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I Want To Dream<br />
It was no humble endeavour to begin with. I had big dreams for <strong>Art</strong> <strong>Ichol</strong>. Bringing<br />
them to fruition necessitated great physical and mental endurance along with<br />
ceaseless dedication on my part and that of all those who became involved with this<br />
mammoth project. <strong>Art</strong> <strong>Ichol</strong> cast a spell. It was a vision I had to bring to life.<br />
Of course there were many glitches that were technical, emotional and practical.<br />
I stuck on with all my might. I sold my treasured and prized works of art collected<br />
over many years which I had sworn never to sell. Tough though it was, seemingly<br />
separate events also came together mysteriously and I could see what they were<br />
doing was in alignment with my purpose. They carved the path that would enable<br />
me to build <strong>Art</strong> <strong>Ichol</strong>. What I loved most about travelling in the blissful terrain of<br />
my dream-state was how magnetically and wholly this absorbed me. I was often<br />
astonished at my own sense of commitment but, I couldn’t have done any of it<br />
without the whole-hearted support of Sanjiv, my family and a whole community of<br />
passionate and dedicated people.<br />
photo credit: srimallya maitra<br />
It was my aging father who quickly grasped my vision. His expertise in architecture<br />
turned my dreamscape into a blueprint. In March 2012, at the age of eighty-one, he<br />
began designing the buildings for <strong>Art</strong> <strong>Ichol</strong>. Once construction began, he was onsite<br />
guiding the workers and checking the quality of craftsmanship, right until the<br />
last brick was set. His technical proficiency kept in check the aesthetics of the design,<br />
not allowing for the bizarre and creative to override the practical. Everything, from<br />
‘The Ceramic Centre,’ to the tent house in ‘Amariya – The Writers’ Retreat’ and the<br />
expansive sculpture gallery at <strong>Ichol</strong>, were ideas that he brought to life. In our makeshift<br />
office under the mango tree at <strong>Ichol</strong>, both of us worked side-by-side on-site for<br />
three years. It was my father’s dedication that invigorated him and there were times<br />
when I found it difficult to cope with his energy and determination. My father was<br />
an inspiration to everyone involved with this project, and to say that the creation of<br />
<strong>Art</strong> <strong>Ichol</strong> would not have possible without him, is an understatement.