Pirates of the caribbean: at world's end - Disney

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CREDITS Tailors . . . . . . . . . . . . . . . . . . . . . . . LEO ARELLANES WILLIAM B. RODDEN Seamstresses SEDA TUFENKJIAN LILIK ANTONYAN ESTHER LOPEZ JOSEFINA LEM Head Agers/Dyers . . . . . . . . . . . . GILDARDO TOBON STEVEN A. GELL Agers/Dyers CHANDRA M. MOORE TYRA YOULAND JASON RAINEY JOSEPH COLLINS Milliner . . . . . . . . . . . . . . . . . . . . . JILL TOMAMATSU Chief Buyer (UK). . . . . . . . . . . . . . . . . . . . ROS WARD Assistant Buyer (UK) . . . . . . . . . GEORGINA WOODS Buyer (LA). . . . . . . . . . . . . . . . . . . . . . . . TINA DOWD Costume Propmaker . . . . . . . . . . . . DAVID BETHALL Costume Leathermakers . . . . . . . . . KELVIN FEENEY JOSEPH COLLINS Costume Construction. . . . . . . . . . RICHARD DE’ATH Workroom Coordinator. . . . . . . JULIE MURNAGHAN Assistants to Costume Designers . . . . . . . NIKI SPINA SOPHIA SPINK Costume Production Assistants . . . MONICA CHAVEZ RYAN TODD DYLAN HAGERTY Make-Up Effects Created by VE NEILL CREATIVE MAKE-UP CONCEPTS Make-Up Effects Supervisor . . . . . . . JOEL HARLOW Silicone Prosthetic Supervisor. . . . STEVE BUSCANO Mold Shop Supervisor . . . . . . . . . . . . . . GIL LIBERTO Mold Maker. . . . . . . . . . . . . . . . . . . . . . . A.J. BEUNOT Foam Latex Supervisor . . . . . . . . . . MARK VINIELLO Mechanical Supervisor . . . . . . . . RUSSELL SHINKLE Painter . . . . . . . . . . . . . . . . . . RICHARD REDLEFSEN Lab Technicians MIKE ROSS CHRIS GARNASS RYAN BRUCE Dental Prosthetics . . . . . . . . . . . . . . RICHARD SNELL Facial Hair Pieces . . . . . . . . . . . . . . . LESLIE DEVLIN ANN-MAREE HURLEY Tattoos Designed by . . . . . . . . . . . . . . . . . . KEN DIAZ KENTARO YANO Tattoo Make-Up Artist. . . . . . . . RICHARD STRATTON Make-Up Department Head . . . . . . . . . . . . . VE NEILL Key Make-Up Artist . . . . . . . . . . . . . . JOEL HARLOW Additional Make-Up Supervisor . . . . . . . . . KEN DIAZ Make-Up Artists RICHARD SNELL JANE GALLI NILKOLETTA SKALATOS RICHARD REDLEFSEN 4 Additional Make-Up Artists RICHARD ALONZO STEVEN ANDERSON ROBIN BEAUCHESNE BELINDA BRYANT LESLIE DEVLIN GABRIEL DE CUNTO DAVID DUPUIS KRIS EVANS LUIS GARCIA ELIZABETH A. HOEL ANN MAREE HURLEY GARRETT IMMEL CORINNA LIEBEL BRAD LOOK ROBERT D. MAVERICK KENNY MYERS NED NEIDHARDT KEN NIEDERBAUMER LESA NIELSEN DUFF SABINE ROLLER-TAYLOR BETH O’ROURKE BRIAN PENIKAS HEATHER PLOTT STEPHEN PROUTY KRISTIN RYALS JOHN DAVID SNYDER JACKIE TICHENOR-SACHER KAREN WESTERFIELD KENTARO YANO DEBORAH ZOLLER Special Effect Contact Lenses by . . . PROFESSIONAL VISIONCARE ASSOCIATES Contact Lens Coordinator. . . . . . CRISTINA P. CERET Contact Lens Technicians. . . . . . CONNIE CRISWELL LAURA HILL Make-Up Department Assistants . . . . . . . . . . . . . HELEN MARRAY-FINLAY LAURA HILL MIKE ROSS BRI MONTEMAYOR JED DORNOFF Dental Special Effects for Johnny Depp. . . . . . . . . DR. RICK GLASSMAN, DDS Chief Hair Designer/Stylist for Mr. Depp . . . . . . . . . . . . . . . . . MARTIN SAMUEL Key Hair Stylists . . . . . . . . . . . . . . GLORIA P. CASNY LUCIA MACE 3rd Hair Stylists . . . . . . . . . . . . . COLLEEN LA BAFF KIMI MESSINA Hair Stylist . . . . . . . . . . . . . . . . NATASHA ALLEGRO Additional Hair Supervisor . . RANDA SQUILLICOTE Additional Hair Stylists BARBARA CANTU HAZEL CATMULL NORMA LEE ANTHONY WILSON TAMMY KUZIAN CATHERINE CHILDERS ANN MARIE LUDDY GEORDIE SHEFFER MONIQUE DE SART SUE ZIETLOE-MAUST SCOTT REEDER CAMMY LANGER BRYAN WHISNANT JANE HASSINGER HITOMI GOLBA KRISTEN BERGE VIVANE NORMAND LAUREL KELLY SHARISSE FINE-KEKONE Hair Dept. Production Assistants . . . MARY SAMUEL COURTNEY LETHER Unit Publicist . . . . . . . . . . . . . . . . MICHAEL SINGER Still Photographers . . . . . . . . . . STEPHEN VAUGHAN SAM EMERSON PETER MOUNTAIN Production Resources . . . . . . . . . . DAVID B. LEENER Research. . . . . . . . . . . . . . . . . . VANESSA BENDETTI Sound Mixer . . . . . . . . . . . . . . . . LEE ORLOFF, C.A.S.
