EDDIE IZZARD
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The arena is jointly<br />
owned by telecomms<br />
group Quebecor and<br />
Quebec City Council<br />
and operated by USbased<br />
AEG Facilities<br />
We were driven to design a very intimate bowl to provide fans with the best<br />
possible sight lines – we wanted to place them as close as possible to the action<br />
NEW SPACE<br />
The CA$380m Centre Vidéotron is<br />
located adjacent to ExpoCite – Quebec’s<br />
4 million sq ft business district which<br />
hosts trade shows, events and business<br />
gatherings – and the arena has been<br />
designed as a flexible, iconic and<br />
accessible space.<br />
With a capacity of 18,259 for hockey<br />
games, Centre Vidéotron would rank as<br />
the 15th largest of the NHL’s 30 arenas,<br />
behind Montreal (the largest in the league<br />
with a capacity of 21,273) and Toronto<br />
(18,800) but ahead of those in other<br />
established and larger hockey markets,<br />
such as Boston (17,565) and Edmonton<br />
(16,839). While primarily designed as a<br />
hockey venue, the main amphitheatre’s<br />
flexible design allows seven different<br />
stage configurations to accommodate<br />
a multitude of events, from an intimate<br />
3,700 theatre experience to a 20,000<br />
centre stage concert.<br />
DESIGN<br />
According to Brad Clark, senior principal<br />
of Populous, the design was influenced as<br />
much by Quebec’s extreme climate as it<br />
was by its rich hockey history. “One of the<br />
biggest influences on the design was the<br />
way the city and its population celebrate<br />
the winter months and the cold,” he said.<br />
“Early in the design process, we<br />
established that we wanted to capture the<br />
sentiment of the cold Canadian climate –<br />
the ice and snow – along with the warmth<br />
of natural wood to speak to the area’s<br />
booming timber industry. We really wanted<br />
to incorporate maple wood and timber in<br />
some meaningful way.<br />
“We were creative in using affordable<br />
and sustainable materials and natural<br />
materials were central to bringing the story<br />
to life. Centre Vidéotron is probably one<br />
of the first – if not the only arena – which<br />
incorporates wood into the primary<br />
structure. All of the exterior framing of<br />
the exterior skin is glue and wood, as is<br />
the main atrium curtain wall framing along<br />
the south side. Wood is a very prominent<br />
material in this building, more so than any<br />
arena that we have done to date.”<br />
CLOSE TO THE ACTION<br />
Perhaps the most innovative aspect of<br />
Centre Vidéotron is the way the seating<br />
bowls have been designed. The brief from<br />
Quebecor was clear – seating was to be as<br />
steep and tight as possible, in order to get<br />
the fans close to the action and create an<br />
unforgettable atmosphere.<br />
“The mentality in Canada is quite<br />
different from that in the States when it<br />
comes to sport, especially ice hockey,” says<br />
Clark. “For Canadians, attending a game is<br />
all about the sport and seeing the action,<br />
much more so than in the US, where there<br />
is a lot of secondary activity going on. In<br />
the US, going to a live sports event is seen<br />
more as entertainment, an experience, a<br />
sportsmanagement.co.uk issue 4 2015 © Cybertrek 2015 67