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september<br />
‘FLOWER POWER’<br />
A Kettle Show<br />
by CERAMIC ARTISTS<br />
ADITI SARAOGI, ANATOLII BORODKIN, ANJANI KHANNA,<br />
CYNTHIA SEIGEL, EUGENIA LOGINOVA, VINEET KAKKAR,<br />
DEEPALI DAROZ, FALGUNI BHATT, SHAMPA SHAH, SANDRA<br />
BLACK and ISABELLE ROUX.<br />
november<br />
‘THE PIERCING NEEDLE’<br />
GOPIKA NATH<br />
GOPIKA NATH works with needle and thread, photography,<br />
text and video to explore inner recesses of the mind. Uncovering<br />
stains - marks that create a sense of shame, fear, anger and<br />
more, which inhibit us from being more of what we can be,<br />
she negotiates this uncomfortable terrain with artistic skill and<br />
intellectual dexterity. The repetitive, physical process of piercing<br />
fabric with a needle is integral to a practice in which catharsis is<br />
intrinsic - healing the mind while transcending the discomfort<br />
of tracking the ‘stains’. And, a transformation of these marks is<br />
evinced in the cloth, evocative of the fabric of being.<br />
december<br />
‘JANANI’<br />
JAYASRI BURMAN<br />
The imagery in JAYASRI BURMAN’S work has a<br />
dream-like, lyrical quality. Inspired by Indian folk<br />
elements, her refreshing candour is as original as it<br />
is endearing. She weaves decorative elements of folk<br />
idioms into intricate patterns, without losing the<br />
charm and naivety that characterizes her work. Her<br />
concern for women is coupled with a proximity to<br />
nature where the viewer responds empathically to the<br />
unorthodox canons of beauty and choreography of<br />
nature.