Alfred Whittingham 33 Leicester Square W.C.—25 Beethoven (L. van) Seventh Gr<strong>and</strong> Symphony in A, for a Gr<strong>and</strong> Orchestra.Op. 92. Set <strong>of</strong> the Instrumental Parts. Paris. Folio, (pub 25s) 9s 6d26 Beethoven (L. van) Pastoral Symphony in F. Op. 68. Set <strong>of</strong> InstrumentalParts, (pub 36s) 9s27 Beethoven (L. -van) Symphony in A, No. 7. Full Score. Paris. Fol. 7s 6d28 Beethoven (L. van) Second Gr<strong>and</strong> Symphony in D. Op. 36. Set <strong>of</strong> the 11Instrumental Parts. Wien. Folio, (pub 18s) 7s 6d29 Beethoven (L. van) Symphony in C. Op. 21. Arranged for two performerson one Pian<strong>of</strong>orte, by C." Czeruy. Leipzig. Ob. 4to, in a wrapper Is 6d30 Beethoven (L. van) Engedi, or David in the Wilderness, with <strong>English</strong> Words ;the Piano-Forte or Organ Accompaniment by Vincent Novello. Lond. Folio, (pub 12s 6d)4s 6d31 Beethoven (L van) Mass in C. The Set <strong>of</strong> 4 Yocal Parts. Folio. 2s32 Beethoven (L. van) Bundeslied von Goethe fur zwey Solo und drey Chorstimmen.Op. 122.— Opferried. Op. 121.—Vier Duetsche Gedichte. Op. 113.—An diefeme Geliebte. Op. 98.—Drey Gesaenge von Goethe. Op. 83.—Vier Arietten, &c. Op. 82.—VIII Lieder. Op. 52.—III Lieder. Lied " Als mir noch," &c.—Sechs Gedichte.—DieSehnsucht von Goethe.—Sechs Lieder. Op. 32 ; <strong>and</strong> 6 otheijVocal Works by Beethoven.Weber (C. M. von) 5 Vocal Works by, all with Pian<strong>of</strong>orte Accompaniment. In 1 vol, ob.4to.7s 6d34 Bellini (Y.) I Montecchi e Capuleti. Italian Words. Piano-Forte Score.Milan. Ob. fol., half calf. 5s35 Bemetzrieder. Music made Easy, in a Series <strong>of</strong> Dialogues, <strong>being</strong> PracticalLessons for the Harpsichord, laid down in a New Method, so as to render that Instrumentso little difficult that any Person may play well <strong>and</strong> compose Music in less than a Twelvemonth.Translated by Bernard. Perused <strong>and</strong> approved by Dr. Boyce <strong>and</strong> Dr. Howard.Lond. 1778. 4to, half bound. 4s 6d36 Bennet (J.) Madrigals for Four Yoices. Edited by E. J. Hopkins. Lond.Ifus. Ant. Soc. Folio, uncut. 6s 6cl37 Beriot (C. de) Fourth Concerto in F. Op. 46. The Set <strong>of</strong> 14 InstrumentalParts. Folio, in wrapper. 3s38 Bertini (A.) New System for acquiring extraordinary facility on all MusicalInstruments as well as in Singing. Lond. 1830. oblong 4to, uncut 3s38*Bertoni (F.) Miserere for 4 Voices <strong>and</strong> Orchestra. Full Score. Venezia, 1802.oblong 4 to, boards,4s 6d39 Bertzen (S.) Extract <strong>of</strong> the work entitled Principles <strong>of</strong> Music. Lond. 1782.8vo, calf,Is 6d40 Bessoni( J.) Theatrum Instrumentorum et Machinarum cum F. Beroaldi Figurarumdeclaratione demonstrativa et Additionibus J. Paschalis. Numerous plates, Lugd.,1582. Folio, vellum, 18sAn important work, containing- a great number <strong>of</strong> fine large