Pirates of the caribbean: at world's end - Disney
Pirates of the caribbean: at world's end - Disney
Pirates of the caribbean: at world's end - Disney
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“The Road to Wellville,” “Pink Floyd: The Wall” and “The Commitments.”<br />
Rose’s additional credits include “The Sleeping Dictionary,” Neil Jordan’s “The Good Thief,” “Just<br />
Visiting,” “Entrapment” and <strong>Disney</strong>’s hit remake <strong>of</strong> “The Parent Trap,” directed by Nancy Meyers. Earlier<br />
in her career, she designed costumes for Brian De Palma’s “Mission: Impossible” and has twice worked<br />
with Academy Award ® -winning director Lord Richard Attenborough on “Shadowlands” and “In Love and<br />
War.” Her resume also includes Christopher Hampton’s “Carrington,” Vincent Ward’s “Map <strong>of</strong> <strong>the</strong> Human<br />
Heart,” Bill Forsyth’s “Local Hero,” P<strong>at</strong> O’Connor’s “Cal,” Marek Kanievska’s “Ano<strong>the</strong>r Country” and<br />
Jean-Jacques Annaud’s “Quest for Fire.” Most recently, Rose designed <strong>the</strong> costumes for <strong>the</strong> Walt <strong>Disney</strong><br />
Pictures comedy “Wild Hogs,” starring Tim Allen, Martin Lawrence and John Travolta, and “St. Trinians”<br />
starring Rupert Everett. She is presently working on “Made <strong>of</strong> Honor,” starring P<strong>at</strong>rick Dempsey.<br />
Rose was trained in West End <strong>the</strong><strong>at</strong>re and began her career <strong>the</strong>re and also in television, designing for<br />
commercials where she first met such directors as Alan Parker, Adrian Lyne, Ridley and Tony Scott and<br />
Hugh Hudson. She was born and raised in Britain and is fluent in French and Italian.<br />
CRAIG WOOD (Editor) was nomin<strong>at</strong>ed for an ACE (American Cinema Editors) Award for his work<br />
on “<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong> Caribbean: Dead Man’s Chest.” He has enjoyed a long and rewarding associ<strong>at</strong>ion with<br />
director Gore Verbinski, most recently editing <strong>the</strong> director’s “The Wea<strong>the</strong>r Man” and “<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong><br />
Caribbean: Dead Man’s Chest.” Previously, he edited Verbinski’s “<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong> Caribbean: The Curse <strong>of</strong><br />
<strong>the</strong> Black Pearl” and <strong>the</strong> horror thriller “The Ring,” which garnered almost $250 million in worldwide<br />
box-<strong>of</strong>fice receipts and has gone on to become a rental sens<strong>at</strong>ion. Previously, Wood served as <strong>the</strong> editor<br />
on both “The Mexican” and “Mousehunt.” The duo also collabor<strong>at</strong>ed on more than a dozen commercials,<br />
including <strong>the</strong> Clio Award-winning Budweiser “Frogs” and <strong>the</strong> 1996 short film “The Ritual,” as well as<br />
Verbinski’s video “Negasonic Teenage Warhead” for <strong>the</strong> rock group Monster Magnet.<br />
Wood was an additional editor on Randall Wallace’s “We Were Soldiers,” starring Mel Gibson. O<strong>the</strong>r<br />
editing credits include “Highway,” Bronwen Hughes’ romantic comedy “Forces <strong>of</strong> N<strong>at</strong>ure,” starring<br />
Sandra Bullock and Ben Affleck, “Secrets <strong>of</strong> <strong>the</strong> City” and Alex Proyas’ 1989 fe<strong>at</strong>ure film “Spirits <strong>of</strong> <strong>the</strong><br />
Air, Gremlins <strong>of</strong> <strong>the</strong> Clouds.”<br />
Born in Sydney, Australia, Wood began his career <strong>at</strong> age 19 as assistant editor in <strong>the</strong> documentary<br />
department <strong>at</strong> <strong>the</strong> Australian Broadcasting Corpor<strong>at</strong>ion television network before moving into music<br />
videos and commercials. He has fashioned <strong>the</strong> videos <strong>of</strong> such artists as Smashing Pumpkins, Bjork, Fiona<br />
Apple, Garbage, Tina Turner, Tom Petty, UB40 and Janet Jackson, not to mention cre<strong>at</strong>ing stylish ads for<br />
various corpor<strong>at</strong>e clients.<br />
STEPHEN RIVKIN, A.C.E. (Editor), is ano<strong>the</strong>r “<strong>Pir<strong>at</strong>es</strong>” returnee, having served as an editor <strong>of</strong><br />
“<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong> Caribbean: The Curse <strong>of</strong> <strong>the</strong> Black Pearl,” for which he shared an A.C.E. Eddie Award with<br />
Craig Wood and Arthur Schmidt, and “<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong> Caribbean: Dead Man’s Chest,” for which he and<br />
Craig shared an A.C.E Eddie nomin<strong>at</strong>ion.<br />
Since <strong>the</strong> early 1980s, Rivkin has edited or co-edited such diverse films as Michael Mann’s “Ali,” <strong>the</strong><br />
action thriller “Swordfish,” <strong>the</strong> comedies “My Cousin Vinny,” <strong>the</strong> Mel Brooks spo<strong>of</strong> “Robin Hood: Men<br />
in Tights” and “Nine Months,” Wolfgang Petersen’s thriller “Outbreak,” <strong>the</strong> war drama “B<strong>at</strong>-21,” and, for<br />
director Norman Jewison, “Only You,” “Bogus,” “The Hurricane,” which was nomin<strong>at</strong>ed for a best picture<br />
Golden Globe ® , and “The St<strong>at</strong>ement.” He also edited Rob Cohen’s action spectacle “Stealth,” starring Josh<br />
Lucas, Jamie Foxx and Jessica Biel. Earlier in his career, Rivkin edited and was <strong>the</strong> associ<strong>at</strong>e producer<br />
on <strong>the</strong> fe<strong>at</strong>ures “Youngblood” and “The Personals.”<br />
Among Rivkin’s television credits are TNT’s CableACE Award nomin<strong>at</strong>ed “Nightbreaker,” HBO’s<br />
“The Comrades <strong>of</strong> Summer” and “El Diablo,” as well as Lifetime’s “Wildflower” and <strong>the</strong> CBS movie “The<br />
Girl with <strong>the</strong> Crazy Bro<strong>the</strong>r,” <strong>the</strong> l<strong>at</strong>ter two directed by Diane Ke<strong>at</strong>on.<br />
Rivkin was born and raised in Minneapolis, Minnesota.<br />
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