Pirates of the caribbean: at world's end - Disney
Pirates of the caribbean: at world's end - Disney
Pirates of the caribbean: at world's end - Disney
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to drop. But <strong>the</strong>re’s also gre<strong>at</strong> sadness th<strong>at</strong> we’re leaving our ‘<strong>Pir<strong>at</strong>es</strong>’ home. Hopefully, we’ll be able to<br />
reunite many times over <strong>the</strong> years, and our p<strong>at</strong>hs will cross many times. So it was a time for reflection,<br />
proud <strong>of</strong> wh<strong>at</strong> we did, sad, happy, relieved and looking forward to reunions.<br />
“Jerry Bruckheimer came up to me <strong>at</strong> one point and said, ‘It’s pretty big, isn’t it?’ And I said, ‘Yeah,<br />
it’s all downhill from here.’ And he said to me, with a grin on his face, ‘Th<strong>at</strong>’s wh<strong>at</strong> <strong>the</strong>y told me when I<br />
did ‘Beverly Hills Cop.’”<br />
In <strong>the</strong> <strong>end</strong>, as Bruckheimer explains, it all comes down to <strong>the</strong> fundamentals <strong>of</strong> wh<strong>at</strong> brings people into<br />
a movie <strong>the</strong><strong>at</strong>er, which has changed little despite <strong>the</strong> enormous leaps in technology from <strong>the</strong> time<br />
audiences stared wide-eyed <strong>at</strong> <strong>the</strong> Melies Bro<strong>the</strong>rs’ special effects spectacles <strong>at</strong> <strong>the</strong> turn <strong>of</strong> <strong>the</strong> 20th<br />
century, howled uproariously <strong>at</strong> <strong>the</strong> comic exploits <strong>of</strong> Charlie Chaplin and Buster Ke<strong>at</strong>on, or s<strong>at</strong> <strong>at</strong> <strong>the</strong><br />
edge <strong>of</strong> <strong>the</strong>ir se<strong>at</strong>s <strong>at</strong> fantastic fe<strong>at</strong>s <strong>of</strong> derring-do by Douglas Fairbanks and Errol Flynn.<br />
“Our biggest challenge for AT WORLD’S END is to entertain <strong>the</strong> audience,” says <strong>the</strong> producer, “and<br />
just make sure th<strong>at</strong> <strong>the</strong>y have a gre<strong>at</strong> time. The film is even more intric<strong>at</strong>e than ‘The Curse <strong>of</strong> <strong>the</strong> Black<br />
Pearl’ and ‘Dead Man’s Chest.’ It has enormous b<strong>at</strong>tles, character turns, romance and humor. It’s wh<strong>at</strong> we<br />
all make movies for, and all <strong>of</strong> <strong>the</strong> elements <strong>of</strong> why people have gone to <strong>the</strong> movies for <strong>the</strong> past hundred<br />
years or so. We want to suck <strong>the</strong> audience into our magical world on th<strong>at</strong> screen, take <strong>the</strong>m to places<br />
<strong>the</strong>y’ve never been before with characters <strong>the</strong>y fall in love with…and in <strong>the</strong> <strong>end</strong>, feel a little better than<br />
when <strong>the</strong>y walked into <strong>the</strong> <strong>the</strong><strong>at</strong>re.”<br />
ABOUT THE CAST<br />
JOHNNY DEPP reprises his Academy Award ® and two-time Golden<br />
Globe ® -nomin<strong>at</strong>ed role <strong>of</strong> Captain Jack Sparrow in PIRATES OF THE<br />
CARIBBEAN: AT WORLD’S END. Depp received Academy Award ® ,<br />
Golden Globe ® , British Academy <strong>of</strong> Film and Television Arts (BAFTA)<br />
nomin<strong>at</strong>ions and a Screen Actors Guild Award ® for his portrayal <strong>of</strong><br />
Captain Jack in “<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong> Caribbean: The Curse <strong>of</strong> <strong>the</strong> Black Pearl,”<br />
and ano<strong>the</strong>r Golden Globe ® nomin<strong>at</strong>ion for “<strong>Pir<strong>at</strong>es</strong> <strong>of</strong> <strong>the</strong> Caribbean:<br />
Dead Man’s Chest.”<br />
Depp has earned both critical and popular acclaim for his unique work<br />
in a variety <strong>of</strong> memorable fe<strong>at</strong>ure films. Most recently, he collabor<strong>at</strong>ed<br />
with director Tim Burton for <strong>the</strong> fourth and fifth times on “Charlie and<br />
<strong>the</strong> Chocol<strong>at</strong>e Factory,” for which Depp received a Golden Globe ®<br />
nomin<strong>at</strong>ion for Best Actor in a Comedy or Musical, and “Tim Burton’s Corpse Bride,” which received a<br />
2005 Academy Award ® nomin<strong>at</strong>ion for Best Anim<strong>at</strong>ed Film. Based on <strong>the</strong> beloved Roald Dahl classic,<br />
Depp portrayed eccentric chocol<strong>at</strong>ier Willy Wonka in “Charlie and <strong>the</strong> Chocol<strong>at</strong>e Factory,” which opened<br />
to impressive critical and box-<strong>of</strong>fice success intern<strong>at</strong>ionally. For “Tim Burton’s Corpse Bride,” Depp<br />
loaned his voice to <strong>the</strong> lead character <strong>of</strong> Victor Van Dort in <strong>the</strong> wildly imagin<strong>at</strong>ive film, which was one <strong>of</strong><br />
last year’s most celebr<strong>at</strong>ed releases. In a striking contrast, Depp also recently starred opposite John<br />
Malkovich and Samantha Morton in Laurence Dunmore’s “The Libertine” as 17th-century womanizing<br />
poet John Wilmot, <strong>the</strong> Earl <strong>of</strong> Rochester. Depp recently completed filming <strong>the</strong> title role in “Sweeney<br />
Todd,” again directed by Tim Burton from Stephen Sondheim’s famed musical about <strong>the</strong> exploits <strong>of</strong> “<strong>the</strong><br />
demon barber <strong>of</strong> Fleet Street.”<br />
Depp received an Academy Award ® nomin<strong>at</strong>ion, Golden Globe ® nomin<strong>at</strong>ion, Screen Actors Guild<br />
Award ® nomin<strong>at</strong>ion and BAFTA nomin<strong>at</strong>ion for his role as J.M. Barrie in Mark Forster’s “Finding<br />
Neverland,” in which he starred opposite K<strong>at</strong>e Winslet and Freddie Highmore.<br />
Depp’s o<strong>the</strong>r screen credits include David Koepp’s “Secret Window,” Robert Rodriguez’s “Once Upon<br />
A Time in Mexico,” Albert and Allen Hughes’ “From Hell,” Ted Demme’s “Blow,” Lasse Hallstrom’s<br />
romantic comedy “Chocol<strong>at</strong>,” Julian Schnabel’s “Before Night Falls,” Sally Potter’s “The Man Who<br />
Cried,” Tim Burton’s “Sleepy Hollow,” Roman Polanski’s “The Ninth G<strong>at</strong>e” and Terry Gilliam’s “Fear and<br />
53<br />
ABOUT THE CAST