plates, exhibiting various inventions for thesuspending <strong>of</strong> carriages, for fire-engines, for musical instruments (this work is not mentioned by Fetis),a new presss for impressing coloured clothes, &c.41 Blow (Dr. J.) Amphion Anglicus ; a work <strong>of</strong> many Compositions, for One,Two, Three, or Four Voices, with Several Accompagnements <strong>of</strong> Instrumental Musick; <strong>and</strong>a Thorow-Bass to each Song, figured, port. London, Playford, 1700. Folio, good copy inold calf, scarce12s42 Another copy, lialfbd. 8s 6d43 Bombet (L. A. C.) Yies de Haydn, de Mozart, et de Metastase. Paris, 1817.8vo, calf neat3s44 Boyce's Cathedral Music. A complete set <strong>of</strong> the Yocal Parts, Treble, Alto,Tenor, <strong>and</strong> Bass, Published by Novello, h<strong>and</strong>somely bound in 4 vols, folio, half calf, clothsides, joints, marbled leaves£1 18s45 Brosig (M.) Choralbuch fur den Katholischen Gottes-clienst (Catholic Chorale-Book). Breslau. Ob. 4to, cloth bds 3s 6d46 Buckley (O. D.) Musical Truths, or an Analysis <strong>of</strong> Music. Lond., 1843.12mo, clothIs47 Bull (Dr.) Prayer <strong>and</strong> Plain-Chant, with Obligato Organ Accompaniment(composed between 1563 <strong>and</strong> 1622). Lond. Folio ls6d47*Burney's Two Sonatas-—Kozeluch's Duo for the Clavecin, <strong>and</strong> other Music,Duets, &c, for the Piano-forte, in 1 vol. Folio 2sHiiiiiiiinifriiiBWnmiiff, 7 ,fiMMi1(if—^MJi
535 Hayes (Dr. P.) Six Sonatas for Piano-Forte <strong>and</strong> Violin ; Dupuis (T. S.) Sonatasfor the Organ, or Pian<strong>of</strong>orte, <strong>and</strong> Violin.—Martini's Harpsichord Lessons in i -^ni f~ii^l __J.—Alfred Whittingham S3 Leicester Square W.C. 23515 Zingarelli (N.) Alceste : a Cantata for two Voices, a beautifully writtenMS. Oblong 4to. 2s516 Zingarelli (N.) Oreste. Cantata for two Voices (Soprano <strong>and</strong> Tenor),Italian Words, with Accompaniments (2 Violins <strong>and</strong> Violoncello.) Full Scoee. Oblong4to, boards.4s 6d\*517 Avison (C.) Essay on Musical Expression, with a Letter concerning theMusic <strong>of</strong> the Ancients. Lond. 1775. Small 8vo, calf. 3s518 Beethoven. The Life <strong>of</strong> Beethoven, by J. Moscheles, portrait, Lond. 1811.Crown 8vo, 2 vols, newly bound in calf extra, marbled leaves, by Riviere. Scarce. £1 4s519 Bennett (W. S.) Six Studies in the form <strong>of</strong> Capriccios for the Piano-Forte.Lond. Polio. 2s520 British Musical Miscellany, or the Delightful Grove ; <strong>being</strong> a Collection <strong>of</strong>Celebrated <strong>English</strong> <strong>and</strong> <strong>Scotch</strong> Songs, by the best Masters"(with the Music). Nos. 1, 2, 4,13, 14, 15, 16, 17, <strong>and</strong> 21. Lond. Wcdsh, 1733, &c. 8vo, very scarce. 7s 6d521 Burgh (A.) Anecdotes <strong>of</strong> Music, Historical <strong>and</strong> Biographical. Lond. 1814.Small 8vo, boards, uncut.7s 6d522 Busby (Dr. T.) History <strong>of</strong> Music from the earliest times to the present.Lond. 1819. 