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Architectural Record 2015-04

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61<br />

PHOTOGRAPHY: © JIM ALINDER<br />

if you drive north from San Francisco, along the wildly<br />

beautiful Sonoma coast beyond the Russian River, you eventually<br />

arrive at the Sea Ranch. Stretching along 10 miles of<br />

rugged cliffs that hover above the crashing waves of the<br />

Pacific, this enclave of weathered weekend houses began as a<br />

unique experiment in design. Scattered over 4,000 acres, the<br />

community was planned in the idealistic spirit of the 1960s—<br />

it was a satellite, in a way, of the countercultural capitals of<br />

Berkeley and San Francisco, 100 miles to the south. Even the<br />

name—the Sea Ranch—conjured up a romantic utopia and<br />

spoke to the primacy of the natural surroundings, while the<br />

simple early houses, clad in boards or shingles, with shed<br />

roofs, nestled self-effacingly into the windswept meadows or<br />

forest hillsides. The highly prescribed architecture of the<br />

development meant that the structures were “not to be<br />

married to the site but to enter into a limited partnership<br />

with it,” as the original architects put it.<br />

Those prescriptions were filed as detailed covenants with<br />

the property’s title in May 1965. Now, as the Sea Ranch<br />

celebrates its 50th anniversary, both newcomers and longtime<br />

residents are still grappling with the ideals set forth by<br />

its original planner, Lawrence Halprin (1916–2009), the landscape<br />

architect. He had been hired by Oceanic Properties,<br />

the Hawaii-based developer that bought the timber and<br />

grazing lands for $2.3 million in 1963, to plan a new town of<br />

second homes. Halprin’s enchanting hand-drawn sketches<br />

ISN’T IT ROMANTIC?<br />

Condominium One,<br />

in all its rustic majesty,<br />

presides over an<br />

outcropping above<br />

the Pacific.

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