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All About - History - Nero - Rome's Deadliest tyrant

All About History offers a energizing and entertaining alternative to the academic style of existing titles. The key focus of All About History is to tell the wonderful, fascinating and engrossing stories that make up the world’s history.

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NERO: ROME’S DEADLIEST TYRANT<br />

THE DOMUS AUREA<br />

<strong>Nero</strong>’s self indulgence is no well kept secret, the<br />

emperor did not shrink at the idea of spending<br />

enormous amounts on himself while his subjects<br />

suffered. After the great fire of 64 CE destroyed<br />

vast areas of land, <strong>Nero</strong> saw an opportunity to<br />

build the grandest palace the world had ever seen.<br />

<strong>Nero</strong> seized this land, actually owned by several<br />

aristocrats, and set about building his dream home<br />

– the Domus Aurea or ‘Golden House’.<br />

Enlisting the help of the celebrated architect<br />

Severus and the engineer Celer, <strong>Nero</strong> created a<br />

pleasure palace unlike any seen before. The vast<br />

complex included landscaped gardens, a huge<br />

man-made lake and an imperial retreat with 150<br />

beautifully decorated rooms. Glimmering with<br />

delicate gold leaf, semi-precious stones and ivory,<br />

upon the project’s completion <strong>Nero</strong> proclaimed,<br />

“Now I can begin to live like a human being.”<br />

After <strong>Nero</strong>’s suicide just four years later, the lake<br />

was drained and vast areas of the palace were torn<br />

down by Vespasian, who also began constructing<br />

the Colosseum where the lake had stood. Baths<br />

were also later built on the land. It wasn’t until the<br />

Renaissance that interest surrounding the remains<br />

was renewed – many famous painters explored the<br />

ruins, marvelled at the beauty and were inspired<br />

in their own work.<br />

Palace entrance<br />

The courtyard that served as the<br />

main gateway into the complex was<br />

along the via Sacra. The entrance<br />

featured a towering 30-metre-high<br />

gilt-bronze statue of <strong>Nero</strong> himself,<br />

also known as the Colossus <strong>Nero</strong>nis.<br />

Banquet rooms<br />

Despite there being no evidence<br />

of a kitchen on site, there were<br />

countless banquet rooms. In the<br />

West Wing alone, one rectangular<br />

courtyard was surrounded by at<br />

least 50 banquet rooms.<br />

Baths<br />

A staple in Roman life, <strong>Nero</strong> had a luscious bath<br />

house built on the grounds. The bath featured<br />

running cold and hot water, and water was a main<br />

feature throughout the complex – with waterfalls<br />

running down the walls, ornamental fountains<br />

and pools built into the floors.<br />

East Wing<br />

Our knowledge of the<br />

East Wing is limited, as<br />

the West Wing is the<br />

best preserved part of<br />

the building. However,<br />

it is likely it matched the<br />

splendour of its twin, with<br />

sitting-rooms, sun courts,<br />

fountains and intricately<br />

painted frescoes. The two<br />

wings were joined by a<br />

large colonnade, which<br />

may have extended over<br />

two levels.<br />

The room of the Golden Vault<br />

The Golden Vault was in the West Wing and<br />

featured a huge gilded ceiling and marble<br />

panelling. The main attraction, however, was a<br />

towering painting of Zeus abducting Ganymede.<br />

These beautiful and innovative frescoes were<br />

featured throughout the entire Golden House and<br />

would go on to inspire artists such as Raphael.<br />

Gardens<br />

The palace was surrounded by a<br />

luscious landscaped garden covering<br />

50 hectares. The gardens included<br />

ploughed fields, vineyards, pastures<br />

and woodlands. It is also recorded<br />

that domestic and wild animals<br />

roamed freely in the gardens.<br />

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