8vo, 2 vols, boards, uncut. 7s 6d523 Davy (J.) Woman's Will, a Riddle. A Drama, in 3 Acts. Lond. folio.Is6d52i Dibdin (T.) Who's to have her 1 a Musical Farce. Composed by Reeve <strong>and</strong>Whitaker, with Piano-forte Accompaniment. Lond. Folio. 2s525 Discours sur l'Harmonie. Paris, 1737. Small 8vo, half bound. 2s 6d526 Glees, &c, Longman <strong>and</strong> Broderip's Collection. 3 parts (61 pages).—Baker'sCatches, Glees, Rounds, <strong>and</strong> Duetts. In one vol, oblong 4to, half bound. 2s527 H<strong>and</strong>el (G. F.) Dettingen Te Deum. Full Score (Arnold's). Folio, uncut.2s 6d528 H<strong>and</strong>el (G. F.) Ode on St. Cecilia's Day.—L'Allegro, il Penseroso, ed ilModerate Fcll Scores (Arnold's).—Corfe (Dr.) Sacred Music; <strong>being</strong> some <strong>of</strong> the choicestMusic by Jomelli, Pergolesi, Perez, Martini, Beretti, &c., adapted to <strong>English</strong> Words. Vol. 1,containing Milton's Hymn <strong>and</strong> Anthems. Full Scoee. In 1 thick folio volume, half calf.6s 6d529 H<strong>and</strong>el's Overtures to the Messiah, Julius Caesar, Alex<strong>and</strong>er's Feast, Saul,Sampson, <strong>and</strong> Acis <strong>and</strong> Galatea, arranged for 2 Violins, Flute, Tenor, Violencello, ContraBass, <strong>and</strong> Piano-Forte, by H. P. Hill. The set <strong>of</strong> 6 Instrumental Parts. Folio. 6s 6d530 H<strong>and</strong>el (G. F.) Suites de Pieces pour le Clavecin. Vol 1. Lond. Walsh.—Arnold (Dr.) Overture, Songs, Choruses, etc., in the Battle <strong>of</strong> Hexham.— Shield's Overtureto the Poor Soldier, in 1 vol, oblong folio, half bound.5s 6d531 H<strong>and</strong>el (G. F.) Te Deum, composed for the Duke <strong>of</strong> Ch<strong>and</strong>os in 1720. FullScore (Arnold's). Folio, uncut. 2s532 H<strong>and</strong>el (G. F.) Thirteen Chamber Duets <strong>and</strong> Two Trios, with Piano-ForteAccompaniment. Edited by Henry Smart. Lond. H<strong>and</strong>el Soc. 1852 Folio, in wrappers,as published6s 6d532* H<strong>and</strong>el (G F.) Twelve Gr<strong>and</strong> Concertos in Score (Arnold's Ed.) Largepapee. Folio, half calf 6s 6d533 Hawkins (Sir J.) General History <strong>of</strong> Music. Numerous %>ortraits <strong>and</strong>engravings- Lond. 1776. 4to, 5 vols.—Burney (Dr. C. H.) General History <strong>of</strong> Music, fromthe earliest ages to the present period, portrait <strong>and</strong> plates. Lond. 1782—9. 4to, 4 vols,together 9 vols, boards, uncut, very scarce in this state.£8 8s534 Hadyn (J.) Twelve Quartetts, for 2 Violins, Tenor <strong>and</strong> Violoncello, in Score.Paris. 8vo, 4 vols, boards. 8s
- Page 2 and 3: & AA~ l/l./ S Vj. /Sjt-ryf-f
- Page 6: Digitized by the Internet Archivein
- Page 12 and 13: 24 Alfred Whittingham 33 Leicester
- Page 14 and 15: "-T**?!
