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The arena is jointly<br />

owned by telecomms<br />

group Quebecor and<br />

Quebec City Council<br />

and operated by USbased<br />

AEG Facilities<br />

We were driven to design a very intimate bowl to provide fans with the best<br />

possible sight lines – we wanted to place them as close as possible to the action<br />

NEW SPACE<br />

The CA$380m Centre Vidéotron is<br />

located adjacent to ExpoCite – Quebec’s<br />

4 million sq ft business district which<br />

hosts trade shows, events and business<br />

gatherings – and the arena has been<br />

designed as a flexible, iconic and<br />

accessible space.<br />

With a capacity of 18,259 for hockey<br />

games, Centre Vidéotron would rank as<br />

the 15th largest of the NHL’s 30 arenas,<br />

behind Montreal (the largest in the league<br />

with a capacity of 21,273) and Toronto<br />

(18,800) but ahead of those in other<br />

established and larger hockey markets,<br />

such as Boston (17,565) and Edmonton<br />

(16,839). While primarily designed as a<br />

hockey venue, the main amphitheatre’s<br />

flexible design allows seven different<br />

stage configurations to accommodate<br />

a multitude of events, from an intimate<br />

3,700 theatre experience to a 20,000<br />

centre stage concert.<br />

DESIGN<br />

According to Brad Clark, senior principal<br />

of Populous, the design was influenced as<br />

much by Quebec’s extreme climate as it<br />

was by its rich hockey history. “One of the<br />

biggest influences on the design was the<br />

way the city and its population celebrate<br />

the winter months and the cold,” he said.<br />

“Early in the design process, we<br />

established that we wanted to capture the<br />

sentiment of the cold Canadian climate –<br />

the ice and snow – along with the warmth<br />

of natural wood to speak to the area’s<br />

booming timber industry. We really wanted<br />

to incorporate maple wood and timber in<br />

some meaningful way.<br />

“We were creative in using affordable<br />

and sustainable materials and natural<br />

materials were central to bringing the story<br />

to life. Centre Vidéotron is probably one<br />

of the first – if not the only arena – which<br />

incorporates wood into the primary<br />

structure. All of the exterior framing of<br />

the exterior skin is glue and wood, as is<br />

the main atrium curtain wall framing along<br />

the south side. Wood is a very prominent<br />

material in this building, more so than any<br />

arena that we have done to date.”<br />

CLOSE TO THE ACTION<br />

Perhaps the most innovative aspect of<br />

Centre Vidéotron is the way the seating<br />

bowls have been designed. The brief from<br />

Quebecor was clear – seating was to be as<br />

steep and tight as possible, in order to get<br />

the fans close to the action and create an<br />

unforgettable atmosphere.<br />

“The mentality in Canada is quite<br />

different from that in the States when it<br />

comes to sport, especially ice hockey,” says<br />

Clark. “For Canadians, attending a game is<br />

all about the sport and seeing the action,<br />

much more so than in the US, where there<br />

is a lot of secondary activity going on. In<br />

the US, going to a live sports event is seen<br />

more as entertainment, an experience, a<br />

sportsmanagement.co.uk issue 4 2015 © Cybertrek 2015 67

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