Boom Operators . . . . . . . . . . . . . . BLAIR SCHELLER JEFFREY HUMPHREYS Cablemen . . . . . . . . . . . . . . . . . . . MIKE ANDERSON MIKE SANCHEZ Sound Technician for Mr. Depp. . . . KEENAN WYATT Video Engineers . . . . . . . . . . . . . . . . . DAVE DEEVER DAVID SCOTT Chief Lighting Technician. . . . RAFAEL E. SANCHEZ Best Boy Electric. . . . . . . . . . . . . MORTY PETERSEN Electricians CHRIS WEIGAND PATRICK R. HOESCHEN SCOTT SPRAGUE FFILIP BOLTON MAREK BOISZA JIMMY HARRITOS MIKE YOPE CHRIS PRAMPIN Lighting Programmer . . . . . . . . . . . CHRIS BENNETT Assistant Lighting Programmer . . . . SCOTT BARNES Rigging Chief Lighting Technician . . . . . . . . . . . RODGER MEILINK Rigging ACLT . . . . . . . . . . . . . . . KEVIN BLAUVELT ERIC SANDLIN Rigging Gang Bosses . . . . . . . . . . DAVE THIELHART IZZY GONZALEZ Rigging Electricians KEVIN BARERRA GARY DAHLQUIST CARSON MAYNE ANDY DOROWSKY NOE NAVA FRANK SCHEIDBACH GEORGE LOZANO PAUL HAZARD PAUL POSTAL Key Grip. . . . . . . . . . . . . . . . J. MICHAEL POPOVICH Best Boy Grip . . . . . . . . . . . . . . . . . JOHN D. MILLER Dolly Grips . . . . . . . . . . . . . . . HECTOR GUTIERREZ EUGENE L. RIVERA Aerial Platform Technician/Grip . . . RICHARD JONES Company Grips. . . . . . . . . . . . . . . CHAD C. BARROW MICHAEL R. DUARTE RALPH DEL CASTILLO JAKE FUNK Rigging Key Grip . . . . . . . . . . . . . JERRY SANDAGER Rigging Best Boy Grip . . . . CHARLES “CHIP” HART Rigging Grips MICHAEL E. PACHECO RYAN PACHECO DAVID GONZALEZ ANTHONNY MOLLICONE MICHAEL HESTER DAVE SKINNER ROBERT PATCHEN ISAAC SANDOVAL ANDREW SYKES MIKE CAMPBELL Technocrane Operator. . . . . . . . BRIAN MCPHERSON Special Effects Supervisor . . . . . . . . . JOHN FRAZIER Special Effects Coordinator . . . . . . . MARK HAWKER Special Effects Shop Foreman. . . . . . DAVE AMBORN Special Effects On-Set Foreman . . . . . JOE PANCAKE Special Effects On-Set RICHIE CORDOBES STEVE BUNYEA ROBERT BELL CHRIS JONES JAN AARIS KEN CLARK JD SCHWALM RICHIE SCHWALM GREG TIPPIE STEVE PANCAKE KEN GORRELL JOHN WONSER 5 Special Effects Pyro Foremen. . . . . ERIC RYLANDER DAVE BARKER Special Effects Pre-Rigging JOE LOVE TOM PELTON JOEL MITCHELL TOM HOMSHER LANCE INOUE KIM DERRY DAN OSSELLO BYRON FRAZIER LARRY ZELENAY JON BETHKE JOHNNY FONTANA LOUIS LINDWALL HORACIO BLANCO Special Effects Gimbal Foreman . . . . . . JIM THOMAS Special Effects Welding Foreman . . RAY WILKERSON Gimbal Engineer . . . . . . . . . . . . . . . . . . ROSS YOUNG Special Effects Gimbal Welders ARMONDO GONZALEZ MATT DISARRO RAY HOFFMAN JIM JOLLEY MIKE RIFKIN AL DROEGER DAVID JACKSON RYAN COMPTON ALEX FELIX MARTINE MONTOYA ROBERT NAGLE TED ALLEN FERNANDO MASSIEL TOM TATE MICHAEL TICE THOMAS JAMES JOE PEREZ MIKE HOLLAND ERIC JOLLEY MIKE DERRY JOE LIVOLSI ANTHONY HERRERA DOUG PASSARELLI ANTHONY DAVIS ROBERT HALL ARMONDO FRANCO DARREN O’NEIL PAUL SABOURIN JOHN KELSO