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Also by Cassandra Clare

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Smith was, and Cristina stomped on his foot.<br />

The ticket girl smiled, her red lips curving up into a bow, and slowly tore the ticket in half. If she<br />

recognized Emma, she didn’t show it. “Mr. Smith,” she said. “Hold out your hand.”<br />

Julian offered his free hand, and the ticket girl stamped it with red-black ink. The stamp was an<br />

odd little symbol, lines of water underneath a flame. “The performance is running a bit late tonight.<br />

You’ll find your row and seat numbers have appeared on your ticket. Please don’t sit in anyone else’s<br />

seat.” Her gaze went to Mark—a sharp, intent, assessing gaze. “And welcome,” she said. “I believe<br />

you will find the Followers a . . . sympathetic group.”<br />

Mark looked baffled.<br />

Hands stamped and ticket torn, the four of them trailed into the theater. The moment they crossed<br />

the threshold, the music rose to deafening levels, and Emma recognized it as the kind of big-band jazz<br />

ensemble her father had loved. Just because I play the violin doesn’t mean I don’t like dancing, she<br />

remembered him saying, swinging her mother into an impromptu fox-trot in the kitchen.<br />

Julian turned to her. “What is it?” he asked gently.<br />

Emma wished he couldn’t read her moods quite so perfectly. She glanced away to hide her<br />

expression. Mark and Cristina were behind them, looking around. There was a concession stand,<br />

selling popcorn and candy. A sign reading DANCE HALL/THEATER hung over the stand, pointing left.<br />

People in fancy dress were moving excitedly down the hallway.<br />

“Nothing. We should go that way,” Emma said, and tugged on Julian’s hand. “Follow the crowd.”<br />

“Hell of a crowd,” he muttered. He wasn’t wrong. Emma didn’t think she’d seen so many<br />

expensively dressed people in one place before. “It’s like walking into a noir film.”<br />

Everywhere were beautiful people, the kind of Hollywood beautiful Emma was used to seeing<br />

around Los Angeles: people who had access to gyms and tanning salons and expensive hairdressers<br />

and the best clothes. Here they looked as if they’d dressed as extras for a Rat Pack movie. Silk<br />

dresses and seamed stockings, fedoras and skinny ties and peaked lapels. Apparently Julian’s Sy<br />

Devore suit had been a presciently smart choice.<br />

The room was elegant, with a pressed copper ceiling, arched windows, and closed doors marked<br />

THEATER LEFT and THEATER RIGHT. A rug had been rolled back for dancing, and couples were swirling<br />

together to the sound of a band playing on a raised stage at the end of the room. Thanks to her father’s<br />

tutelage, she recognized trombones and trumpets, drums and piano, an upright bass and—no special<br />

knowledge needed there—a piano. There was a clarinet player too, who took his lips away from the<br />

instrument long enough to grin at Emma as she came into the room. He had auburn curls, and there<br />

was something odd about his eyes.<br />

“He is faerie,” Mark said, his voice suddenly tight. “At least in part.”<br />

Oh. Emma shot a second look around the room, gaze sweeping over the dancers. She had dismissed<br />

them as mundanes, but . . . glancing through the crowd, she saw a pointed ear there, a flash of orange<br />

eyes or taloned fingernails here.<br />

W-H-A-T I-S I-T? Jules wrote on her back, his fingertips warm through the thin material of her<br />

dress.<br />

“They’re all something,” Emma said. She remembered the sign at the Shadow Market. PART<br />

SUPERNATURAL? YOU’RE NOT ALONE. “Good thing we covered our runes. They’ve all got the Sight,<br />

they’ve all got some kind of magic.”<br />

“The musicians are half-gentry Fair Folk,” said Mark, “which is not surprising, for there is nothing<br />

the shining ones value more than music. But there are others here whose blood is mixed with those of<br />

merfolk, and some who are weres.”

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