- Page 2 and 3: Journal MMXIV Volume One
- Page 4 and 5: Editor: Gopika Nath Editorial assis
- Page 6 and 7: Contents Scavenger’s Trick Naraya
- Page 8 and 9: Editor’s Note Art Ichol has been
- Page 11: The Residency
- Page 14 and 15: Arshiya Sethi art ichol at night ph
- Page 18 and 19: Arshiya Sethi stage at art ichol ph
- Page 20 and 21: Sudeep Sen
- Page 22 and 23: Sudeep Sen Under Maihar Night Sky D
- Page 24 and 25: Sudeep Sen secret garden. The walls
- Page 26 and 27: Sudeep Sen
- Page 28 and 29: Sudeep Sen Indian Dessert Clumps of
- Page 30 and 31: Shalini Jaikaria
- Page 32: Shalini Jaikaria inspired by these
- Page 35 and 36: photo credit: amitabha bhattacharya
- Page 37 and 38: Renewal of Spirit the pond differen
- Page 39 and 40: Renewal of Spirit Shalini Jaikaria
- Page 41 and 42: Tree, Bandhavgarh National Park The
- Page 43 and 44: The Photographer’s Brush Branch m
- Page 45 and 46: The Photographer’s Brush Safari s
- Page 47 and 48: The Photographer’s Brush Untitled
- Page 49 and 50: The Story Teller Growing up in Raja
- Page 51 and 52: The Story Teller I was intrigued. I
- Page 53 and 54: The Story Teller When the Maihar ba
- Page 55 and 56: Detour to Kutch There weren’t any
- Page 57 and 58: Detour to Kutch demands I imposed o
- Page 59 and 60: Detour to Kutch opportunity for int
- Page 61 and 62: Detour to Kutch water’s edge (mai
- Page 63 and 64: Chasing the Sunset As one of the ei
- Page 65 and 66: Chasing the Sunset Post our appetiz
- Page 67 and 68:
Chasing the Sunset Seated in the SU
- Page 69 and 70:
Poetics of Passion I recall well th
- Page 71 and 72:
Poetics of Passion people would rep
- Page 73 and 74:
Poetics of Passion self as she brok
- Page 75 and 76:
The Furnace at Uchhehra The first t
- Page 77 and 78:
The Furnace at Uchhehra it made bet
- Page 79 and 80:
The Furnace at Uchhehra He promised
- Page 81 and 82:
The Furnace at Uchhehra the front-s
- Page 83 and 84:
The Furnace at Uchhehra that I visi
- Page 85:
The Hada at Uchhehra Again and agai
- Page 89:
Making of Ichol
- Page 92 and 93:
Ambica Beri photo credit: gopika na
- Page 94 and 95:
Ambica Beri photo courtesy: art ich
- Page 96 and 97:
Ambica Beri photo credit: amitabha
- Page 98 and 99:
Ambica Beri photo courtesy: art ich
- Page 100 and 101:
Ambica Beri photo credit: srimallya
- Page 102 and 103:
Suraj P. Subherwal (1930 - 2015) Zg
- Page 104 and 105:
Suraj P. Subherwal photo courtesy:
- Page 106 and 107:
Suraj P. Subherwal working in torch
- Page 108 and 109:
Suraj P. Subherwal photo credit: am
- Page 110 and 111:
Narayan Sinha photo credit: srimall
- Page 112 and 113:
Narayan Sinha photo courtesy: art i
- Page 114 and 115:
Narayan Sinha photo credit: srimall
- Page 116 and 117:
Narayan Sinha photo courtesy: art i
- Page 118 and 119:
Salamat Khan photo credit: sudharak
- Page 120 and 121:
Salamat Khan EH$ ~ma Eogm ^r hþAm
- Page 122 and 123:
Aditya Beri photo credit: sudeep se
- Page 124 and 125:
Aditya Beri Tiwari ji. Salamat and
- Page 126 and 127:
Anshuman Beri photo credit: bandeep
- Page 129:
The Album
- Page 133:
The Album
- Page 137 and 138:
The Ceramic Centre
- Page 139 and 140:
The Kiln Gods The idea of a Ceramic
- Page 141 and 142:
The Kiln Gods Aditi’s concept was
- Page 143 and 144:
The Kiln Gods Bhavan and a very abl
- Page 145:
The Kiln Gods On their return the w
- Page 148 and 149:
Gallery Sanskriti based in Kolkata
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july ‘THEN AND NOW’ Drawings on
- Page 152 and 153:
‘FRAMED NARRATIVES’ NARAYAN SIN
- Page 154:
Ra o’s draw ings com mu nicate th