Art Ichol Journal

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Bandeep Singh ^mJVo Mmoa H$s JR>ar Am_ H$s S>m{b`m| na {Va J`r g~ Ae{\©$`m± {~Ia J`t Sunset over river Tamas, Amariya
The Photographer’s Brush Safari season Eyes, straining, intense, eager Blinded by the tiger Safari track, Bandhavgarh National Park
Page 2 and 3: Journal MMXIV Volume One
Page 4 and 5: Editor: Gopika Nath Editorial assis
Page 6 and 7: Contents Scavenger’s Trick Naraya
Page 8 and 9: Editor’s Note Art Ichol has been
Page 11: The Residency
Page 14 and 15: Arshiya Sethi art ichol at night ph
Page 16 and 17: Arshiya Sethi It has a chhatri and
Page 18 and 19: Arshiya Sethi stage at art ichol ph
Page 20 and 21: Sudeep Sen
Page 22 and 23: Sudeep Sen Under Maihar Night Sky D
Page 24 and 25: Sudeep Sen secret garden. The walls
Page 26 and 27: Sudeep Sen
Page 28 and 29: Sudeep Sen Indian Dessert Clumps of
Page 30 and 31: Shalini Jaikaria
Page 32: Shalini Jaikaria inspired by these
Page 35 and 36: photo credit: amitabha bhattacharya
Page 37 and 38: Renewal of Spirit the pond differen
Page 39 and 40: Renewal of Spirit Shalini Jaikaria
Page 41 and 42: Tree, Bandhavgarh National Park The
Page 43: The Photographer’s Brush Branch m
Page 47 and 48: The Photographer’s Brush Untitled
Page 49 and 50: The Story Teller Growing up in Raja
Page 51 and 52: The Story Teller I was intrigued. I
Page 53 and 54: The Story Teller When the Maihar ba
Page 55 and 56: Detour to Kutch There weren’t any
Page 57 and 58: Detour to Kutch demands I imposed o
Page 59 and 60: Detour to Kutch opportunity for int
Page 61 and 62: Detour to Kutch water’s edge (mai
Page 63 and 64: Chasing the Sunset As one of the ei
Page 65 and 66: Chasing the Sunset Post our appetiz
Page 67 and 68: Chasing the Sunset Seated in the SU
Page 69 and 70: Poetics of Passion I recall well th
Page 71 and 72: Poetics of Passion people would rep
Page 73 and 74: Poetics of Passion self as she brok
Page 75 and 76: The Furnace at Uchhehra The first t
Page 77 and 78: The Furnace at Uchhehra it made bet
Page 79 and 80: The Furnace at Uchhehra He promised
Page 81 and 82: The Furnace at Uchhehra the front-s
Page 83 and 84: The Furnace at Uchhehra that I visi
Page 85: The Hada at Uchhehra Again and agai
Page 89: Making of Ichol
Page 92 and 93: Ambica Beri photo credit: gopika na
Page 94 and 95:
Ambica Beri photo courtesy: art ich
Page 96 and 97:
Ambica Beri photo credit: amitabha
Page 98 and 99:
Ambica Beri photo courtesy: art ich
Page 100 and 101:
Ambica Beri photo credit: srimallya
Page 102 and 103:
Suraj P. Subherwal (1930 - 2015) Zg
Page 104 and 105:
Suraj P. Subherwal photo courtesy:
Page 106 and 107:
Suraj P. Subherwal working in torch
Page 108 and 109:
Suraj P. Subherwal photo credit: am
Page 110 and 111:
Narayan Sinha photo credit: srimall
Page 112 and 113:
Narayan Sinha photo courtesy: art i
Page 114 and 115:
Narayan Sinha photo credit: srimall
Page 116 and 117:
Narayan Sinha photo courtesy: art i
Page 118 and 119:
Salamat Khan photo credit: sudharak
Page 120 and 121:
Salamat Khan EH$ ~ma Eogm ^r hþAm
Page 122 and 123:
Aditya Beri photo credit: sudeep se
Page 124 and 125:
Aditya Beri Tiwari ji. Salamat and
Page 126 and 127:
Anshuman Beri photo credit: bandeep
Page 129:
The Album
Page 133:
The Album
Page 137 and 138:
The Ceramic Centre
Page 139 and 140:
The Kiln Gods The idea of a Ceramic
Page 141 and 142:
The Kiln Gods Aditi’s concept was
Page 143 and 144:
The Kiln Gods Bhavan and a very abl
Page 145:
The Kiln Gods On their return the w
Page 148 and 149:
Gallery Sanskriti based in Kolkata
Page 150 and 151:
july ‘THEN AND NOW’ Drawings on
Page 152 and 153:
‘FRAMED NARRATIVES’ NARAYAN SIN
Page 154:
Ra o’s draw ings com mu nicate th
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