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was listening a lot of at that time to Charlie Patton's work which is not usually in high<br />
quality recording, because he was a genius I think, Charlie Patton. But also listening to<br />
Reverend Gary Davis and Tommy Johnson and Robert Johnson, all these guys. I mean,<br />
Tommy Johnsons', the kind of pathos of his songs. He died young, he died from the effects<br />
of canned heat, which was one of the great songs, Canned Heat Blues. You know, he was<br />
predicting his own death because they would use a can of cleaning fluid and pour it<br />
through to sift out the liquor, and drink that. And they knew that was happening at the<br />
same time, and that would kill them. Some kind of release from the life they were living.<br />
Blues men were mobile and they had that advantage, moving from place to place with<br />
music. But also, you were outlaws as you had no protection from local people, so a lot of<br />
blues men got shot at, and got into trouble.<br />
OV: and that creates its own possession – it's not comfortable, there's often not much<br />
solace in blues music, that pathos -<br />
JB: solace might not be the right word. What this means is the satisfaction of saying it,<br />
there's a satisfaction in saying 'this is how it is'. And I think from blues songs they say 'I'm<br />
not going to entertain you, I'm not going to tell you to make you feel better, I'm going to<br />
tell you this is how it is'. A satisfaction in saying it, pinpointing exactly in the right words<br />
'this is how it is'. I was listening to something this morning, basically while unpacking, the<br />
old process of a bag unpacking, and I was listening on the music machine to Connor<br />
Oberst, who I like, and there was a great album of his - Casa Dega. And I was listening to<br />
that, and he really – he'll calculate, he'll pin it down as 'this is how it is', it's not nice, it's<br />
not reassuring, it doesn't make you feel better. But to say it, to say this is how it is, and<br />
then move on from there, is something significant.<br />
OV: it's its own beauty, I guess, despite this. Can I ask, would you mind reading one of<br />
these blues poems, and there's <strong>Death</strong> Room Blues and Dope Head Blues. Could you go<br />
for one of those?<br />
JB: <strong>Death</strong> Room Blues<br />
Before the songs I sang there were the songs<br />
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