TYLER MATSON CHRIS BURTON DREW WOZNIAK Special Effects Hydraulics Crew JOE JUDD JESSE NOEL JESSE OROZCO CHRIS SUAREZ KENT D’HUET KENNY MEIDING CASEY NOEL JEREMIAH COOKE BILL COBB BRYAN WOHLERS Special Effects Craft Service JON TANG RANDY REID BILL SCHWOCHO DEREK HURD MIKE MOSELY Special Effects Purchasers . . . . . . . . . CINDY BRAGA HB AARIS Special Effects Production Assistants . . MIKE KNUFF CAMILLE ALVAREZ Special Effects Driver. . . . . . . . ANDY DENICHOLAS Property Master . . . . . . . . . . . KRISTOPHER E. PECK Assistant Property Masters . . . . . . . . . . . BRAD GOOD MICHAEL D. GIANNESCHI MICHAEL HANSEN Property Assistants . . . JULIE HANNAH GILCHRIST SCOTT W. LESLIE CHRIS LANGEVIN MAX BREHME CURTIS AKIN JOHN A. KEIM RUPERT M. BENSON III STUART RANKINE XAVIER CORBY CREDITS
Page 2 and 3: THIS MATERIAL IS ALSO AVAILABLE ONL
Page 4 and 5: CREDITS Cryer . . . . . . . . . . .
Page 8 and 9: CREDITS Master Armourer . . . . . .
Page 10 and 11: CREDITS Assistant to Mr. Hendricks
Page 12 and 13: CREDITS Animators GEORGE ALECO-SIMA
Page 14 and 15: CREDITS Digital Matte Painters DARI
Page 16 and 17: CREDITS On-Set Techs LAWRENCE DECKE
Page 18 and 19: PIRATES OF THE CARIBBEAN: AT WORLD
Page 20 and 21: With only seven features to his cre
Page 22 and 23: eally tough choices. In that sense,
Page 24 and 25: happened with ‘Pirates’ hasn’
Page 26 and 27: a Mardi Gras float. I’m much more
Page 28 and 29: Singapore Sling With the lion’s s
Page 30 and 31: equired performers taking 8- to 14-
Page 32 and 33: WORLD’S END. Much of AT WORLD’S
Page 34 and 35: had never before seen, accustomed a
Page 36 and 37: eyond a dream come true. Experienci
Page 38 and 39: allowed them to roll.” The constr
Page 40 and 41: showdown between the pirates and th
Page 42 and 43: “Keira gets to wear a Chinese cou
Page 44 and 45: a kaleidoscopic array of characters
Page 46 and 47: When the balls rained down upon the
Page 48 and 49: to it, and you can tell that there
Page 50 and 51: Hawaii Farewell “Aloha Oe” was
Page 52 and 53: second and third ‘Pirates of the
Page 54 and 55: to drop. But there’s also great s
Page 56 and 57:
The relatively brief but remarkable
Page 58 and 59:
Alfredson’s “P&B,” Bo Widerbe
Page 60 and 61:
the tragic hero. Hong Kong director
Page 62 and 63:
One of London’s most promising im
Page 64 and 65:
“Waterworld,” “Bob Roberts,
Page 66 and 67:
Making his feature-film debut in
Page 68 and 69:
ABOUT THE FILMMAKERS Working in a w
Page 70 and 71:
Summer 2006 brought the theatrical
Page 72 and 73:
As a filmmaker for over 25 years, B
Page 74 and 75:
“The Road to Wellville,” “Pin
Page 76 and 77:
Decca and released as a concert alb
Page 78 and 79:
One of the most renowned makeup art
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Pirates of the caribbean: at world's end - Disney

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