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DEPARTMENT › ›<br />

Photoshop Tips<br />

boost your productivity and creativity<br />

COLIN SMITH<br />

› › photoshop user › february <strong>2016</strong><br />

050<br />

I have a grab bag full of tips for you this issue. I decided,<br />

rather than have a theme, I’d do it shotgun style and provide<br />

a variety of tips, so there’s something for everyone. Yup, even<br />

you. I hope you enjoy these and they serve you well.<br />

Colored Layer<br />

There are lots of times when you may need a plain colored<br />

layer in Photoshop, for example, to unify the color in compositing.<br />

When making a colored layer in Photoshop, don’t just<br />

create a new layer and fill it with a color; instead, it’s better to<br />

use a Solid Color adjustment layer, Layer>New Fill Layer>Solid<br />

Color. For starters, it will keep the file size smaller. Also, it’s<br />

easy to change the color: Just double-click its layer thumbnail<br />

in the Layers panel and choose a new color from the Color<br />

Picker. The adjustment layer isn’t only faster, but it’s more<br />

flexible. One other thing is if you increase the size of your<br />

document, the adjustment layer will continue to fill the page.<br />

Copy Multiple Layers Across Documents<br />

Since last year’s update to Photoshop CC, you can now dragand-drop<br />

multiple layers and adjustment layers between<br />

documents in tabbed view. Select the layers you want to<br />

copy in the Layers panel and drag them up to the tab of<br />

the document to which you want to copy them. When the<br />

window opens, release the mouse button, and you’ve completed<br />

the move—no U-Haul required.<br />

Lock Brush Settings<br />

I use a Wacom tablet<br />

all the time and I love<br />

it. One thing I don’t<br />

love is when pressure<br />

sensitivity is turned on<br />

for brush size when<br />

I don’t need it. You can<br />

turn it off, but as soon<br />

as you choose another<br />

brush preset that, by<br />

default, has pressure<br />

sensitivity turned on for<br />

size, it comes back on<br />

because brush presets override local settings. You can override<br />

this override, though—how meta! Go to the Shape<br />

Dynamics section in the Brush panel (Window>Brush) and<br />

turn off Pen Pressure in the Control drop-down menu for<br />

Size Jitter. To apply this setting to all brushes, click the little<br />

padlock next to Shape Dynamics and it will be locked, even<br />

if you change brushes.<br />

Change Brush Opacity<br />

To set the opacity of a brush, press a number key on your<br />

keyboard. They’re in 10% increments, so just press the 1 key<br />

for 10%, the 5 key for 50%, etc. For 100%, press the 0 key.<br />

If you quickly type in two digits, such as 2 and then 5, you can<br />

dial in an exact opacity.<br />

Force that Type Tool<br />

If you work with a lot of text in Photoshop, one thing you<br />

might find frustrating is adding new text to a text-heavy<br />

page. When you click with your Type tool, instead of creating<br />

new text, it selects existing text. Annoying! If you’re<br />

clever, you lock the underlying text layers so they won’t be<br />

selected. If you’re super-clever, you’re reading this column<br />

and about to discover a faster fix: Hold down the Shift key<br />

while clicking with the Type tool and a new text layer will be<br />

created—every time!<br />

Sharpen the Photo, not the Noise<br />

Have you ever sharpened a photo just to find that all you’ve<br />

done is drawn attention to the noise? Here’s the thing:<br />

Digital noise is usually more apparent in the shadows.<br />

Before you go off and create some elaborate workflow<br />

with Blend If, let’s just use the tool Adobe has provided<br />

us: Smart Sharpen. Go to Filter>Sharpen>Smart Sharpen,<br />

expand the Shadows/Highlights section, and fade the<br />

shadows. Voilà! Done.<br />

Cleaner Selections with Color Range<br />

Color Range (Select>Color Range) is a great tool for making<br />

selections; you just click on a color and adjust the Fuzziness<br />

to clean up the selection. The only thing is that sometimes<br />

it leaves little unselected spots on the shadows or highlights

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