- Page 16 and 17: —nTABLE of th£ S0IN"GS.Dear Coll
- Page 18 and 19: '_''-.IV TABLE of Uib SOjtfGS.Thric
- Page 20 and 21: ^ifJ.i.^^trJ-J>I J.^JlRofamond fo f
- Page 22 and 23: *Andante3?LUTEM^J^ilr[if fl^i^rr &^
- Page 24 and 25: F#tj i]rt iiffrrn^gim&yijififrjifu_
- Page 26 and 27: ,.T2i£Solitary I/ovjbb.I< « Blow
- Page 28 and 29: .si^ {^^pHAnd this is no mine ain H
- Page 30 and 31: 12Since jours is the Province of fr
- Page 32 and 33: 14 The Ply. Set by Dr. (3-reetste.l
- Page 34 and 35: 16I fue for her Love in a foft tend
- Page 36: _,!18Away, incenc'd, then Cupid fle
- Page 39 and 40: W—^21Th£ Doubtful Shepherd. Set
- Page 41 and 42: j23Yes: well pleas'd at thy undoing
- Page 43 and 44: . _AsA. So:sr& $et W^5JiflCr. G^ali
- Page 45 and 46: Z7fairK mr g" rpit w ti'vn B^J Or e
- Page 47 and 48: »Tiue Bashful Lover. Set by Mr. Sc
- Page 49 and 50: 'SIWhen Royal James, jioffeft the C
- Page 51 and 52: The IEUlepy iMJu*-. $et ftt Mr. Sqi
- Page 53 and 54: iiiininii55" iMHiffiP^sdam > For I
- Page 55 and 56: ^The Maids HeO-UEST •psj|fE^P' gf
- Page 57 and 58: 3?jviake a new World ve Powers Divi
- Page 59 and 60: 42The Unhappy SwaINf^i^^rtp -^u^Dee
- Page 61 and 62:
43In a TeXCamine Bow r(when the Bea
- Page 63 and 64:
,Hism^zfcv-3SFifcThe Farmers S 021
- Page 65 and 66:
The Lass of LivingstoneP^rerrfrflmP
- Page 67 and 68:
gA $ostg,. SlowTh£ Words sauLJftuS
- Page 69 and 70:
.O Wow! quo' he, were I as free,As
- Page 71 and 72:
I^ftfrffffiiffrfh-c tm »._The 5 fo
- Page 73 and 74:
MMI. $im-§•in- the Festival. $et
- Page 75 and 76:
finvgleThe too Curious Swain •t57
- Page 77 and 78:
59He haunts the Stream^he haunts th
- Page 79 and 80:
eer,61A BllB-LESCUlE To G EMIU IAN
- Page 81 and 82:
. Porbear.And. Are. On: StaresJ>Ble
- Page 83 and 84:
iThe Replication By M r . Tho s . B
- Page 85 and 86:
_ TT_ li | j-ful Thoughts de _ 1i
- Page 87 and 88:
The Happ^' Swain JUJjflsgipigi%gthe
- Page 89 and 90:
71My bony Maggies Love can turn^Me
- Page 91 and 92:
173.A Twro Part $asr&, Thfi "Words
- Page 93 and 94:
..11-75'jfrfl Kfj )lli-i1 1SEK io t
- Page 95 and 96:
$un% in th.e Ivivfby Rake 77.ffrr*r
- Page 97 and 98:
7Sgo, ^efolv'd to force a, Maid to
- Page 99 and 100:
.His.; As.Which.Inftead.And.And,1ti
- Page 101 and 102:
\ 83As a Tyrant., when degraded.Is
- Page 103 and 104:
|TDuJVTBAHTOlJfVDjeui:msB5'^m^^^mr^
- Page 105 and 106:
A Pastoral by ^i r . Cabiy •87^gg
- Page 107 and 108:
—.Tj5—A PaSTOBAR bv a.n Eminent
- Page 109 and 110:
sit -ki H l|i i.irT7j hf3^riot's e
- Page 111 and 112:
i*.!A-SOUS Sungjby Mifs Ra?TOBmin t
- Page 113 and 114:
—35The Evening then does me invit
- Page 115 and 116:
ThePROTCEof ORANGE'S Welcome. The W
- Page 117 and 118:
Blute.SSkiii iift>.ia i;vfiiii"iri
- Page 119 and 120:
.GMs>a&LOil a"WATCH hanging at a B
- Page 121 and 122:
*103.uWonerie> With excels ^sf Love
- Page 123 and 124:
1?'OU J i]rW J '^^Tiie X, o£ij Beg
- Page 125 and 126:
Happy only is the Lover,Whom his Mi
- Page 127 and 128:
• AndThe Unwiliing Departure •1
- Page 129 and 130:
.My• Willm-me you al- ways was ^i
- Page 131 and 132:
'1HappyM i^'iVl'"Myrtiilo •'iVl1'
- Page 133 and 134:
mOne s Lot To low •—•-I e-H-1
- Page 135 and 136:
A Two Part SoNG by M r • MORGAN*J
- Page 137 and 138:
y hHcfriit'Trrr'i' iDamon and Cloe.
