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Also by Cassandra Clare

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First the flame and then the flood,<br />

In the end, it’s Blackthorn blood.<br />

Seek thou to forget what’s past—<br />

“That’s it,” he finished. “That’s what we have so far.”<br />

“Blackthorn blood?” echoed Diana. She had climbed up onto a library ladder to hand a book down<br />

to Tavvy.<br />

Emma frowned. “I don’t really love the sound of that.”<br />

“There’s no indication of traditional blood magic,” said Julian. “None of the bodies had those<br />

kinds of cuts or wounds.”<br />

“I wonder about the mention of the past,” said Mark. “These kind of rhymes, in Faerie, often<br />

encode a spell—like the ballad of ‘Thomas the Rhymer.’ It is both a story and instructions on how to<br />

break someone free of Faerie.”<br />

For a moment Diana’s face was arrested midexpression, as if she had either suddenly realized or<br />

suddenly remembered something.<br />

“Diana?” Julian said. “Are you okay?”<br />

“Fine.” She climbed down from the ladder and dusted off her clothes. “I need to make a call.”<br />

“Who are you calling?” Julian asked, but Diana only shook her head, her hair brushing her<br />

shoulders.<br />

“I’ll be back,” she said, and slipped out the library door.<br />

“But what does it mean?” Emma said to the room at large. “In the end, Blackthorn blood what?”<br />

“And if it’s a faerie rhyme, then shouldn’t they know if there’s more of it?” Dru spoke up from the<br />

corner where she was busy distracting Tavvy. “The Fair Folk, I mean. They’re meant to be on our<br />

side for this.”<br />

“I have sent a message,” Mark said guardedly. “But I will tell you, I only ever heard those two<br />

lines of it.”<br />

“The most significant thing it means is that somehow this situation—the murders, the bodies, the<br />

Followers—is tied to this family.” Julian looked around. “Somehow, it’s connected to us. To the<br />

Blackthorns.”<br />

“That would explain why all this is happening in Los Angeles,” said Mark. “It is our home.”<br />

Emma saw Julian’s expression flicker slightly, and knew what he was thinking: that Mark had<br />

spoken of Los Angeles as a place they all lived, not a place where everyone lived but him. That he<br />

had spoken of it as home.<br />

There was a loud buzzing sound. The map of Los Angeles on the table had started to vibrate. What<br />

looked like a small red dot was moving across it. “Sterling’s left his house,” Cristina said, reaching<br />

for the map.<br />

“Belinda Belle said he had two days,” said Julian. “That could mean the hunt starts tomorrow, or it<br />

could mean tonight, depending on how they’re counting. Anyway, we can’t assume.”<br />

“Cristina and I will follow him,” Emma said. She was desperate to get out of the house suddenly,<br />

desperate to clear her head, desperate even to get away from Julian.<br />

Mark frowned. “We should go with you—”<br />

“No!” Emma said, hopping down from the table. Everyone turned to look at her in surprise; she had<br />

spoken with more force than she meant to—the truth was, she wanted to talk to Cristina alone. “We’re<br />

going to have to take it in shifts,” she said. “We’re going to have to tail Sterling twenty-four/seven<br />

until something happens, and if we all go every time, we’ll just end up with everyone exhausted.

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