Architectural Record 2015-04
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61<br />
PHOTOGRAPHY: © JIM ALINDER<br />
if you drive north from San Francisco, along the wildly<br />
beautiful Sonoma coast beyond the Russian River, you eventually<br />
arrive at the Sea Ranch. Stretching along 10 miles of<br />
rugged cliffs that hover above the crashing waves of the<br />
Pacific, this enclave of weathered weekend houses began as a<br />
unique experiment in design. Scattered over 4,000 acres, the<br />
community was planned in the idealistic spirit of the 1960s—<br />
it was a satellite, in a way, of the countercultural capitals of<br />
Berkeley and San Francisco, 100 miles to the south. Even the<br />
name—the Sea Ranch—conjured up a romantic utopia and<br />
spoke to the primacy of the natural surroundings, while the<br />
simple early houses, clad in boards or shingles, with shed<br />
roofs, nestled self-effacingly into the windswept meadows or<br />
forest hillsides. The highly prescribed architecture of the<br />
development meant that the structures were “not to be<br />
married to the site but to enter into a limited partnership<br />
with it,” as the original architects put it.<br />
Those prescriptions were filed as detailed covenants with<br />
the property’s title in May 1965. Now, as the Sea Ranch<br />
celebrates its 50th anniversary, both newcomers and longtime<br />
residents are still grappling with the ideals set forth by<br />
its original planner, Lawrence Halprin (1916–2009), the landscape<br />
architect. He had been hired by Oceanic Properties,<br />
the Hawaii-based developer that bought the timber and<br />
grazing lands for $2.3 million in 1963, to plan a new town of<br />
second homes. Halprin’s enchanting hand-drawn sketches<br />
ISN’T IT ROMANTIC?<br />
Condominium One,<br />
in all its rustic majesty,<br />
presides over an<br />
outcropping above<br />
the Pacific.