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Scavenger’s Trick<br />
to explore various levels of art-making. <strong>Art</strong> <strong>Ichol</strong> gave me these possibilities. Local<br />
materials were used in new and inventive ways. Existing architectural forms as well as<br />
heritage values of the region were incorporated into the design.<br />
Ambica di’s dad, Suraj P. Subherwal was the first and obvious choice as the architect.<br />
A veteran architect at eighty-four years, with his in-depth experience and boundless<br />
energy he became our guide. And it was he, who gave <strong>Art</strong> <strong>Ichol</strong> the structure we see<br />
today. I had initially thought of creating a big hall with high ceiling for displaying<br />
ceramics, paintings and sculptures, but it was Papaji who designed an L-shaped<br />
structure, which has a mezzanine floor, office space for Ambica di, an artist<br />
coordinator’s room and multiple conveniences. Drawing inspiration from Khajuraho<br />
it was decided to build the main building at a height, with steps to reach the top. I felt<br />
then that it would be impressive to look at and today, I feel vindicated in my stance.<br />
This building is the iconic Khaprael Kothi at <strong>Art</strong> <strong>Ichol</strong>.<br />
We went hunting to Banaras and Govindgarh for stones, carved pieces, small bricks<br />
and pillars. We picked up a number of odd objects and whatever crazy stuff that<br />
caught our fancy. It was tough being on the road so much and scavenging through<br />
all kinds of material, but it was interesting and funny too - in the way that we looked<br />
at, collected and restored these objects. When we scouted around the Maihar area,<br />
in the iron and wood scrap yards, people wondered what we were up to. Ambica<br />
di belongs to one of the well-known families of Maihar and the locals were puzzled<br />
upon seeing her at such places. It was tiresome and tricky explaining to them why we<br />
were purchasing so much junk. We became known to all the kabariwalas in Maihar<br />
and Rewa. The technical help we got in Maihar was not very skilled and this posed<br />
a huge problem as they had to be supervised all the time. There were no assistants<br />
but Ambica di herself was there, for anything and everything. So was Papaji. I have<br />
been accustomed to having my own way and working independently but here, I had<br />
to work along with Papaji and his emphasis on practical aspects. But, it was a huge<br />
learning experience for me because his technical knowledge came in handy, especially<br />
while executing my rather bizarre ideas. As we worked together, I learned to respect<br />
him more and more. Above all, it was his approach to people around him which<br />
taught me to respect my co-workers too.<br />
photo courtesy: art ichol