“The Death Issue” December 2015 1

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Inherent Vice Constantin Preda When P.T. Anderson filmed on 35 mm damaged stock, he knew exactly how to film the light, grainy texture of remembering, the threadbare quality of thought when it’s approaching things deeply known but unstated. How strangely familiar it all was, the brightness overcoming the edges, especially as the camera closes in towards the. Sea between two wooden huts, boats in the distance and a misty fuzziness to the blue; years ago, completely still, on a blistered photograph, with overstated happiness next to the child, the sun migraine bright, light like sandpaper. When P.T. Anderson filmed on 35 mm damaged stock, he knew the value of things that can be done only once, like memory, this dreamy indistinctness a thread we clutch as if now, of sculpted blue air. 45
Li Bo Learns the Gentle Art of Disappearing Steve Klepatar We watch rabbits in my garden, how they scurry into brush at the slightest sound, fur and tails blending with shade and light. A mosquito bites his arm, flits off out of sight before his quick hand can slap it dead. As we sip our wine, the sun disappears slowly, in its showy way. “Watch,” he tells me, turning sideways in the growing dark. I do, and then I see it, how light bends around his slender form, how his bald spot deadens streetlamps. His shadow swells out of night until all I see is a raised glass, half full. Then it flickers and falls, a match held too long by a burning hand. 46
Page 2 and 3: A LITERARY MAGAZINE OF POETRY, INTE
Page 4 and 5: CONTENTS Editorial - p. 4 HARKview
Page 6 and 7: “when I say that poetry makes not
Page 8 and 9: language and kind of professional a
Page 10 and 11: OV: and in actually writing your po
Page 12 and 13: they came from, patent shreds of Ba
Page 14 and 15: do you see the role of those, of th
Page 16 and 17: going along a street in Berlin, you
Page 18 and 19: - do you find that's where your pol
Page 20 and 21: If you can get someone like that to
Page 22 and 23: different from that solitary experi
Page 24 and 25: go, and the guy will always say, ra
Page 26 and 27: and something like a fox scouting f
Page 28 and 29: And I don't care what anybody says,
Page 30 and 31: things, pursuing sex, pleasure all
Page 32 and 33: sudoku, can be done in seconds”,
Page 34 and 35: alloon, and it -it's a boy actually
Page 36 and 37: pool, as “a moon affected by the
Page 38 and 39: All Kinds of Old Feeling John Burns
Page 40 and 41: Exile Nels Hanson My farming life i
Page 42 and 43: Island Ryan Van Winkle when the wat
Page 44 and 45: Catcher Hugh McMillan (In his log,
Page 48 and 49: Mother Roux Katarina Boudreaux Five
Page 50 and 51: Encore Bacchus descends from the st
Page 52 and 53: Minnows’ Ladder James Reidel Minn
Page 54 and 55: Not that I saw Him arrive or leave,
Page 56 and 57: factory, lights a cigarette. “I'm
Page 58 and 59: at 1406 today. Northwest gale 8 to
Page 60 and 61: The Organ Recital Simon Ward They d
Page 62 and 63: church's décor. Between the organ
Page 64 and 65: “Michelle,” he whispers, ”did
Page 66 and 67: Contributors KATARINA BOUDREAUX is
Page 68: RYAN VAN WINKLE is a poet, live art

“The Death Issue” December 2015 1

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