Pirates of the caribbean: at world's end - Disney
Pirates of the caribbean: at world's end - Disney
Pirates of the caribbean: at world's end - Disney
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EVERY SAGA MUST MAKE A START…<br />
Every Saga Must Make A Start…<br />
…And for AT WORLD’S END, th<strong>at</strong> beginning was as early as April 6, 2005, when <strong>the</strong> first scenes for<br />
<strong>the</strong> film were shot in production designer Rick Heinrichs’ Tortuga set constructed in Wallilabou Bay on<br />
<strong>the</strong> beautiful and <strong>at</strong>mospheric island <strong>of</strong> St. Vincent in <strong>the</strong> West Indies, giving th<strong>at</strong> tiny country a three-forthree<br />
b<strong>at</strong>ting average, having hosted all <strong>of</strong> <strong>the</strong> “<strong>Pir<strong>at</strong>es</strong>” films. And ironically, <strong>the</strong> sequence was one <strong>of</strong> <strong>the</strong><br />
final moments in <strong>the</strong> film. Of course, shooting this scene was in concert with <strong>the</strong> simultaneous filming <strong>of</strong><br />
“Dead Man’s Chest,” and it’s doubtful if <strong>the</strong> challenge <strong>of</strong> producing and directing not one but two<br />
massively scaled epics could have been more daunting to Jerry Bruckheimer and Gore Verbinski and <strong>the</strong>ir<br />
collective production teams and company <strong>of</strong> actors. But <strong>the</strong> point was, <strong>the</strong>y were up for it, and <strong>the</strong>n some.<br />
“Anytime you make a movie it’s a challenge,” says Bruckheimer. “But when you try to prepare two movies<br />
<strong>at</strong> <strong>the</strong> same time, th<strong>at</strong>’s a serious challenge. You just don’t get <strong>the</strong> kind <strong>of</strong> prepar<strong>at</strong>ion time th<strong>at</strong> you need<br />
for <strong>the</strong> second movie, let alone <strong>the</strong> first movie.<br />
“But from <strong>the</strong> producer’s point <strong>of</strong> view,” he continues, “it was <strong>the</strong> only way to make <strong>the</strong> second and<br />
third ‘<strong>Pir<strong>at</strong>es</strong>’ films. You have Gore Verbinski, who is a directing star based on <strong>the</strong> first movie and his o<strong>the</strong>r<br />
work. You have Johnny Depp, who has been a star for years, but who broke out into a huge, mainstream<br />
audience on ‘The Curse <strong>of</strong> <strong>the</strong> Black Pearl.’ You have Orlando Bloom, who blossomed even before <strong>the</strong><br />
first ‘<strong>Pir<strong>at</strong>es</strong>,’ and became a superstar after it was released. And <strong>the</strong>n you have Keira Knightley, who’s<br />
come into her own right as a phenomenal young actress. To get all <strong>of</strong> <strong>the</strong>m toge<strong>the</strong>r for two movies, if you<br />
did it separ<strong>at</strong>ely, <strong>the</strong>re would be three or four years in between before you could figure out <strong>the</strong>ir schedules<br />
and make all <strong>of</strong> <strong>the</strong>ir deals to get<br />
slots. Blocking out <strong>the</strong>ir time based<br />
on two back-to-back movies, as well<br />
as Gore and <strong>the</strong> screenwriters, Ted<br />
and Terry—as well as keeping<br />
toge<strong>the</strong>r <strong>the</strong> rest <strong>of</strong> <strong>the</strong> crew—meant<br />
th<strong>at</strong> this was <strong>the</strong> only way to go.”<br />
Although <strong>the</strong> majority <strong>of</strong> filming<br />
in both St. Vincent and <strong>the</strong> following<br />
West Indian loc<strong>at</strong>ion <strong>of</strong> Dominica<br />
were for “Dead Man’s Chest,”<br />
Verbinski also took full advantage <strong>of</strong><br />
<strong>the</strong> exotic locales for required AT<br />
WORLD’S END sequences as well.<br />
A convoy <strong>of</strong> production vehicles bumped along half-constructed or barely constructed roads to access St.<br />
Vincent’s Black Point Beach, a spectacular stretch <strong>of</strong> sand and rugged surf. On Dominica, <strong>the</strong> very first<br />
scenes shot on <strong>the</strong> re-designed and re-built Black Pearl—which had sailed almost 2,000 nautical miles<br />
from <strong>the</strong> Steiner Shipyard in Bayou La B<strong>at</strong>re, Alabama—were filmed, re-uniting Johnny Depp and<br />
Ge<strong>of</strong>frey Rush as his old nemesis, Captain Barbossa. Here on Dominica, <strong>at</strong> Capucine Point, we see <strong>the</strong><br />
Black Pearl and her passengers approaching Shipwreck Island, one <strong>of</strong> <strong>the</strong> most spectacular settings in AT<br />
WORLD’S END.<br />
Despite <strong>the</strong> fact th<strong>at</strong> less <strong>of</strong> St. Vincent and Dominica are seen on screen in AT WORLD’S END than<br />
in “Dead Man’s Chest,” executive producer Eric McLeod points out th<strong>at</strong> “in <strong>the</strong> <strong>end</strong>, technically, this film<br />
was shot in more places than ‘Dead Man’s Chest.’ In addition to St. Vincent, Dominica, <strong>the</strong> Exumas and<br />
Grand Bahama Island, AT WORLD’S END was also filmed in different locales in Sou<strong>the</strong>rn and Central<br />
California as well as Hawaii and second unit filming in Greenland and Niagara Falls. Gore wants to take<br />
<strong>the</strong> audience on a journey to places <strong>the</strong>y haven’t been to before.”<br />
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