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Art Ichol Journal

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Aditya Beri<br />

Tiwari ji. Salamat and his contribution have<br />

been well documented, but I just want to share<br />

the great debt of gratitude I owe him for being a<br />

pillar of support, especially for my octogenarian,<br />

maternal grandfather or nana - the architect of<br />

<strong>Ichol</strong>. For me, Salamat is like the Indian army -<br />

those selfless people who allow us to sleep well<br />

at night because we know that on their watch<br />

nothing untoward will happen. Even today, I seek<br />

his advice when I’m stuck with an operational<br />

issue or problem with the crusher or mines<br />

because of his innate ability to think quickly and<br />

practically.<br />

I haven’t inherited my mom’s ability or passion<br />

for art. Her labour of love, <strong>Art</strong> <strong>Ichol</strong>, was often<br />

referred by me as the ‘construction site’ till I<br />

realized how much this upset her. She has done<br />

the most amazing job in such a remote place with<br />

a frugal budget. For me, to even try and tabulate<br />

her achievements would be to belittle them. I also<br />

want to thank Narayan, because without him the<br />

visual delight that <strong>Art</strong> <strong>Ichol</strong> is today would never<br />

have been possible.<br />

Nothing that I write with reference to either of<br />

my parents can be considered complete without<br />

the mention of a certain Vir Beri. Aisha, my<br />

beautiful daughter, when you read this, say<br />

twenty years from now, don’t kill me for not<br />

mentioning you because you were born when<br />

<strong>Ichol</strong> was already built. If <strong>Art</strong> <strong>Ichol</strong> is the rhythm

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