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images cut across the spectrum, from deep analytical and<br />
lack and white images that really cut into the subject and draw<br />
nce of emotion, to some superb contemporary images.<br />
shots of specific objects and items from cycling, really focus the<br />
ind. How do you go about developing an idea into an image and<br />
ght angles etc?<br />
ges are of the moment. Just go with it - there and then.<br />
; I tend to walk around with the camera in my hand now. Is that<br />
it 'cause I can express myself through photography; it's an art.<br />
o show the detail to the normal person who doesn't understand<br />
cate them through the images. I think through images you can draw<br />
ask more.<br />
a beautiful art form; the tactics and the array of colour.<br />
writer, I tend to believe that the eyes are the gateway to the<br />
ry to write from my soul rather than than from the obvious<br />
Your strongest images of cycling are of static themes or of<br />
oving. Do you find that these images allow you to more closely<br />
subject?<br />
emotion. Capturing a rider exhausted or after a crash…<br />
. Yes, capturing that instant in time has real power.<br />
pturing the rider waiting to Time Trial. Even by their hand<br />
n capture the intensity.
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