- Page 139 and 140:
Charming MyrA-.±21£et hj Mr.LEVER
- Page 141 and 142:
Let nothing/ nothing move her.To fa
- Page 143 and 144:
The ILacfcys CoirmlairLt for the De
- Page 145 and 146:
Cuftode rerum Georgiojnon furorCivi
- Page 147 and 148:
,6.4-3.A. $ o:ktg in. the jiew Trag
- Page 149 and 150:
J3J-Tweed's Murmers fhould lull her
- Page 151 and 152:
The Despaibiug Lover •iol*. Unis
- Page 153 and 154:
1135ymJlh^lslilPgr^lf ftiflJkifstl
- Page 155 and 156:
,OhyVery flowAdvice To Youth • 13
- Page 157 and 158:
13S7 TTJ /._ pear ferene. Then fhel
- Page 159 and 160:
•ClaRINBA . Set bj M r . W m . Fl
- Page 161 and 162:
*14&j r gMJjJJJJ[^rrrJLLJI^iln^jj r
- Page 163:
•»El3A Hunting Song by jyLc. Cas
- Page 169 and 170:
•-"-?.-••A TABLE of the SOlsT
- Page 171 and 172:
—I/et's be nierrj — .TABLE of t
- Page 173 and 174:
Generous Ijove.• rr im ^feIjove's
- Page 175 and 176:
& fHr» a iflin*f \ $n*Bowl, great
- Page 177 and 178:
Thillis, tlue ToaTt. A ^oisr&.-v be
- Page 179 and 180:
IA$cnsrG-. Ihje "Words and ttn&dk.
- Page 181 and 182:
..A Song TJie "Words bylftr Paeratt
- Page 183 and 184:
Jl5 juJf^^i ,ican you findj In look
- Page 185 and 186:
1W\> MM iLove and Philosophiest[II^
- Page 187 and 188:
Or^trr^P^^^She bids more fair t eng
- Page 189 and 190:
The Shepherds Complaiut •Largo ^W
- Page 191 and 192:
.The. While_____-L9On my poor Breaf
- Page 193 and 194:
lM Hopeless Love . set by . Gouge .
- Page 195 and 196:
All in the felf-fame fhady Grpve^Yo
- Page 197 and 198:
» »»zsu$et ;Mr. Lbveeid&e,m$$&=
- Page 199 and 200:
27ptfWr •Hrrfrrir-rttmrrqgfeFace
- Page 201 and 202:
mJI_A SoiSTG 0et bj" HVIr. Leveridg
- Page 203 and 204:
Be hufh, jre Fears, ill not defjpai
- Page 205 and 206:
655A {scnsTG- $et by-Jfli. Jjeverid
- Page 207 and 208:
;i gjjjti-g&f^-igrrn^nri^/^tJitrcji
- Page 209 and 210:
LOVE and Pku DEUCE • The Words by
- Page 211 and 212:
To the Rocks all alone.When I make
- Page 213 and 214:
'Like#Advice to Clabjuda. The words
- Page 215 and 216:
.TheJolly TopersHir- r,frH^rj S J -
- Page 217 and 218:
.iinWj rAn -Epitjialamiitm . 45'11m
- Page 219 and 220:
.£rTrnTrir^g?S iHibe, Ithoughttwas
- Page 221 and 222:
A Pa-vo-nrite Aire in. Ariadne ,The
- Page 223 and 224:
.,51Soon, DAMON felt the Liguor,His
- Page 225 and 226:
JL Song Set bvJVIr. h J Handel.53La
- Page 227 and 228:
Jockey and Jenny- $et by Mr. Gougem
- Page 229 and 230:
.TJie Foolish Prude.57Or Drinking t
- Page 231 and 232:
»JENNY. Had jo u ftill addreft me.
