Art Ichol Journal

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Ra o’s draw ings com mu nicate the invisibi le spaces we encounter in our dai ly lives. Orig inally fro m Jabalpur where he studied art , he currently lives and wor ks in Mumbai.
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Journal MMXIV Volume One
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Editor: Gopika Nath Editorial assis
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Contents Scavenger’s Trick Naraya
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Editor’s Note Art Ichol has been
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The Residency
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Arshiya Sethi art ichol at night ph
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Arshiya Sethi It has a chhatri and
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Arshiya Sethi stage at art ichol ph
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Sudeep Sen
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Sudeep Sen Under Maihar Night Sky D
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Sudeep Sen secret garden. The walls
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Sudeep Sen
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Sudeep Sen Indian Dessert Clumps of
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Shalini Jaikaria
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Shalini Jaikaria inspired by these
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photo credit: amitabha bhattacharya
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Renewal of Spirit the pond differen
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Renewal of Spirit Shalini Jaikaria
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Tree, Bandhavgarh National Park The
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The Photographer’s Brush Branch m
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The Photographer’s Brush Safari s
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The Photographer’s Brush Untitled
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The Story Teller Growing up in Raja
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The Story Teller I was intrigued. I
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The Story Teller When the Maihar ba
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Detour to Kutch There weren’t any
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Detour to Kutch demands I imposed o
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Detour to Kutch opportunity for int
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Detour to Kutch water’s edge (mai
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Chasing the Sunset As one of the ei
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Chasing the Sunset Post our appetiz
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Chasing the Sunset Seated in the SU
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Poetics of Passion I recall well th
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Poetics of Passion people would rep
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Poetics of Passion self as she brok
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The Furnace at Uchhehra The first t
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The Furnace at Uchhehra it made bet
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The Furnace at Uchhehra He promised
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The Furnace at Uchhehra the front-s
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The Furnace at Uchhehra that I visi
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The Hada at Uchhehra Again and agai
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Making of Ichol
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Ambica Beri photo credit: gopika na
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Ambica Beri photo courtesy: art ich
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Ambica Beri photo credit: amitabha
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Ambica Beri photo courtesy: art ich
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Ambica Beri photo credit: srimallya
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Suraj P. Subherwal (1930 - 2015) Zg
Page 104 and 105: Suraj P. Subherwal photo courtesy:
Page 106 and 107: Suraj P. Subherwal working in torch
Page 108 and 109: Suraj P. Subherwal photo credit: am
Page 110 and 111: Narayan Sinha photo credit: srimall
Page 112 and 113: Narayan Sinha photo courtesy: art i
Page 114 and 115: Narayan Sinha photo credit: srimall
Page 116 and 117: Narayan Sinha photo courtesy: art i
Page 118 and 119: Salamat Khan photo credit: sudharak
Page 120 and 121: Salamat Khan EH$ ~ma Eogm ^r hþAm
Page 122 and 123: Aditya Beri photo credit: sudeep se
Page 124 and 125: Aditya Beri Tiwari ji. Salamat and
Page 126 and 127: Anshuman Beri photo credit: bandeep
Page 129: The Album
Page 133: The Album
Page 137 and 138: The Ceramic Centre
Page 139 and 140: The Kiln Gods The idea of a Ceramic
Page 141 and 142: The Kiln Gods Aditi’s concept was
Page 143 and 144: The Kiln Gods Bhavan and a very abl
Page 145: The Kiln Gods On their return the w
Page 148 and 149: Gallery Sanskriti based in Kolkata
Page 150 and 151: july ‘THEN AND NOW’ Drawings on
Page 152 and 153: ‘FRAMED NARRATIVES’ NARAYAN SIN
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