Architectural Record 2015-04
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38<br />
ARCHITECTURAL RECORD APRIL <strong>2015</strong><br />
perspectivebooks<br />
Father and Son, Together and Apart<br />
Saarinen Houses, by Jari Jetsonen<br />
and Sirkkaliisa Jetsonen. Princeton<br />
<strong>Architectural</strong> Press, October 2014,<br />
224 pages, $50 (hardcover).<br />
Reviewed by Jayne Merkel<br />
this beautifully illustrated<br />
book covers most of the houses<br />
designed by Eliel Saarinen, with<br />
his partners and members of<br />
his family, and by his son, Eero,<br />
both with Eliel and with associates<br />
of his own. It is important<br />
because most writing about Eero<br />
pays far too little attention to<br />
the influence of his father or to<br />
the collaborative nature of both<br />
their practices.<br />
The authors, a photographer<br />
and an architect, know about<br />
cooperative family ventures, since<br />
they are married and have done<br />
several books together.<br />
This book shows how the<br />
Saarinens’ work evolved from its<br />
National Romantic origins in<br />
Finland at the beginning of the<br />
20th century to the heyday of<br />
midcentury Modernism. The<br />
Saarinens contributed to both<br />
movements significantly. The<br />
villas that Eliel and his colleagues<br />
designed in Finland were masterpieces<br />
of the Arts and Crafts<br />
movement in Scandinavia. And<br />
the houses Eero designed in<br />
America embody the transition<br />
from his father’s mode to one<br />
directly derived from the mechanical<br />
technology that he learned<br />
while designing the General<br />
Motors Technical Center outside<br />
Detroit (1955).<br />
Some of the houses are well<br />
known. Three are even museums—Eliel’s<br />
Hvitträsk, on a lake<br />
outside Helsinki (1902), the<br />
Saarinen House at Cranbrook in<br />
Michigan (1930), and Eero’s Miller<br />
House in Columbus, Indiana<br />
(1957). But the book also includes<br />
10 Finnish villas from the early<br />
20th century, some Modern houses<br />
in the Midwest by the Saarinen<br />
Swanson and Saarinen firm from<br />
the 1930s and ’40s, and a house<br />
Eero built for his mother on his<br />
own property in Michigan after<br />
Eliel’s death.<br />
Most interesting, perhaps—<br />
because they are not widely<br />
known and have lessons to teach<br />
for urban planning today—are<br />
some rowhouses that Eliel<br />
designed as part of his plan for<br />
the Munkkiniemi-Haaga area of<br />
Helsinki in 1916. These large,<br />
gracious homes combined the<br />
advantages of urban and suburban<br />
dwellings and provided<br />
inspiration for those that Eliel<br />
designed at Cranbrook. They are<br />
integrated with their natural<br />
settings and yet occupy the land-<br />
scape economically enough to<br />
provide excellent models for<br />
development now.<br />
A touching final essay by Eero’s<br />
daughter, the landscape architect<br />
Susan Saarinen, describes the<br />
dynamics of “a family where art<br />
and design were” not just “a<br />
common topic of conversation at<br />
the dinner table” but a way of<br />
life. This book provides a window<br />
into that life. ■<br />
Jayne Merkel is a contributing editor<br />
of record and the author of Eero<br />
Saarinen (Phaidon, 2005), which<br />
chronicles the work of both Saarinens.<br />
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