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Encyclopedia of Buddhism Volume One A -L Robert E. Buswell

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S RI<br />

L ANKA<br />

SRI LANKA<br />

Sri Lanka is home to the world’s oldest continuing<br />

Buddhist civilization. Brahm inscriptions etched in<br />

stone on drip ledges above natural caves in the country’s<br />

North-Central province indicate that hermitages<br />

have been dedicated by Buddhist LAITY for the meditation<br />

needs <strong>of</strong> monks since the third century B.C.E.<br />

Moreover, the fourth- and fifth-century C.E. monastic<br />

chronicles, the Dlpavam sa (Chronicle <strong>of</strong> the Island) and<br />

the Mahavam sa (Great Chronicle), contain a series <strong>of</strong><br />

myths in which the Lankan king Devanam piya Tissa<br />

(third century B.C.E.), a contemporary <strong>of</strong> the Indian<br />

emperor AŚOKA, is said to have been converted to the<br />

Buddha’s teachings by Aśoka’s own missionary son,<br />

Mahinda. Thus, from inscriptions and monastic literary<br />

traditions, it is known that by the third century<br />

B.C.E. lineages <strong>of</strong> forest monks supported by Buddhist<br />

laity were established on the island in the region that<br />

became Lanka’s political center for thirteen subsequent<br />

centuries. Since Aśoka is also thought to have provided<br />

support for Devanam piya Tissa’s abhiseka (coronation),<br />

it would seem that <strong>Buddhism</strong> became formally<br />

associated with Lanka’s KINGSHIP by this time as well.<br />

For more than two millennia, until the British dethroned<br />

the last Lankan king in 1815, a symbiotic relationship<br />

entailing mutual support and legitimation<br />

between the Lankan kings and the Buddhist SAṄGHA<br />

(community) was sustained, either as an ideal or in actual<br />

practice.<br />

Over the course <strong>of</strong> this long history, other forms<br />

<strong>of</strong> <strong>Buddhism</strong> joined the predominant THERAVADA<br />

bhikkhu (monk) and bhikkhunl (nun) saṅghas, which<br />

the Mahavam sa asserts were established by Aśoka’s<br />

children, Mahinda and his sister Saṅghamitta, respectively,<br />

and whose lineages were preserved by the Theravada<br />

Mahavihara nikaya. These included the cults <strong>of</strong><br />

MAHAYANA BODHISATTVAS such as Avalokiteśvara, and<br />

the teachings <strong>of</strong> several Mahayana schools and <strong>of</strong><br />

tantric Buddhist masters associated with Mahavihara’s<br />

rival in Anuradhapura, the Abhayagiri nikaya, which<br />

were established and thrived, particularly during the<br />

seventh through the tenth centuries C.E.<br />

The Anuradhapura period<br />

FAXIAN (ca. 337–ca. 418 C.E.), the itinerant Chinese<br />

Buddhist pilgrim, has provided a valuable description<br />

<strong>of</strong> fifth-century Anuradhapura, reporting that approximately<br />

eight thousand Buddhist monks then resided<br />

in the capital city. Faxian also reports that a public ritual<br />

procession <strong>of</strong> the Dalada (tooth-relic <strong>of</strong> the Buddha)<br />

was celebrated annually, that the cult <strong>of</strong> Śri Mahabodhi<br />

(a graft <strong>of</strong> the original bodhi tree at BODH<br />

GAYA in India) was regularly venerated and lavishly<br />

supported by the laity and the king, and that Lankan<br />

kings had built massive STU PAs to commemorate the<br />

Buddha and his relics. Well before Faxian’s time and<br />

long thereafter, the city <strong>of</strong> Anuradhapura had become<br />

a politically powerful and cosmopolitan center whose<br />

successful economy had been made possible through<br />

the development <strong>of</strong> sophisticated hydraulic engineering<br />

and through the establishment <strong>of</strong> trade with partners<br />

as far flung as China in the east and Rome in the<br />

west. Furthermore, the city had become the administrative<br />

pivot <strong>of</strong> the three great monastic nikayas (chapters)<br />

<strong>of</strong> the Lankan Buddhist saṅgha: the Theravada<br />

Mahavihara; and the more doctrinally eclectic Abhayagiri<br />

and Jetavana chapters, each <strong>of</strong> which systematically<br />

established a vast array <strong>of</strong> affiliated village<br />

monasteries and forest hermitages throughout the domesticated<br />

rice-growing countryside. During the first<br />

millennium C.E., the three nikayas in Anuradhapura<br />

and their affiliated monasteries dominated every facet<br />

<strong>of</strong> social, economic, educational, and cultural life.<br />

Some have argued that just as Lankan polity was expected<br />

to be the chief patron supporting the saṅgha,<br />

so the saṅgha functioned as a “Department <strong>of</strong> State”<br />

for the kingship. Perhaps somewhat exaggerated, that<br />

assertion does point to the extent to which Buddhist<br />

institutions became the basic social infrastructure in<br />

Lanka for many centuries.<br />

Given the congenial relationship between polity and<br />

religion, the Anuradhapura period witnessed the fluorescence<br />

<strong>of</strong> an economically advanced and artistically<br />

sophisticated culture. Although the only surviving examples<br />

<strong>of</strong> painting are the frescos <strong>of</strong> heavenly maidens<br />

(perhaps apsaras) found at Sgiriya, thousands <strong>of</strong> freestanding<br />

stone sculptures <strong>of</strong> the Buddha, scores <strong>of</strong><br />

stone-carved bas-reliefs, and hundreds <strong>of</strong> bronzes are<br />

still extant, including the famous colossal images at<br />

Avukana and the meditative Buddhas that remain<br />

within the ruins <strong>of</strong> the Abhayagiri monastic complex<br />

at Anuradhapura. Early anthropomorphic images <strong>of</strong><br />

the Buddha in Lanka bear a stylistic, and sometimes<br />

material, affinity with Buddha images created at Amaravat<br />

in south India, while images from the later<br />

Anuradhapura period, such as the eighth-century<br />

Avukana image, reflect the development <strong>of</strong> a distinctive<br />

Lankan style that emphasized the significance <strong>of</strong><br />

the Buddha as a mahapurusa (cosmic person).<br />

E NCYCLOPEDIA OF B UDDHISM<br />

795

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