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Hit Ch6o: Hit Qua- Ho: Kh5n d6ng: KGn: Nhac Phgt Giho: M'buat: MG: Nhac Thi T& Rao: Szio: Sinh ti&: Song lang: T5n Nhac: ~6t: Ti& Tonality: Northern folk theater fype of antiphonal group singing found near Hanoi hat made of silk cloth and worn on special occasions. double-reed oboe Buddhist Liturgy mouth organ wooden or bamboo bell Southern chamber Music unrnetered, improvised prelude that typically opens a pei$ormance of art music a transverse bamboo flute. coin clapper foot clapper. modernized vocal music one of the most ancient festivals, taking place during the lunar New Year, when people return to their birthplace and family, visit tombs of ancestors, pay debts, pray. vertical flute the gliding motion upward, dropping downward, or remaining on a certain pitch or tone of the voice when speaking Vietnamese. drum bamboo xylophone, played by the Bahnar, an ethnic people of the Central Highlands. It is slung like a hammock on a frame. The bamboo tubes have holes of varying lengths along the bottom.
Guide - to the Companion Tape Side a: ~ o q s I: Hit fi'm Chorus 11: CGm Num CLim Niu Chorus 111: xaly KhrIn Chorus IV: CGL2 Phong Nguycn & Chorus V : Ly' Chim Quyen Thu Van & Chorus VI : Qua C~U Gib Bay Phong Nguycn, Tinh Trang & Chorus VII: Dh DQC D6 Ngmg Thu Van & Chorus VIII: Li ~ihh Tang Tinh Trang & Chorus Accompaniment none none none Side B: ImtrumntaGSeGectwns zither and monochord Phong Nguyen zither Phong Nguycn zither Phong Nguyen zither Phong Nguyen zither & monochord Phong Nguyen IX: Kim TiEn zither Phong Nguycn X: L? Ngqa 6 zither & lute Phong Nguyen XI: Voice of the ~r6.n~ drum & wooden bell Toetrg Phong Nguyen & Thu Van XII: Chinh Phu Ngim Khu'c zither Phuong Chi and Phong Nguyen ?lie Te formers Soloists: Chorus: The Instruments Phong Nguyen, Thu Van, Tinh Trang, Phuong Chi Huong Lan, Kim Van, Kim Thanh, Mong Tuyet, Thu Van and Tinh Trang B Drin b&, monochord; Din N uyet, moon shaped lute; an Tranh, 16 or 17-stringed zither; M6, wooden bell; Trong? drum. (Recorded at Trax Recording, Seattle WA)
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From Rice Paddies and Temple Yards:
Page 7:
about th AU~~LXS, 5 yorwarrd, 7 Lis
Page 11 and 12:
Preface This book-and-tape set repr
Page 13 and 14:
Vietnam and Neighboring Countries i
Page 16 and 17:
Much of Vietnam's earliest history
Page 18 and 19:
A strong division of public opinion
Page 20 and 21:
In spite of diverse racial origins.
Page 22 and 23:
Vietnamese Mwicd Form and instrumen
Page 24 and 25:
2 ~ mm~peec~ ccd~ong: Vietnamese Mu
Page 26 and 27: Since the middle of the twentieth c
Page 29: fnhnve) fldn tarn. a three-shged tr
Page 32: Wid imfiwnenrs include the bamb flu
Page 35: The music of pre-I975 Viemam contin
Page 39 and 40: "Now everybody feels relaxed after
Page 41 and 42: I learned this game song by ear fro
Page 43 and 44: '7 am shaking the handzerchief up a
Page 45 and 46: "The egret is flying, flying" I lea
Page 47 and 48: *Notated without embellishments hca
Page 49 and 50: Lg Chim Quyln " Song of the Nightin
Page 51 and 52: = sounds sligh~ly higher: k = sound
Page 53 and 54: %!I. Qua C&u Gib Bay " The Wind on
Page 55 and 56: TeachingILearning Sequence Level: G
Page 57 and 58: B6 Doc Bb gun^ (daw yawk daw ngahng
Page 59 and 60: TeachingILearning Sequence Study Gu
Page 61 and 62: .!,= sounds slightly lower: T= soun
Page 63 and 64: "Golden Coin" or "Golden Fairy" Thi
Page 65 and 66: Transcription of Din Tranh Pe~orman
Page 67 and 68: x. Ly !~+$Jzzu 0 "Song of the Black
Page 69 and 70: XI. The Voice of the iring The Trad
Page 71 and 72: Study Guide TeachingILearning Seque
Page 73 and 74: Words and Tramlation: Chi7Hh Classi
Page 75: mote: for precise pronunciation, ch
Page 79 and 80: Le, Giang, Nhat Vu Lu, Van Hoa Nguy
Page 81 and 82: (Rmrh and Cassettes) Chau Van Posse
Page 83 and 84: hythm, 60 syncopation in, 67,70,71
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