V. measur<strong>in</strong>g 2,400 square metres with a room <strong>in</strong>side a room and a twostorey<br />

course room for <strong>the</strong> ‘Kreative Sp<strong>in</strong>ner’ art appreciation project, which is partly conducted <strong>in</strong> cooperation with<br />

Leipzig schools. A library (recognised by <strong>the</strong> Free State <strong>of</strong> Saxony as a museum and art library) complete with an<br />

archive is also located <strong>in</strong> <strong>the</strong> visitors’ centre on <strong>the</strong> ground floor. Beneath it <strong>in</strong> <strong>the</strong> basement are workshops and<br />

storerooms. The second floor is ma<strong>in</strong>ly used as partner premises, currently by <strong>the</strong> Columbus Art Foundation and <strong>the</strong><br />

Universal Cube, and conta<strong>in</strong>s exhibition space belong<strong>in</strong>g to HGB Leipzig Academy <strong>of</strong> Visual Arts. However, sem<strong>in</strong>ar<br />

rooms and additional exhibition premises and visitors’ apartments are still planned. Generally speak<strong>in</strong>g, <strong>in</strong> <strong>the</strong> concept<br />

for <strong>Halle</strong> <strong>14</strong>, <strong>the</strong> exhibition areas are planned as <strong>the</strong> ‘luxury <strong>of</strong> empt<strong>in</strong>ess’. The architecture preserves <strong>the</strong> build<strong>in</strong>g’s<br />

large areas.<br />

The exhibitions staged by HALLE <strong>14</strong> e.V. are <strong>the</strong> association’s central task. S<strong>in</strong>ce 2003 it has held between one and<br />

three <strong>in</strong>ternational, mostly <strong>the</strong>matic, group exhibitions every year. Until 2007 <strong>the</strong> exhibitions were organised by <strong>the</strong><br />

Federkiel Foundation; s<strong>in</strong>ce 2008 HALLE <strong>14</strong> e.V. has been <strong>the</strong> project organiser. They have <strong>in</strong>cluded for example<br />

<strong>the</strong> exhibitions ‘Xtreme Houses’ (2004), ‘Passion <strong>of</strong> Collect<strong>in</strong>g’ (2005), ‘Culture <strong>of</strong> Angst’ (2006), ‘Uncerta<strong>in</strong>ty’ (2008),<br />

‘Artistic Errors – Erroneous Art’ (2009) and ‘All Hands on <strong>the</strong> Mach<strong>in</strong>e!’ (2010). The exhibitions staged at <strong>Halle</strong> <strong>14</strong><br />

draw between 8,000 and 10,000 visitors every year. S<strong>in</strong>ce <strong>the</strong> exhibition rooms are unheated, <strong>the</strong> exhibition season<br />

(<strong>in</strong>clud<strong>in</strong>g for <strong>the</strong> partner areas) runs from early May until late October.<br />

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