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Architectural Record 2015-04

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38<br />

ARCHITECTURAL RECORD APRIL <strong>2015</strong><br />

perspectivebooks<br />

Father and Son, Together and Apart<br />

Saarinen Houses, by Jari Jetsonen<br />

and Sirkkaliisa Jetsonen. Princeton<br />

<strong>Architectural</strong> Press, October 2014,<br />

224 pages, $50 (hardcover).<br />

Reviewed by Jayne Merkel<br />

this beautifully illustrated<br />

book covers most of the houses<br />

designed by Eliel Saarinen, with<br />

his partners and members of<br />

his family, and by his son, Eero,<br />

both with Eliel and with associates<br />

of his own. It is important<br />

because most writing about Eero<br />

pays far too little attention to<br />

the influence of his father or to<br />

the collaborative nature of both<br />

their practices.<br />

The authors, a photographer<br />

and an architect, know about<br />

cooperative family ventures, since<br />

they are married and have done<br />

several books together.<br />

This book shows how the<br />

Saarinens’ work evolved from its<br />

National Romantic origins in<br />

Finland at the beginning of the<br />

20th century to the heyday of<br />

midcentury Modernism. The<br />

Saarinens contributed to both<br />

movements significantly. The<br />

villas that Eliel and his colleagues<br />

designed in Finland were masterpieces<br />

of the Arts and Crafts<br />

movement in Scandinavia. And<br />

the houses Eero designed in<br />

America embody the transition<br />

from his father’s mode to one<br />

directly derived from the mechanical<br />

technology that he learned<br />

while designing the General<br />

Motors Technical Center outside<br />

Detroit (1955).<br />

Some of the houses are well<br />

known. Three are even museums—Eliel’s<br />

Hvitträsk, on a lake<br />

outside Helsinki (1902), the<br />

Saarinen House at Cranbrook in<br />

Michigan (1930), and Eero’s Miller<br />

House in Columbus, Indiana<br />

(1957). But the book also includes<br />

10 Finnish villas from the early<br />

20th century, some Modern houses<br />

in the Midwest by the Saarinen<br />

Swanson and Saarinen firm from<br />

the 1930s and ’40s, and a house<br />

Eero built for his mother on his<br />

own property in Michigan after<br />

Eliel’s death.<br />

Most interesting, perhaps—<br />

because they are not widely<br />

known and have lessons to teach<br />

for urban planning today—are<br />

some rowhouses that Eliel<br />

designed as part of his plan for<br />

the Munkkiniemi-Haaga area of<br />

Helsinki in 1916. These large,<br />

gracious homes combined the<br />

advantages of urban and suburban<br />

dwellings and provided<br />

inspiration for those that Eliel<br />

designed at Cranbrook. They are<br />

integrated with their natural<br />

settings and yet occupy the land-<br />

scape economically enough to<br />

provide excellent models for<br />

development now.<br />

A touching final essay by Eero’s<br />

daughter, the landscape architect<br />

Susan Saarinen, describes the<br />

dynamics of “a family where art<br />

and design were” not just “a<br />

common topic of conversation at<br />

the dinner table” but a way of<br />

life. This book provides a window<br />

into that life. ■<br />

Jayne Merkel is a contributing editor<br />

of record and the author of Eero<br />

Saarinen (Phaidon, 2005), which<br />

chronicles the work of both Saarinens.<br />

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CIRCLE 60<br />

© 2014 Marvin Windows and Doors. All rights reserved. ®Registered trademark of Marvin Windows and Doors. 1-800-268-7644

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