SWOT-Analysis of Halle 14 in the Cotton Spinning ... - Central Europe
SWOT-Analysis of Halle 14 in the Cotton Spinning ... - Central Europe
SWOT-Analysis of Halle 14 in the Cotton Spinning ... - Central Europe
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<strong>SWOT</strong>-Matrix<br />
Strengths Weaknesses<br />
Cultural significance/milieu/scene<br />
- Renowned centre <strong>of</strong> high culture with numerous<br />
<strong>in</strong>stitutions (Leipzig Opera House, Gewandhaus, <strong>Central</strong><br />
Theatre, Skala, Musical Comedy, Museum <strong>of</strong> F<strong>in</strong>e Arts etc<br />
with famous <strong>in</strong>ternational events, e.g. Bach Festival)<br />
- Important centre <strong>of</strong> publish<strong>in</strong>g with <strong>in</strong>ternational Leipzig<br />
Book Fair<br />
- Heterogeneous arts scene with high degree <strong>of</strong> selforganisation<br />
skills<br />
- Creative <strong>in</strong>dustries very strong, especially <strong>in</strong> TV, radio,<br />
s<strong>of</strong>tware development and games <strong>in</strong>dustry, music <strong>in</strong>dustry,<br />
perform<strong>in</strong>g arts, book production and publish<strong>in</strong>g<br />
- Active civil society structures, open social milieus, diverse<br />
cultural and <strong>in</strong>dependent <strong>in</strong>stitutions<br />
Urban space & <strong>in</strong>frastructure<br />
- Attractive urban sett<strong>in</strong>g, high degree <strong>of</strong> urbanity<br />
- Industrial architecture and partly good build<strong>in</strong>g stock<br />
- Relaxed hous<strong>in</strong>g and commercial property market<br />
- Dynamic development <strong>in</strong> western districts without<br />
pronounced gentrification tendency yet<br />
- Good <strong>in</strong>frastructure <strong>in</strong> education (traditional university,<br />
universities <strong>of</strong> applied sciences, music college, art<br />
academy, non-university research centres)<br />
Legal & f<strong>in</strong>ancial conditions<br />
- Public support for high culture and <strong>the</strong> <strong>in</strong>dependent scene<br />
(e.g. ‘5 for Leipzig’)<br />
- Relatively low cost <strong>of</strong> liv<strong>in</strong>g<br />
Opportunities Threats<br />
Cultural significance/milieu/scene<br />
- Exist<strong>in</strong>g creative scene very important for city’s everyday<br />
life<br />
- Creative employers and artistic milieus mould <strong>the</strong> city’s<br />
cultural landscape with potential to fur<strong>the</strong>r boost <strong>the</strong> city’s<br />
attractiveness<br />
- Expansion <strong>of</strong> ambassador role by lead<strong>in</strong>g actors <strong>in</strong><br />
perform<strong>in</strong>g and visual arts with magnet effect for wide<br />
range <strong>of</strong> <strong>in</strong>terested parties (artists, students, buyers,<br />
exhibitors, gallery owners, etc)<br />
- Encourag<strong>in</strong>g people to stay <strong>in</strong> <strong>the</strong> city (creatives, students<br />
and young generation frequently use Leipzig as a<br />
temporary gateway ow<strong>in</strong>g to poor economic situation)<br />
- Establish<strong>in</strong>g closer connection <strong>of</strong> artists <strong>in</strong>/to public life <strong>in</strong><br />
<strong>the</strong> city<br />
- Establishment <strong>of</strong> a ‘creative <strong>in</strong>dustries’ market<strong>in</strong>g label with<br />
<strong>in</strong>volvement <strong>of</strong> key actors <strong>in</strong> this sector<br />
Urban space & <strong>in</strong>frastructure<br />
- <strong>Central</strong> locations <strong>of</strong> <strong>in</strong>stitutions <strong>in</strong> <strong>the</strong> creative <strong>in</strong>dustries<br />
- Individual networks, meet<strong>in</strong>g places and social practices <strong>of</strong><br />
each sector available<br />
Legal & f<strong>in</strong>ancial conditions<br />
- Set-up and expansion <strong>of</strong> public-private partnerships <strong>in</strong><br />
cultural sector at municipal level, for broad appeal and<br />
last<strong>in</strong>g partnerships<br />
Cultural significance/milieu/scene<br />
- Partly <strong>in</strong>adequate perception by <strong>the</strong> local authority as an<br />
important part <strong>of</strong> <strong>the</strong> economy or as an economic factor<br />
(with <strong>the</strong> exception <strong>of</strong> <strong>the</strong> media <strong>in</strong>dustry)<br />
- Expandable market<strong>in</strong>g <strong>of</strong> <strong>the</strong> visual arts alongside already<br />
well-placed and well-known perform<strong>in</strong>g arts (especially<br />
music)<br />
Urban space & <strong>in</strong>frastructure<br />
- Few communication platforms and possibilities for<br />
exchange (role ma<strong>in</strong>ly assumed by few <strong>in</strong>dividual actors<br />
and <strong>in</strong>dividual <strong>the</strong>matic fairs and exhibitions)<br />
Legal & f<strong>in</strong>ancial conditions<br />
- Low purchas<strong>in</strong>g power, weak local and regional art market<br />
- Expandable public–private cooperation<br />
- Inadequate strategies for effective cooperation between<br />
educational establishments, R&D centres and cultural<br />
production bus<strong>in</strong>esses<br />
- Necessary revision <strong>of</strong> cluster policy, especially for very<br />
small bus<strong>in</strong>ess and freelancers, expandable <strong>in</strong>volvement <strong>in</strong><br />
bus<strong>in</strong>ess development<br />
Cultural significance/milieu/scene<br />
- Low pr<strong>of</strong>ile <strong>of</strong> active actors <strong>in</strong> visual arts and perform<strong>in</strong>g<br />
arts (with <strong>the</strong> exception <strong>of</strong> <strong>the</strong> New Leipzig School)<br />
- Low degree <strong>of</strong> pr<strong>of</strong>essionalisation <strong>of</strong> many freelancers <strong>in</strong><br />
<strong>the</strong> creative <strong>in</strong>dustry, frequently comb<strong>in</strong>ed with vague<br />
company pr<strong>of</strong>iles (encourages niche existence, hampers<br />
growth and <strong>the</strong> tapp<strong>in</strong>g <strong>of</strong> new markets)<br />
Urban space & <strong>in</strong>frastructure<br />
- Emerg<strong>in</strong>g risk <strong>of</strong> gentrification<br />
Legal & f<strong>in</strong>ancial conditions<br />
- Uncerta<strong>in</strong> public f<strong>in</strong>anc<strong>in</strong>g <strong>of</strong> visual arts and perform<strong>in</strong>g<br />
arts (especially <strong>in</strong>dependent scene)<br />
- Restrictive support and concentrated top-down plann<strong>in</strong>g<br />
could hamper <strong>the</strong> <strong>in</strong>dividuality and scope needed by <strong>the</strong><br />
creative <strong>in</strong>dustries and <strong>the</strong> <strong>in</strong>dependent scene<br />
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