Two final points: While this paper has focused exclusively on digital equipment, wemust not forget the value of teaching our students how to edit the old fashioned way.Students exposed to digital tools may not like the idea of using “stone age” editors, butfor those interested in careers in broadcast journalism they still need to learn how touse linear tools. Industry analysts estimate that less than half of the newsrooms acrossAmerica have successfully transitioned from tape-to-tape editing to the non-linear technology(Turner, <strong>2002</strong>). I was reminded of this by a recent graduate whose finalcomments in her internship paper were, “Students may think it stinks, but based onwhat I observed at both TV newsrooms, you better be able to edit with linear equipment.They are not even going to consider hiring you unless you can edit the old wayfirst and efficiently.”Finally, let’s face it. How long will the findings from this study remain useable?Several respondents indicated that they were in the process of renovating their facilitiesand purchasing new equipment while filling out the survey! Hopefully a year fromnow, all of our programs will be providing students with more in the way of digitaltools. Despite it’s potentially limited shelf life, I hope the results of this study will assistothers who, like me, have been asked to deliver statistical evidence as to what otherprograms are doing with regards to digital production tools!ReferencesBuck, C. (1997). Curricular review: Supporting the move to digital tools for audio andvideo production 1. <strong>Feedback</strong>, 38 (2) , 24-26.Christ, W. (1998). Multimedia: Replacing the broadcast curriculum. <strong>Feedback</strong>, 39 (1),1-6.Ferraro, C. & Olson, B. (2000). Revisiting attitudes toward use of the computer invideo production. <strong>Feedback</strong>, 41 (2), 22-27.Foote, J. (<strong>2002</strong>). Convergence challenge. <strong>Feedback</strong>, <strong>43</strong> (1), 7-13.<strong>No</strong>rdstrom, M. (2000). Posting web video as a companion to a student-operated TVnews program: A case study. <strong>Feedback</strong>, 41 (4), 1-7.Turner, B. (<strong>2002</strong>). Evolving broadcast editing trends. Broadcast Engineering, February,7-8.Utsler, M. (2001). The convergence curriculum—We got it. <strong>No</strong>w what are we gonnado with it? <strong>Feedback</strong>, 42 (3), 1-5.14<strong>Feedback</strong> <strong><strong>No</strong>vember</strong> <strong>2002</strong> (<strong>Vol</strong>. <strong>43</strong>, <strong>No</strong>. 4)
BCA 311—BROADCAST & CABLECOPYWRITING MASTER SYLLABUSPeter B. Orlik, Central Michigan Universityorlik1pb@cmich.eduCLASSROOMBulletin Description:Practice in the pervasive short forms of audio and video writing: commercials,continuity, public service announcements, and campaign evolution.Prerequisites:ENG 101 or 201 with a minimum grade of B (3.0). A student must document thisattainment in order to remain in the course. Any student subsequently determined tolack this prerequisite will receive an automatic “E” for the final course grade.Rationale for Course LevelBecause this is a professional, applied writing experience, the course assumes thestudent already has developed above-average college-level writing skills in lower levelwriting courses.Textbooks and Other Required Student-Furnished Materials:Orlik, Peter. Broadcast/Cable Copywriting, 6th edition (Boston: Allyn & Bacon,1998)Any standard pocket dictionaryAccess to word processor or typewriterApproximately $9 in storyboard materials (end of semester)Two three-ring binders and access to 3-hole punchSpecial Requirements:This class is part of the BCA and IPR “core”. Therefore, BCA and IPR majors andBCA minors are required to earn a minimum grade of C (2.0) for successful coursecompletion.General Methodology Used in Teaching the Course:This is a lecture/discussion class employing a professional simulation approach. Tomaximally benefit from the class, it is helpful for students to conceive of this as a mediaagency trainee experience rather than a typical 3-credit college offering. Toward thisend, the following procedural policies should be carefully noted:BEA—Educating tomorrow’s electronic media professionals 15
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COMMENTYO, YO, YO! THIS IS THE HIP-
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REVIEWSchroeder, Sheila E. (2002).
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ANNOUNCEMENTS2003-2004 Scholarship
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ANNOUNCEMENTSBroadcast Education As
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NEWSJohn Mark DempseyUniversity of