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Also by Cassandra Clare

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know it, he likes it.”<br />

“Does he? He’s always telling me not to risk myself—”<br />

“He has to,” said Cristina. “You are the two halves of a whole. You must be different, like light and<br />

shadow—he brings you caution to temper your recklessness, and you bring him recklessness to<br />

temper his caution. Without each other you would not function as well as you do. That is what<br />

parabatai means.” She tugged lightly on the ends of Emma’s wet hair. “I do not think it is Cameron<br />

that is bothering you. That is just an excuse to berate yourself. I think it is that Julian was hurt.”<br />

“Maybe,” Emma said in a tight voice.<br />

“Are you sure you’re all right?” Cristina’s dark brown eyes were worried.<br />

“I’m fine.” Emma sat back against the pillows. She collected kitschy California pillows: some<br />

looked like postcards, some were shaped like the state or said I LOVE CALI.<br />

“You don’t look fine,” Cristina said. “You look like—my mother used to say there was a look<br />

people got when they realized something. You look like someone who has realized something.”<br />

Emma wanted to close her eyes, to hide her thoughts from Cristina. Thoughts that were treacherous,<br />

dangerous, wrong to have.<br />

“Just shock,” she said. “I came close to losing Julian and—it threw me off. I’ll be fine tomorrow.”<br />

She forced a smile.<br />

“If you say so, manita.” Cristina sighed. “If you say so.”<br />

After Julian cleaned himself up, washed the blood off, and arranged to send the shreds of his poisonburned<br />

gear jacket to Malcolm, he walked down the hall to Emma’s room.<br />

And stopped halfway. He’d wanted to lie down on the bed beside her, and for them to talk over the<br />

night’s events, and to close their eyes together, with the sound of her breathing like the sound of the<br />

ocean, measuring out the steps toward sleep.<br />

But. When he thought of that night in the back of the car, of Emma hovering over him, panic on her<br />

face and blood on her hands, he didn’t feel what he knew he should feel: fear, the memory of pain,<br />

relief that he’d healed.<br />

Instead he felt a tightening in his body that sent an ache down to the center of his bones. When he<br />

closed his eyes, he saw Emma in the witchlight, her hair tumbling out of its fastening, the light of the<br />

streetlamps shining through the strands and turning them to a sheet of pale summer-frozen ice.<br />

Emma’s hair. Maybe because she took it down so rarely, maybe because Emma with her hair down<br />

was one of the first things he’d ever wanted to paint, but the long, looping pale strands of it had<br />

always been like cords that connected directly to his nerves.<br />

His head hurt, and his body ached unreasonably, wanting to be back in that car with her. It made no<br />

sense, so he forced his steps away from her door, down the hall, to the library. It was dark in there<br />

and cold and smelled of old paper. Still, Julian didn’t need a light; he knew exactly what section of<br />

the room he was headed toward.<br />

Law.<br />

Julian was pulling down a red-bound book from a high shelf when a reedy cry drifted down the<br />

hall. He grabbed hold of the tome and was out of the room in an instant, rushing down the corridor.<br />

He rounded the corner and saw Drusilla’s door open. She was leaning out of it, witchlight in hand,<br />

her round face illuminated. Her pajamas were covered in a pattern of frightening masks.<br />

“Tavvy’s been crying,” she said. “He stopped for a while, but then he started again.”<br />

“Thanks for telling me.” He dropped a kiss on her forehead. “Go back to bed, I’ll deal with it.”<br />

Drusilla withdrew, and Julian slipped into Tavvy’s room, closing the door behind him.

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