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iutnam From Rice Paddies and Temple Yards - Refugee Educators ...

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Studu Guzde<br />

TeachingILearnin Sequence Level: early childhood, K-4<br />

1. Describe the function of the song. (It is a counting-out rhyme.)<br />

Find or recall counting-out rhymes common in the United States, such as those<br />

offered below. Encourage students to demonstrate others from their own cultural<br />

backgrounds.<br />

"One potato, two potato, three potato, four<br />

Five potato, six potato, seven potato, more."<br />

"Engine, engine, number nine,<br />

Going down Chicago Line,<br />

If the train should jump the track,<br />

Do you want your money back? [Child answers "yes" or "no"]<br />

Y-E-S spells yes, <strong>and</strong> you are not it."<br />

2. Listen to the recording:<br />

Does this song have a steady pulse? (Yes; most counting-out rhymes do.)<br />

What is the meter of the song? (Duple.)<br />

Keep the duple meter by tapping closed fists on the lap (beat 1) <strong>and</strong> clapping<br />

(beat 2).<br />

3. Prepare to sing the song:<br />

Sing exercise #2. The teacher sings suggested tonal patterns, followed by student<br />

imitation. Teacher <strong>and</strong> students may improvise other patterns that utilize twq<br />

three <strong>and</strong> four pitches of the song, with or without solfege syllables.<br />

-Review the pitch components of the song by singing suggested tonal patterns,<br />

then challenge students to sing the entire song with solfege syllables <strong>and</strong> h<strong>and</strong><br />

signals, if appropriate, slowly at first <strong>and</strong> then with increasing speed.<br />

Exercise 2<br />

4. Sing the song:<br />

Sing together while keeping the duple meter as in (2) above or by pounding the<br />

left closed fist with the right <strong>and</strong> vice versa.<br />

Divide the group into units of four or five participants, <strong>and</strong> choose one person in<br />

each group to count stacked fists while the others sing the song.<br />

Emphasize the pulse with a muted drum beat while the group sings <strong>and</strong> pounds<br />

their own fists or steps the rhythm.

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