Pirates of the caribbean: at world's end - Disney

More documents

Recommendations

Info

One of the most renowned makeup artists in motion pictures, VE NEILL (Key Makeup Artist and Makeup Effects Designer) was nominated for her work, along with key hair stylist and designer Martin Samuel, for a Best Makeup Academy Award ® for “Pirates of the Caribbean: The Curse of the Black Pearl.” They also won a BAFTA Award for their work on that film. They returned to “Pirates of the Caribbean: Dead Man’s Chest,” which brought her and Samuel yet another nomination from the BAFTA Awards. Over the course of her 30-year career, Neill has won three Academy Awards ® , two Emmy Awards ® , two Saturn Awards, the BAFTA Award and Makeup Artist of the Year from the Foreign Press, with a total of 18 international nominations for her creative and innovative makeup. From her early career as a rock ’n’ roll stylist, Neill began to develop her skills as a designer and makeup artist. Specializing in concept, design and execution, Neill entered the film industry and discovered a talent for extreme fantasy makeup. These unique skills put her at the forefront of the early 1980s film extravaganzas. Neill created space travelers for the first “Star Trek” film and for the hit comedy “Galaxy Quest,” rock and roll vampires for Joel Schumacher’s “The Lost Boys” and visions of the afterlife for Tim Burton’s wacky comedy “Beetlejuice,” her first Oscar ® . In addition, she turned Robin Williams into a Scottish nanny for “Mrs. Doubtfire” (Neill’s second Oscar ® win), Martin Landau into horror king Bela Lugosi for Burton’s “Ed Wood” (her third Academy Award ® ) and brought to life an onslaught of villains, beauties and superheroes for Burton’s “Batman Returns” and Schumacher’s “Batman Forever” and “Batman & Robin.” She gave Patricia Arquette the “Stigmata,” transformed Christine Baranski into “The Grinch”’s sexy girlfriend, aged Johnny Depp 60 years for the film “Blow” and turned Jude Law into the perfect Love Robot for Steven Spielberg’s “A.I.: Artificial Intelligence.” Some of her other credits have included Burton’s “Edward Scissorhands,” Danny DeVito’s “Matilda” and “Hoffa,” and Spielberg’s “Amistad.” Neill continued her illustrious career with an assortment of new characters ranging from a manic 100year-old lady in “Duplex,” possessed beings in “Constantine” and a slew of dirty, drunken, barnacleencrusted pirates that everyone adores for the “Pirates of the Caribbean” series. She is now in London turning Johnny Depp into the infamous Demon Barber of Fleet Street for the film “Sweeney Todd.” MARTIN SAMUEL (Chief Hair Designer), along with Ve Neill, was a recipient of an Academy Award ® nomination and a BAFTA Award for his work on “Pirates of the Caribbean: The Curse of the Black Pearl” and a BAFTA Award nomination for “Dead Man’s Chest.” Samuel has worked as a hair stylist in the entertainment industry for over 25 years and has headed the hair department on more than 20 feature films. His expertise in both period and contemporary designs has earned Samuel an international following. His resume includes such diverse films as “The Man Who Fell to Earth,” “Little Buddha,” “Coal Miner’s Daughter,” “Wild Wild West,” “Jane Eyre,” “Blow,” “Hollow Man,” “The Life of David Gale,” “What A Girl Wants,” “Secret Window,” “Sahara,” “Bandidas,” “Domino” and “Chromophobia.” He was nominated for British Academy of Film and Television Arts (BAFTA) Awards for “Pirates of the Caribbean: The Curse of the Black Pearl” and his work with Madonna on Alan Parker’s “Evita,” and he won Britain’s Best Screen Hairstylist of the Year Award for two years running for “Evita” and “Angels and Insects.” He also won the Hollywood Makeup Artist and Hair Stylist Guild Award for Best Character Hair Styling for “Pirates of the Caribbean: The Curse of the Black Pearl” and received a second nomination for Best Period Hair Styling. Born and raised in London, Samuel and his wife, Mary, live in Los Angeles. Information contained within as of May 10, 2007. 77 ABOUT THE FILMMAKERS
We, Buena Vista Pictures Marketing, grant you, the intended recipient of this press kit, a nonexclusive, non-transferable license to use the enclosed photos under the terms and conditions below. If you don’t agree, don’t use the photos. You may use the photos only to publicize the motion picture entitled “Pirates of the Caribbean: At World’s End.” All other use requires our written permission. We reserve the right to terminate this license at any time, in our sole discretion, upon notice to you. Upon termination, you must cease using the photos and dispose of them as we instruct. You are solely responsible for any and all liabilities arising from unauthorized use or disposition of the photos. This press kit is the property of Buena Vista Pictures Marketing and must not be sold or transferred. ©Disney Enterprises, Inc. All rights reserved.
Page 2 and 3:
THIS MATERIAL IS ALSO AVAILABLE ONL
Page 4 and 5:
CREDITS Cryer . . . . . . . . . . .
Page 6 and 7:
CREDITS Tailors . . . . . . . . . .
Page 8 and 9:
CREDITS Master Armourer . . . . . .
Page 10 and 11:
CREDITS Assistant to Mr. Hendricks
Page 12 and 13:
CREDITS Animators GEORGE ALECO-SIMA
Page 14 and 15:
CREDITS Digital Matte Painters DARI
Page 16 and 17:
CREDITS On-Set Techs LAWRENCE DECKE
Page 18 and 19:
PIRATES OF THE CARIBBEAN: AT WORLD
Page 20 and 21:
With only seven features to his cre
Page 22 and 23:
eally tough choices. In that sense,
Page 24 and 25:
happened with ‘Pirates’ hasn’
Page 26 and 27:
a Mardi Gras float. I’m much more
Page 28 and 29: Singapore Sling With the lion’s s
Page 30 and 31: equired performers taking 8- to 14-
Page 32 and 33: WORLD’S END. Much of AT WORLD’S
Page 34 and 35: had never before seen, accustomed a
Page 36 and 37: eyond a dream come true. Experienci
Page 38 and 39: allowed them to roll.” The constr
Page 40 and 41: showdown between the pirates and th
Page 42 and 43: “Keira gets to wear a Chinese cou
Page 44 and 45: a kaleidoscopic array of characters
Page 46 and 47: When the balls rained down upon the
Page 48 and 49: to it, and you can tell that there
Page 50 and 51: Hawaii Farewell “Aloha Oe” was
Page 52 and 53: second and third ‘Pirates of the
Page 54 and 55: to drop. But there’s also great s
Page 56 and 57: The relatively brief but remarkable
Page 58 and 59: Alfredson’s “P&B,” Bo Widerbe
Page 60 and 61: the tragic hero. Hong Kong director
Page 62 and 63: One of London’s most promising im
Page 64 and 65: “Waterworld,” “Bob Roberts,
Page 66 and 67: Making his feature-film debut in
Page 68 and 69: ABOUT THE FILMMAKERS Working in a w
Page 70 and 71: Summer 2006 brought the theatrical
Page 72 and 73: As a filmmaker for over 25 years, B
Page 74 and 75: “The Road to Wellville,” “Pin
Page 76 and 77: Decca and released as a concert alb
show all

Pirates of the caribbean: at world's end - Disney

Create successful ePaper yourself

Delete template?

Save as template?