Exploring the Role of 'Visual Catalysts' on Influencing People's Attraction and Use of Place
Undergraduate Thesis // Keegan Lovell // Bachelor of Landscape Architecure // UNSW 2016
Undergraduate Thesis // Keegan Lovell // Bachelor of Landscape Architecure // UNSW 2016
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FINDINGS SIGNIFICANCE FOR RESEARCH QUESTIONS<br />
1 Do ‘visual catalysts’, as a form <str<strong>on</strong>g>of</str<strong>on</strong>g> temporary place-based interventi<strong>on</strong>, influence <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
attracti<strong>on</strong> <strong>and</strong> use <str<strong>on</strong>g>of</str<strong>on</strong>g> place?<br />
The findings show that ‘visual catalysts’ have <str<strong>on</strong>g>the</str<strong>on</strong>g> potential to influence people’s attracti<strong>on</strong><br />
<strong>and</strong> use <str<strong>on</strong>g>of</str<strong>on</strong>g> place, <strong>and</strong> in <str<strong>on</strong>g>the</str<strong>on</strong>g> case <str<strong>on</strong>g>of</str<strong>on</strong>g> this study it has <str<strong>on</strong>g>the</str<strong>on</strong>g> potential to fundamentally transform<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> experience <str<strong>on</strong>g>of</str<strong>on</strong>g> a place. The place observed in <str<strong>on</strong>g>the</str<strong>on</strong>g> study transformed from <strong>on</strong>e which was<br />
primarily a transiti<strong>on</strong>al z<strong>on</strong>e (<strong>on</strong>e where people moved through to reach a certain destinati<strong>on</strong>)<br />
to <strong>on</strong>e which became a destinati<strong>on</strong> itself. It also transformed <str<strong>on</strong>g>the</str<strong>on</strong>g> interest <str<strong>on</strong>g>of</str<strong>on</strong>g> place in a social<br />
c<strong>on</strong>text; <str<strong>on</strong>g>the</str<strong>on</strong>g> behaviours <str<strong>on</strong>g>of</str<strong>on</strong>g> people were influenced by <str<strong>on</strong>g>the</str<strong>on</strong>g> VIVID festival itself, which in turn<br />
influences <str<strong>on</strong>g>the</str<strong>on</strong>g> attracti<strong>on</strong> <strong>and</strong> use <str<strong>on</strong>g>of</str<strong>on</strong>g> place.<br />
The findings present <str<strong>on</strong>g>the</str<strong>on</strong>g> attracti<strong>on</strong> <strong>and</strong> use <str<strong>on</strong>g>of</str<strong>on</strong>g> place changing in two ways: physically <strong>and</strong><br />
socially. The ‘visual catalysts’ <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> observed case studies for <str<strong>on</strong>g>the</str<strong>on</strong>g> VIVID festival presented an<br />
opportunity for people to shift how <str<strong>on</strong>g>the</str<strong>on</strong>g>y use a space. The purpose <str<strong>on</strong>g>of</str<strong>on</strong>g> VIVID is to engage people<br />
with ideas <strong>and</strong> places through illuminati<strong>on</strong> by establishing a range <str<strong>on</strong>g>of</str<strong>on</strong>g> different interventi<strong>on</strong>s<br />
around Sydney. As such, <str<strong>on</strong>g>the</str<strong>on</strong>g>se interventi<strong>on</strong>s change <str<strong>on</strong>g>the</str<strong>on</strong>g> form <str<strong>on</strong>g>of</str<strong>on</strong>g> a space, <strong>and</strong> thus change<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> functi<strong>on</strong>. During VIVID, <str<strong>on</strong>g>the</str<strong>on</strong>g>re were more people that observed around <str<strong>on</strong>g>the</str<strong>on</strong>g>m due to <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
attracti<strong>on</strong> <strong>and</strong> appeal <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> interventi<strong>on</strong>s; this led to <str<strong>on</strong>g>the</str<strong>on</strong>g> experience <str<strong>on</strong>g>of</str<strong>on</strong>g> place becoming much<br />
more centred <strong>on</strong> <str<strong>on</strong>g>the</str<strong>on</strong>g> experience <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> user at a human scale. Before <str<strong>on</strong>g>the</str<strong>on</strong>g> interventi<strong>on</strong>, <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