- Page 233 and 234:
_A1Song in the Opeba of Amelia by j
- Page 235 and 236:
63^^^^^mName, does aLLmySoulenflame
- Page 237 and 238:
The CLlIEEN of MaY»To the Tune of
- Page 239 and 240:
.Oh»C3BHMM^€7Altho my .Fancy wer
- Page 241 and 242:
The Wheedles. •The Words by an. u
- Page 243 and 244:
m*m-ifTruth •^\\inn>\\^A\\^$iI ha
- Page 245 and 246:
lo$ A Ii I 1ST D A.7*£aI'm Itill a
- Page 247 and 248:
7$ff .m fFsiSoul her Influence fhed
- Page 249 and 250:
Thanks to the Parsoh. 77^n^u.^i^ii^
- Page 251 and 252:
. Peace7S>~P^r\ Jitfrcfi;rir^t&t^of
- Page 253 and 254:
!.~Th.e Fair EmeliaA fcJouG by Cap8
- Page 255 and 256:
83vond expreTTing, with thee is ev'
- Page 257 and 258:
The Antidote or the CoauET's End. &
- Page 259 and 260:
A Slave alone had Pow'r to move*87A
- Page 261 and 262:
feFffffPair $ilvia. Set by Mr. Boyc
- Page 263 and 264:
Thee., Alaft I cannot give eive it
- Page 265 and 266:
fljbl iiii 1U1 . LlVIMDGE .- J*?w^^
- Page 267 and 268:
-p ii ^rir irr r^nn^^^^$5^^^yp^^^^s
- Page 269 and 270:
..37Florimel. jSet by Dr. Greene.I^
- Page 271 and 272:
•LikeS9Wherever I go, or whatever
- Page 273 and 274:
ivir.$W$TO , A L L I SB$ (Set by Dv
- Page 275 and 276:
v^—103£*£ Tho' long rejected my
- Page 277 and 278:
,TJtifi True Philosophy.105/^4fr^^f
- Page 279 and 280:
iojHer Eyes were fcarce clofed when
- Page 281 and 282:
The Distracted IjOver. get by Mr. B
- Page 283 and 284:
A Favourite JYIinuet by JYIr. Gtehv
- Page 285 and 286:
a-0et by Mr. Ijeveridge.&mjj> j j'j
- Page 287 and 288:
"wmm * "u.-ji.jfign or Chance, no m
- Page 289 and 290:
The Merry Baccanaiiias • n7jres t
- Page 291 and 292:
—A Bacchanalian Song The words by
- Page 293 and 294:
'mp^^A Favourite Aire121by 3Ir. Han
- Page 295 and 296:
This Force of Friendship.* jalet by
- Page 297 and 298:
'?2HCastalio's Complaint. Set by Mr
- Page 299 and 300:
-Ch-e Expeciatioi127 \How much feir
- Page 301 and 302:
'Charming ITejera72fc$et by JYEr. H
- Page 303 and 304:
151fagFfSJfc1mbonny Bufh a-boon TRA
- Page 305 and 306:
A $cotg- in. the Opera of Amelia by
- Page 307 and 308:
& f155i^n^Nffe^te p1 i/ M -j'IJJWJJ
- Page 309 and 310:
iAffettuofoA $o^& $et by Mr. Iohn H
- Page 311 and 312:
.She.XZ9E^m^^^^lM^"] »-mld]>. her
- Page 313 and 314:
.The Female Phaeton.Set by Mr. Dieu
- Page 315 and 316:
i^nf145W^JMedcinej givn us a jyveac
- Page 317:
. While. Healtlrvou. The. TheA. Hun