site acts as a space to move to <strong>and</strong> from, <strong>and</strong> it dominated by large architecture <strong>and</strong> vehicular<br />
traffic. Through <str<strong>on</strong>g>the</str<strong>on</strong>g> artistic creati<strong>on</strong>s <strong>and</strong> interventi<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> human scale ‘visual catalysts’ this<br />
redefined <str<strong>on</strong>g>the</str<strong>on</strong>g> space to become <strong>on</strong>e at a more intimate, manageable scale. Hence, this is also<br />
likely <strong>on</strong>e <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> reas<strong>on</strong>s why people were less interested in <str<strong>on</strong>g>the</str<strong>on</strong>g> outlook <strong>and</strong> viewpoints <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
place across <str<strong>on</strong>g>the</str<strong>on</strong>g> harbour as <str<strong>on</strong>g>the</str<strong>on</strong>g>y initially were before <str<strong>on</strong>g>the</str<strong>on</strong>g> placemaking interventi<strong>on</strong> as <str<strong>on</strong>g>the</str<strong>on</strong>g>y can<br />
relate to <str<strong>on</strong>g>the</str<strong>on</strong>g> experience <str<strong>on</strong>g>of</str<strong>on</strong>g> place at a greater human level.<br />
In a social c<strong>on</strong>text, <str<strong>on</strong>g>the</str<strong>on</strong>g> attracti<strong>on</strong> <strong>and</strong> use <str<strong>on</strong>g>of</str<strong>on</strong>g> place also was influenced in a transformative way;<br />
predominantly due to <str<strong>on</strong>g>the</str<strong>on</strong>g> number <strong>and</strong> behaviours <str<strong>on</strong>g>of</str<strong>on</strong>g> people when in a crowd. As discussed,<br />
VIVID is an event where people travel from all parts <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> world to see it. It has milli<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g><br />
people that attend annually, <strong>and</strong> has grown in popularity <strong>and</strong> scope substantially in recent<br />
years. This aura <strong>and</strong> reputati<strong>on</strong> brings with it a sense <str<strong>on</strong>g>of</str<strong>on</strong>g> behaviour that is expected when <strong>on</strong>e<br />
goes to see VIVID, <strong>and</strong> this was seen in <str<strong>on</strong>g>the</str<strong>on</strong>g> findings. People during <str<strong>on</strong>g>the</str<strong>on</strong>g> VIVID event were more<br />
likely to behave as a cohort <str<strong>on</strong>g>of</str<strong>on</strong>g> people, a reflecti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> expected social norms <str<strong>on</strong>g>of</str<strong>on</strong>g> being in a<br />
crowd, <strong>and</strong> were more likely to be more engaged with <str<strong>on</strong>g>the</str<strong>on</strong>g> space as <str<strong>on</strong>g>the</str<strong>on</strong>g>y were expecting to<br />
observe <strong>and</strong> see things prior to <str<strong>on</strong>g>the</str<strong>on</strong>g>ir arrival.<br />
Additi<strong>on</strong>ally, <str<strong>on</strong>g>the</str<strong>on</strong>g> functi<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> a crowd changing <str<strong>on</strong>g>the</str<strong>on</strong>g> experience <str<strong>on</strong>g>of</str<strong>on</strong>g> place was also a substantial<br />
finding <str<strong>on</strong>g>of</str<strong>on</strong>g> this research. The number <str<strong>on</strong>g>of</str<strong>on</strong>g> people in <str<strong>on</strong>g>the</str<strong>on</strong>g> space was dramatically higher during <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
VIVID festival than any o<str<strong>on</strong>g>the</str<strong>on</strong>g>r time period observed, <strong>and</strong> this changes <str<strong>on</strong>g>the</str<strong>on</strong>g> dynamic <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> space.<br />
People had to move slower, had more time to take in <str<strong>on</strong>g>the</str<strong>on</strong>g>ir surroundings, <strong>and</strong> generally had to<br />
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